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1893 Exposition
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1893 Exposition
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U.S. Women Painters
A - Browne l Bush - Cochrane l Coffin - Cranch I Darrah - Eggleston l Emmet - Gardner l
Gill - Hudson l Jenkins - MacKubin l MacMonnies - Moran I Newcomb - Nourse I
Parrish - Robbins I Ross - Shepley I Sherwood - Wigand
This Page:
Mariquita S. Gill
Rosalie Lorraine Gill
Kathleen H. Greatorex
Lillian S. Greene
Johanna Woodwell Hailman
Ellen Day Hale
Mary Hallock-Foote
Maria Hallowell
Annie L. Harmon
Ida C. Haskell
Adele M. von Helmold
Edith M. W. Howes
Grace Carpenter Hudson
Mariquita S. Gill
(1861 - 1915)
|
Willows by the River, Giverny-- |
A
Bit of our Garden, Giverny--representative work, |
Distant
Sails along the Coast--
representative work
Mariquita S. Gill was born in Uruguay and studied art in New York at the Art Students League and in Paris at the Académie Julian. Discovering the impressionists (particularly Pissarro. along with Monet), she moved to Giverny during the 1890s and enthusiastically painted and studied their methods. Returning to America, she spent the remainder of her career in Massachusetts and exhibited often.Biography/Images --click on "Examples of Work"
River Landscape in Winter c.1905
Arbor in Salem, Massachusetts
Rosalie Lorraine Gill
(1867 - 1898)
 |
The Orchid (Portrait of Mother and Child)--
representative work
Twilight on St. Ives Bay and
Portrait of Miss Inglis
(images unavailable)--two oils exhibited
in Fine Arts Palace, 1893 Exposition.
Born in Maryland, Rosalie Lorraine Gill was raised by a father who encouraged her interest in art. She began studying at age twelve under William Merritt Chase at the Art Students League in New York and was winning awards by age 17. By 1888, she was studying and exhibiting in Paris where she and her husband Rene Lara remained the rest of their lives. Her married name and title are Mme. Rene Lara, Comptesse de Chalan.
Kathleen Honora Greatorex
(1851-1913)
Le jardin fleuri--representative work
Hilltop Castle in the Alps--representative work
Carnival
and Corner of the Strozzi Palace, Florence
(images unavailable)--two watercolors
exhibited in Fine Arts Palace, 1893 Exposition.
Born in New Jersey, Kathleen H. Greatorex studied art under her artist-mother (Eliza Pratt Greatorex) and in New York, Rome, and Munich. During the 1880s and 90s, she exhibited in Paris and Chicago and taught art in New York. Her sister, Eleanor, was also an artist. The three Greatorex women artists were part of the art colony in Cragsmoor, New York and traveled extensively in Europe, Africa, and the U.S.Biography/image--click on "Biography" and "Examples of Work."
Lillian S. Greene
(1856-1940)
My
Garden, Kennebunk--
representative work
A Brittany Landscape
(image unavailable)--
exhibited in Fine Art Palace, 1893 Exposition
Lillian Greene was born in Maine and trained in Boston at the Museum of Fine Arts and in Paris at the Académie Julian. She married William Greene. No other information is available online.
Johanna (Knowles) Woodwell Hailman
(1871-1958)
Nassau (Bahama
Island Port Scene)--
representative marinescapes.
Mills,
Trains and Barges (1940)--
representative work
Study Head of a Young Girl (oil) and
Portrait of Miss L (watercolor)
(images unavailable)--exhibited in Fine Arts Palace, 1893 Exposition.
Johanna Woodwell Hailman was born into a Pennsylvania family of artists and trained primarily by her artist-father (Joseph Woodwell) and at the Pittsburgh School of Design for Women. She traveled widely, painting landscapes in Europe and the Bahamas, but is especially known for her paintings of the flowers in her garden and for industrial Pittsburgh scenes. Hailman was an early supporter of the city beautification movement.Biography--click on "biography"
Pittsburgh River Scene 1929
Ellen Day Hale
(1855-1940)
Green
Calash (1925) (etching/aquatint)--
representative later work
Self-Portrait
(1885). Another image
here. |
Morning News--representative
work. |
|
Bessy (1890) [my scan]--oil
exhibited |
Dasies
(1934)--representative work. |
June -- representative
work.
 |
Charlotte Perkins Gilman--
representative work
2 dry points, both titled
Study of a Head, and
the oil Under the Vine (images
unavailable)--
exhibited in Fine Arts Palace, 1893 Exposition.
Ellen Day Hale was born into a well-known Massachusetts family (her father was the celebrated clergyman-orator-writer Edward Everett Hale who became Chaplain of the U.S. Senate; her great-aunt was Harriet Beecher Stowe; and her cousin was the author and well-known feminist Charlotte Perkins Gilman). She studied art in Boston, Philadelphia, and Paris at Académie Julian. A member of what is now referred to as the Boston School of Painting, Hale has been recognized as one of America's leading women impressionists. She also wrote History of Art (1888). Her artist brother Philip Hale also exhibited at the Chicago World's Fair.Biography
Biography
The Summer Place--exhibited at 1904 World Fair
Portrait of John G. Carlisle, Speaker of the House
20 images--click on additional pages at bottom of screen
Northern Plains Native American Woman
Images
Biography/Images--click on "Examples of Work" and on "Biography."
