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Women Sculptors at the

1893 Exposition


Continued--page 2

 



 



Women Sculptors

A - Manan  I  Mears - Yandell



This Page:
Ida Matton
Helen F. Mears
Jean Pond Miner (Coburn)
Henrietta Montalba
Blanche Nevin
Elisabet Ney
Ellen Mary Rope
Theodora Alice Ruggles
Princess M. Schahovskoy
Janet Scudder
Anna M. Valentien
Luella Varney (Serrao)
Bessie Potter Vonnoh
Mary Seton Watts
Julia Bracken Wendt
Jenny Weyl
Anne Whitney
Enid Bland Yandell






Ida Elizabeth Matton (1863 - 1940)
 

Monument for a Tomb--
representative work
 

The Punishment of Loke--
representative work
 

Mama (image unavailable)--exhibited at
the Fine Arts Palace, 1893 Exposition.


Ida Matton was born in Gefle, Sweden and studied at the Technical School of Stockholm and in Paris under H. Chapu, A. Mercie, and D. Puech.  She often exhibited and won prizes in Sweden and in France.




Helen Farnsworth Mears (1872 - 1916)
 

Aphrodite--representative work
 

Genius of Wisconsin (or here)--see the statue in Capitol building.
Exhibited in the Wisconsin Building, 1893 Exposition.
The female figure stands on a rock (a firm foundation), her head resting
on the breast of the eagle (Old Abe), while his right wing stretches
protectingly over her. The folds of the American flag form her drapery--


Helen F. Mears was born in Wisconsin and studied at the Chicago Art Institute under Lorado Taft. She was commissioned to create her 9-foot statue "Genius of Wisconsin" for the Wisconsin Building at the 1893 World Fair. Mears also studied in New York and became an assistant to Saint-Gaudens, working in Paris in 1898 on his Sherman Monument. Her numerous commissions included a statue of Frances E. Willard, the first statue by a woman accepted in the Capitol Building, Washington, D. C.

Biography; another biography; additional biography.
Frances E. Willard--image; Frances E. Willard--image; Frances E. Willard--image, 1905
Augustus Saint-Gaudens--bas relief, 1898. Includes brief biography.
2 images -- (Augustus Saint-Gaudens and Reclining Cat)

Sherman Monument--1892-1903
Biography/image--(Master Charles Courtnay Hog and his Sis)

Helen Mears Studio--shows a number of sculptures
Model of statue proposed for State Capitol
Aphrodite--1912.
Adin Randell--statue in park
Master Charles Courtenay Hoge & His Sister Frances Lupton Hoge, c.1915; bronze plaque




Jean Pond Miner (Coburn) (1865 - 1967)
 

Forward 1893--exhibited in the Wisconsin Building, 1893 Exposition.
The Female figure stands upon the prow of a boat with a figure-head
of "Old Abe." The boat is surging through the water; the poised figure
stretches forth the right hand, while the left clasps the American flag.


Jean Pond Miner was born in Wisconsin, studied at the Chicago Art Institute, and taught at the McGowan School for the Deaf until she became an assistant to sculptor Lorado Taft. In 1893, she was appointed as artist-in-residence at the Wisconsin Pavilion at the Exposition. A Wisconsin women's club commissioned Miner to make the statue "Forward" to represent Wisconsin's progress. Miner worked with pastels in her later years.  She was married to Alonzo J. Coburn.

Short biography--scroll down the page
Forward--A Citizen's Success Story
Ousconsin--scroll down to Miner's name.




Henrietta
Skerrett Montalba (1856 - 1893)


Marquess of Lorne--
representative work
 

Boy Catching a Crab (image unavailable)--
 exhibited at the 1893 Exposition.


Born in England, Henrietta Montalba was part of a family of artists, including her Swedish father  A.R. Montalba and three of her four sisters.  She and her sisters began exhibiting at the Royal Academy during the 1870s. A sculptor, Henrietta specialized in portrait busts.




Blanche Nevin (1841 - 1925)
 

John Peter Gabriel Muhlenberg  (or here)--
representative work of the American Revolutionary war hero,
presently on display in the Capitol Building, Washington, DC.


American Blanche Nevin was a poet as well as artist.  Her father, a theologian, became president of Franklin & Marshall College in Lancaster, Pennsylvania.  Blanche studied at the Pennsylvania Academy of the Fine Arts in Philadelphia and with Joseph Bailly; she later studied sculpture in Rome, Venice, and Florence.  Her sculpture "Maud Muller," based on Whittier's poem, received considerable attention at the 1876 World Fair in Philadelphia. 




Elisabet Ney (1833 - 1907)
 

 

Stephen Austin--
exhibited at 1893 Exposition.

Samuel Houston --
exhibited at 1893 Exposition.


Born Franzisca Bernadina Wilhelmina Elisabeth Ney in Westphalia, Germany, Elisabet Ney studied at the Academy in Berlin and the Royal Bavarian Academy of Fine Arts in Munich. Her busts of famous figures like Schopenhauer, King George V of Hanover, Garibaldi, and Bismarck brought her fame. In 1871, she and her physician-husband (Edmund Duncan Montgomery) decided to move to America. Settling in Texas, Ney gave up sculpting for 20 years to raise her two sons and run their plantation while her husband engaged in research.  Ney came out of retirement in 1890 to sculpt the two Texas heroes exhibited at the 1893 World Fair.

Lady MacBeth 1905




Ellen Mary Rope (1855 - 1934)
 

Plaque from Royal Shrewsbury Hospital
[Copyright Arthur Rope - http://arthur.rope.clara.net]
--representative work

Persephone and Demeter 1889
[Copyright H.Blairman & Sons -http://www.blairman.co.uk/]
--representative work
 

Charity
[Copyright H.Blairman & Sons -http://www.blairman.co.uk/]
--one of four spandrels for the
Women's Building, 1893 Exposition.

Hope--This may or may not be the
plaster-relief panel exhibited in the
Women's Building, 1893 Exposition.


Ellen Mary Rope
was born into a large family at Grove Farm, Blaxhall, Suffolk, England. She studied drawing with philanthropist-reformer Octavia Hill and later at Ipswich School of Art, but became interested in sculpture while at the Slade School at University College London.  She participated often in the Arts and Crafts Society Exhibitions and began designing decorative arts for Della Robbia Pottery, Birkenhead.  Rope designed four plaster-relief panels (6 feet tall images of Faith, Hope, Charity and Heavenly Wisdom) for the Women's Building at the Chicago 1893 World Columbian Exposition.  Her brother George Thomas Rope and nieces Dorothy Rope, 
Margaret Agnes Rope, and Margaret Edith Rope were also artists.




(Theodora) Alice Ruggles (Kitson) (1876 - 1932)

 

Aux Bords de L'Oise (On the Banks of the Oise)--
scroll down the page
exhibited in Fine Arts Palace, 1893 Exposition.


Young Orpheus c. 1890 [my scan]--
exhibited in the Fine Arts Palace, 1893 Exposition.


A New England Fisherman 1892 and
Portrait Bust of an Italian Child c. 1887
(images unavailable) -- exhibited in
Fine Arts Palace, 1893 Exposition.


Born in Massachusetts, the teenaged Theo Alice Ruggles studied sculpture in Paris under Dagnan-Bouveret and under Henry Hudson Kitson whom she would marry in 1893. She was commissioned by the women of Michigan to make two bronze statues of the Michigan woods for the Columbian Exhibition at Chicago in 1893 (no images available). She is probably best remembered for her "hiker" statues which were erected in many communities throughout the country in memory of the servicemen killed in the Spanish-American War (1898-99). She was a prolific and well-respected artist in her day.

Cat image
Massachusetts State Memorial--soldier statute 1905; large image here.
Iron Mike or the Student Soldier--description and several images
Spanish American War Memorial ("The Spirit of '98" or "The Hiker") 1923.
Important Sculptures in Los Angeles County--description; more information here--scroll down the page.
Thaddeus Kosciuszko 1910
Vicksburg ArtistsTheo Alice Ruggles Kitson--many, many images of military relief portraits.




Princess Mary Schahovskoy-Strechneff ( ?? - ?? )

Bust of Princess Oblensky--exhibited
in the Women's Building, 1893 Exposition
 

Terra Cotta Bust--exhibited in the
Women's Building, 1893 Exposition


Princess Mary Schahovskoy was a Russian sculptor.  A maid of honor to the Empress of Russia, Schahovskoy was part of the Congress of Representative Women and a Judge of Awards in the Fine Arts at the 1893 Exposition.




Janet Scudder (1873 - 1940)
 

Frog Fountain  c. 1899--
one of her most successful works.

Cupid atop Tortoise: Fountain--
representative work

The Young Pan--
representative work


Janet Scudder was one of the most successful American women sculptors of the early twentieth century, but only after enduring considerable discrimination as a woman in the 1890s.  Born Netta Scudder in Terra Haute, Indiana, she first studied art in Cincinnati and then became the studio assistant to Lorado Taft at the 1893 World Fair where she received commissions to create two heroic-sized statues for the Illinois and Indiana buildings.  Scudder won a medal at the 1893 Exposition.  Despite this experience, she had trouble getting accepted into Frederick MacMonnies' male-dominated studio in Paris and nearly despaired of being recognized as a sculptor when she returned to New York.  However, with the creation of her playful fountains and garden statuary, she achieved great popularity.  Scudder wrote her autobiography Modeling my Life in 1925.

