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1893 Exposition
|
French Women Painters
Abbema - Bonheur l Boyer-Breton - Fleury l Houssay - Zillhardt
This Page:
Marthe Boyer-Breton
Marie
Bracquemond
Laure
Lapierre
Brouardel
Berthe Burgkan
Marie
Guillet
Cazin
Uranie Colin-Libour
Jeanne Contal
Delphine Arnould de Cool
Virginie Demont-Breton
Fanny Laurent Fleury
Marthe
Marie Louise Boyer-Breton
(1879 - 1926)

Off to
School--
representative work
It is unclear which paintings Boyer-Breton
exhibited in the Women's Building, 1893 Exposition.
Marthe Boyer-Breton was a French artist. No other information is available online.
Marie (Quiveron) Bracquemond
(1840 - 1916)
|
On the Terrace at Sevres
1880-- |
Under the Lamp 1887-- |
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Tea Time (portrait of Louise Quiveron) 1880-- |
![]() Portrait of Felix
Bracquemond in his Studio 1886-- |
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Le Repos
du Modele (1913)--
representative work
Portrait of Madam
Beraldi and
Portrait of Monsieur Geffroy
(no images available)--two etchings
exhibited in Women's Building, 1893 Exposition.
Born in Brittany, Marie Bracquemond began painting when her family moved to Paris. Her earlier work shows the classical influence of Ingres, but by the 1870s, she was an active proponent of impressionism. In addition, she received recognition as an excellent ceramic artist. Although she exhibited during the 1870s and 1880s, the jealousy of her overbearing artist-husband, Felix Bracquemond, caused her to stop painting around 1890. Many of the best paintings by this reclusive artist were painted in her own backyard. Although she is often overlooked by art historians and critics, her work should rank with Mary Cassatt's and Berthe Morisot's.Bracquemond, Marie--biography/4 images (On the Terrace; Artist's Son and Daughter; Three Graces; Lady in White)
Marie Bracquemond--biography/images (On the Terrace; Lady in White)
Lady in White
The Painter c. 1890
Laure
Lapierre
Brouardel
(active 1890 - 1919)
Le déjeuner campagnard --representative work

Vue de
Visieux--
representative work
It is unclear which paintings
Brouardel
exhibited at the 1893 Exposition.
Laure Lapierre Brouardel was born at Fontainebleau. No other information is available online.
Berthe Burgkan (? -
c. 1936/38)

Elegante dame aan het klavier (1891)--
representative work
A Widow (image unavailable)--exhibited
in Fine Arts Palace, 1893 Exposition
Berthe Burgkan was a French artist. No other information is available online.
Marie Guillet Cazin

Cottage in the Dunes--representative work

Windmill Brighton--representative work
Young Girls
(sculpture); Meditation; and
Summer (images unavailable)--exhibited
in Fine Arts Palace, 1893 Exposition
Marie Cazin was a French painter, engraver, and sculptor who trained under her husband, Jean-Charles Cazin, and with Juliette Peyrol-Bonheur . She exhibited frequently, turning more to bronze sculptures in her later career.
Uranie Alphonsine Colin-Libour

The
Painting Class (1891)--representative work

Pige Med Sin Spæde Lillebror
--representative work

In
Distress, Rising Tide--representative work

Le
lendemain de la paye (1900)--
representative work

Le Manege--representative
work
It is unclear which paintings
Colin-Libour
exhibited at the 1893 Exposition.
Uranie Colin-Libour was a French artist. No other information is available online.
Jeanne Contal

Cour de Ferme--representative
work

Portrait of a Child--representative work
These miniatures on ivory were exhibited in the
Fine Arts Palace at the 1893 Exposition:
The Letter.
Young Girl.
Portrait of M.M.C.
The Smile.
Portrait of Emil T..
Portrait of M.T..
Young Girl with a Boa.
Jeanne Contal was a French artist who worked in miniatures. She studied with Bellay. No more information is available online.
(Marie Marcelle) Delphine (Fortin) Arnould de Cool

Une Jeune Orientale
(A Young Oriental
Woman) 1877--representative work.

The Old Man's Soup--exhibited
in
Women's Building, 1893 Exhibition.
Delphine Arnould de Cool was born at Limoges and studied under her father. She married the painter and sculptor Arnould de Cool. Her son Gabriel de Cool was born in 1854 and also became a painter. No other information is available online.
Virginie (Elodie)
Demont-Breton
(1859 - 1935)
Mother
and Child Seated by Glowing Embers-- |
![]() Breton
Fisherman--representative work |
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Portrait of a young Girl-- |
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Portrait of a
Young Girl Picking |

[title unknown]--representative work
![]() [title unknown] |
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Au Pays Bleu--representative
work |

Hagar
& Ishmael in the Wilderness--excellent
example of her work
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A Fisherwoman Returning from |
A Young Sailor's Training
1892 |

The
Bath--exhibited in the
Children's Building, 1893 Exposition
Daybreak
and In Wonderland (images unavailable)
exhibited in Fine Arts Palace, 1893 Exposition.
Virginie Demont-Breton was born in France and studied art under her father, the well-known painter Jules Breton. She exhibited in Holland and France, often receiving medals. President of the Union of Women Painters and Sculptresses, she was the second woman to receive the cross of the Legion of Honor (Rosa Bonheur being the first). Her paintings often featured motherhood or French fisherfolk themes. She married artist Adrien Demont.A Painter of Motherhood--1896 article in Century Magazine; lists many more paintings by Demont-Breton.
Twins 1888
Two images --Le Foyer and Her Husband Is At Sea
The First Christmas 1895
Nine images
Fanny (Laurent) Fleury

Anna--representative
work
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La jeune
Italienne (The Young Italian)
--representative portrait

Still Life with Roses and Raspberries--
excellent example of her still lifes.

Young Parisian under a Tree--representative
work
Jeune Femme--representative
work |
Portrait d'une Jeune Femme-- |
Portrait of a Young Woman
--
exhibited at 1893 Exposition. It is
unclear if one of the "Jeune Femme"
images above is this painting or not.
Born in Paris, Fanny Fleury studied under Jean-Jacques Henner and Carolus Duran and exhibited often at the Paris Salon between 1886-89. She was known primarily for her portraits and figure studies.Liegendes junges Mädchen in Landschaft [Young Parisian under a Tree]
The Ballerinas
Girl with a Dog and a Cat
Portrait d’un enfant en uniforme
One image
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Text written by K. L. Nichols
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Posted: 6-25-02; Updated: 11-13-07