The Vegetable Cart, Charleston--scroll down the page.
Ponte Delgada, Azores 1921
Spring Day Boston
Folly Cove, Cape Ann
Mary Hallock-Foote
(1847-1938)
Mule
Teams and Covered Wagons (ink/gouache)--
representative work
A Pretty Girl of the West (1889)--
illustration for Century Magazine.
On the Way to the Dance--representative work
Known as the "Dean of Women Illustrators," Mary Hallock Foote was born into a New York family of Quaker farmers. She received her art training at the New York Cooper School of Design for Women, the only school in the 1860s with an adequate art curriculum for women. Many of her illustrations and stories for the major magazines were based on her experiences living in the West with her engineer husband. One of the few women jurors at the 1893 World Fair, Foote juried the chalk, charcoal, pastel, and other drawings.Biography
Biography/Image--click on "Biography" and "Examples of Work"
The Hermit Thrush
The Mourning Dove
Bird Songs
Afternoon on the Ranch
image
The Last Trip in
Illustration for Louisa May Alcott fiction
Preface to her book and several illustrations; her fiction and poetry can be found here, here, and here. Short Story here.
(Maria) May Hallowell (Loud)
(1860-1916)
|
Blessed (1898)--representative work |
Portrait of a Boy with his Toy Sword |
Portrait of a Girl--representative work
Two Portraits (images unavailable)
exhibited in Fine Arts Palace, 1893 Exposition
Born in Massachusetts, Maria ("May") Hallowell trained at the Boston Museum School, at the Académie Julian under Tony Robert-Fleury and others in Paris, and at Cowles Art School in Boston. Evidently her main work was in portraits, but she was also known as an art educator. She married Joseph P. Loud. No more information is available online.
Anne Lyle Harmon
(1855-1930)
Napa
Valley (c. 1900)--representative work.
Clearing
in the Woods--representative work
Haystacks--representative
work
It is unclear which work(s) Harmon
exhibited at the 1893 Exposition.
Annie Lyle Harmon was born in San Francisco and studied art under California artists William Keith and Raymond Yelland. In the San Francisco earthquake and fire of 1906, 480 of her paintings were destroyed.Images--click on "Examples of Work"
Train Bridge, Pasadena CA
Ida C. Haskell
(1861-1932)
Dunes
(1900)--representative
work
Mother
Love [alternate title: Where Trouble
Ends]--
exhibited in Fine Art Palace, 1893 Exposition
Born in California, Ida Haskell received art training in Chicago, Philadelphia, New York, and Paris at the Académie Julian. Evidently her subsequent career alternated between New Orleans and California, but she settled in New York later in life. No more information is available online.Biography/images--click on "Biography" and "Examples of Work."
Adele M. von Helmold (Read) (1858 - 31)
Floral Still Life--representative work
Marigolds (image
unavailable)--exhibited
in Fine Arts Palace, 1893 Exposition
A Philadelphia painter, Adele von Helmold studied art under William Merritt Chase and Thomas Anshutz at the Pennsylvania Academy of Fine Art. Her married name was Read. No more information is available online.Biography/Images --click on "Biography" and "Examples of Work"
Edith M. W. Howes
(? - ?)
Cutting Garden in
Bloom (c. 1890)--
representative work.
In the
Orchard (image unavailable)--oil
exhibited in Fine Arts Palace, 1893 Exposition.
Edith M. Howe was a Boston artist. No more information is available online.
Grace Carpenter
(Davis)
Hudson (1865-1937)
[Title unknown]
Sleeping Baby and Dog--representative work
 Rabbit Hunting
[title unknown]-- |
 Old Indian Sitting-- |
Little Mendocino--
exhibited at the 1893 Exposition.
Seed Conjurer 1896 or here--
representative of her work.
Grace Carpenter Hudson was raised primarily in Potter Valley, California where her mother was one of the first school teachers for the Pomo Indians. Carpenter studied at Hopkins Art Institute in San Francisco with Virgil Williams and Oscar Kunath. She married John Hudson, an ethnologist of Indian cultures. At the 1893 Chicago World Fair, her painting of the crying Indian baby called "Little Mendocino" received so much attention that she decided to specialize in Indian themes, and she spent most of the rest of her life actively participating in Indian cultures. The Grace Carpenter Hudson Museum houses the 30,000 Indian objects she and her husband collected.Biography/images--click on "Biography" and on "Examples of Work."
3 Images (Baby Bunting 1894; The Seed Conjurer 1896; Joseppa 1933)
Hudson and Dog--1914
Mendocino Streamside
Captain John (Ab-ba-ba-pomo)
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Text written by K. L. Nichols
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Posted: 6-25-02; Updated: 09-19-07