Biography/ 1 image--good biography
Biography/21 images

Biography and image
Fountain: Diana 1911
Young Diana c. 1918.
Wall Fountain Sculpture
2 images




Anna (Marie Bookprinter) Valentien  (1862 - 1947)
 

Hero Waiting for Leander--
representative work

Ariadne--exhibitied in Cincinnati Room,
Women's Building, 1893 Exposition
(with sculptor Anna Valentien in background)


Anna M. Valentien was born in Cincinnati, Ohio, to a German immigrant family named Buchdrucker (later Anglicized to "Bookprinter"). She studied portraits with Frank Duveneck and sculpture with Louis T. Rebissoat at the Cincinnati Art Academy.  Some years later, she continued her studies in Paris at Académie Colarossi with Jean Antonin Injalbert and at the Academy Rodin with Auguste Rodin, Emile Bourdelle and Jules Des Bois.  Anna and her artist-husband (Albert Valentien) were decorators with Rookwood Pottery in Cincinnati for over twenty years, after which they moved to San Diego and were instrumental in bringing the arts and crafts movement to that area.  She also taught pottery and sculpture at several local schools.




Luella Varney (Serrao) (1865 - after 1935)
 

Right Reverend Amadeus Rappe, D.D 1888
--representative work.
 

Mark Twain (bronze) and Portrait of a Lady (marble)
 -- exhibited in Fine Arts Palace, 1893 Exposition.


American artist Luella Varney was trained in Italy.  In addition to the sculptures listed on this page, she also made a bust of Julia Ward Howe.  No other information is available online.

Bust of Mary Baker Eddy
Perkins Monument 1891




Bessie (Onahotema) Potter Vonnoh (1872 - 1955)
 

American Girl--representative work

 

Butterflies--representative work

 

Bird Fountain--representative work

Woman with Scarf--representative work


Young Mother c. 1896--cast in bronze 1913.
 Exhibited at 1900 World Fair
 

Bust of a Gentleman --
representative work.


Portrait of Prof. David Swing (image unavailable)--
exhibited in Fine Arts Palace, 1893 Exposition.


Born in St. Louis, Missouri, Bessie Potter Vonnoh was raised in Chicago where she studied at the Art Institute.  She was one of  Lorado Taft's female assistants at the 1893 World Fair ; she also did the decorative sculpture called "Art" on the Women's Building.  After studying in Paris, she returned to America and considerable success with her graceful statuettes.  She and her husband-painter Robert Vonnoh were part of the art colony at Old Lyme, Connecticut.

Statuettes by Bessie Potter--1897 article with several images of her work.
Biography / Minuet sculpture c. 1898 or two images--Young Mother and Minuet
Mother and Child
The Fan 1910

Fountain in Memory of Theordore Roosevelt and his Conservation Efforts--scroll down the page
James S. Sherman, Vice President
Goodnight c. 1900
The dancing girl
Statue--Cinderella, 1906
In Arcadia c. 1926 ; here also; large one here
Young Girl c. 1940
Enthroned 1902
72 images--click on "Image Gallery"; also click on Biography
A Study--biography included
Garden Figure c. 1931




Mary Seton (Fraser Tytler) Watts (1849 - 1938)
 

Boy and Dog--exhibited in the
Women's Building, 1893 Exposition


Mary Seton Watts (born Mary Fraser Tytler) was born in India, but raised by her grandparents in Scotland where she became the student of the famous but much older painter George Frederic Watts whom she would eventually marry.  At some point she evidently studied sculpting in London and Paris. An amateur portrait painter before her marriage, she became a social reformer afterwards by establishing the Potters Guild and the Arts & Crafts Guild in Compton, Surrey, to teach terracotta modeling to the local villagers and gentry.  They provided the labor for the remarkable Watts Chapel and Gallery which were designed and decorated with symbolic terracotta tiles by Mary Watts and dedicated to the preservation of the artistic reputation of her husband.  Mary Watts is remembered for her Celtic and Art Nouveau bas-reliefs, pottery, and textiles.  Her small statuettes, like the one pictured above, were made of terracotta clay, painted with watercolors, and waxed.

Mary Fraser Tytler (aka Mary Seton Watts) Biography
The Selfless Wife--article
Chapel Angel
Terracotta Compton Pottery Panel
Hearth rug, The Pelican, c. 1900.
Cobra Pot




Julia M. (Bracken) Wendt (1871 - 1942)
 

 

Lincoln the Lawyer 1925--
representative work.
 

The Apache Fire Hole--representative work
 

James Monroe and Illinois Welcoming the
Nations
(images unavailable) -- exhibited
at Illinois Building, 1893 Exposition.


Julia Bracken Wendt was born in Apple River, Illinois. She studied at the Chicago Art Institute and became one of Lorado Taft's female assistants at the 1893 World Fair where her independently-commissioned statue representing the women of Illinois ("Illinois Welcoming the Nations") was exhibited at the Illinois pavilion and later placed in the Illinois state capitol building along with her statue of James Monroe. After she and her husband moved to California, she created a eleven-foot high allegorical work "The Three Graces:  Art, Science and History (1914)--draped goddesses holding up electrically lit globes--on display in the Los Angeles County Museum of Natural History. She became the city's leading sculptor.

2 images--click on "Image Gallery" and on "biography"
Frank Putnam Flint Fountain; Flint Fountain: Historical Background




Jenny (Schwob) Weyl ( 1851 - 1934 )
 

Quinze Ans! (1888) --
representative work
 

Lucrezia Buti and Fifteen Years (images unavailable)--
exhibited in Women's Building, 1893 Exposition


Jenny Weyl was a French sculptor.  No other information is available online.




Anne Whitney (1821 - 1915)
 

 

Lief Ericsson--scroll down the page.
Exhibited at 1893 Exposition.

Roma (1890)--bronze statue exhibited
in Fine Arts Palace, 1893 Exposition.


Bust of Lucy Stone--exhibited in
Women's Building, 1893 Exposition.


At the 1893 World Fair, Anne Whitney was an established older American sculptor.  Born in Watertown, Massachusetts and educated in art at the Pennsylvania Academy of Fine Arts and in Boston, Paris, and Rome, Whitney had one commission rejected when it was discovered that she was a woman sculptor. However, she ended up creating many prominent statues, such as her marble sculpture of the Revolutionary War hero Samuel Adams in Statuary Hall in the Capitol Building in Washington, D.C.  Her sculptures often carried a social message.  Africa (1864) showed a woman awakening from the sleep of slavery, and Roma represented the poverty in Rome as a beggar-woman.  She also sculpted busts of suffragists and abolitionists she admired.  Her partner was Abby Adeline Manning, a painter.

Biography; Biography--mentions other statues
Whitney, Anne--short biography
Lief Ericksson (scroll down the page)
Samuel Adams--image Samuel Adams; Laura Brown--image; Keats--image
2 statues--Senator Charles Sumner & temperance leader Frances Willard
19th Century Slides--scroll down to six images of statues by Whitney.
Illustration: for Jewett's texts--for "Farmer Finch"
Le Modele--scroll down the page; or here (Museum of Fine Arts, Boston)
Laura Brown




Enid Bland Yandell (1870 - 1934)

 

Boys--representative work
 

Daniel Boone (larger image) -- exhibited
before the Kentucky Building, 1893 Exposition.
Large image
here or here. See placement of statue.


See also Caryatids--
Women's Building, 1893 Exposition.


Enid Yandell from Louisville, Kentucky studied at the Cincinnati Art Academy and later with Philip Martiny in New York and with Auguste Rodin and Frederick MacMonnies in Paris.  Besides her Daniel Boone and the caryatids on the Women's Building, Yandell's other statues at the 1893 World Fair included Henry Clay and her "Parthenon" statues on the porticoes of the Columbian Exposition Hall.  She won a Special Designer's Medal at the 1893 Exposition.  Along with two associates, Yandell wrote Three Girls in a Flat (1892) based on her personal experiences with the Women's Building.  Her later spectacular fountain sculpture "The Struggle of Life" (to escape male figures personifying Duty, Avarice, and Passion) was exhibited at the 1901 World Fair.  She is also remembered for her heroic figure of Athena, the largest figure designed by a woman.  Yandell was the first woman to become a member of the National Sculpture Society.

Enid Yandell Biography --plus 2 images.   2 images in Image Gallery--sundials
Biography; Athena; forty-foot Athena--to get some idea how large this statue is
Enid Bland Yandell--scroll down to last entry
Enid Yandell--scroll down to her name
Three statues--including the large sections of her Athena.
Ninigret--image; Bas Relief--image of Julia Dinsmore
 




Some of the above information came from these sources:

Jeanne Madeline Weimann. The Fair Women. Chicago 1981.

F. Graeme Chalmers. Women in the Nineteenth Century Art World.Westport 1988.

Paul V. Galvin. World's Columbian Exposition of 1893. Library Digital History Collection, Illinois Institute of Technology.

Maud Howe Elliott, ed.  Art and Handicraft in the Women's Building of the World's Columbian Exposition Rand, McNally, 1894.

The Web-Book of the Fair:  A Window on the Chicago World's Fair of 1893.
 




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These pages are for educational use only.

Text written by K. L. Nichols
 

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Suggestions/Comments: knichols@pittstate.edu
Posted: 6-25-02; Updated: 06-28-08