Profile

Of the millions of faces in this world, no two are alike. While most have only one nose, two eyes, two ears, and a set of lips – the variation of composite results never ceases to amaze me. Although society may dictate what makes one face more beautiful than the next, I see all faces as temporary works of art and relish creating likenesses that will last indefinitely. 

The Basics:

Now residing in Phoenix, I'm a graduate of the University of Oregon in Eugene where I received my Bachelor of Arts degree in 1982. I was fortunate enough to have had the very talented sculptor, Paul Buckner, as my instructor during those four years.  I've had my figurative sculptures displayed at Brown's Galleries in Boise and McCall, Idaho from 1990-1999 and specialize in portraiture on a commission basis. 

Show Schedule/ Artistic Study/ Scholarships

 


Commissions:

Portraits or other pieces may be commissioned. Options include your preference of bust size, clay color, patina or glaze color, and hardwood base fixture with marble tile. Piece may be ordered in hot or cold cast bronze, or cast marble. 
The examples shown are all fired clay (porcelain, terra cotta and stoneware) or bonded bronze, and range in size from 6 to 20 inches. 

The preferred method for creating the portrait is by meeting with the subject, having a photo session and live sittings if possible. If this is not possible due to circumstances such as inability to travel to the Phoenix area, the sculpture is to be a surprise gift, or the subject is no longer with us, quality photos (front and profile minimum) may be mailed or digital photos can be submitted via e-mail. 
 

 
About Commissioning a Portrait and Pricing Information 

Customer Testimonials



Instruction Book:

"Portrait Sculpture Simplified" Offering step by step instructions for creating portrait sculpture - simply, quickly, and with reliable results.

If you are interested in learning detailed information about modeling, finishing, and casting portraits, click here to read about my ebook that is now available .... 

 

 

 

ONLINE LESSONS 

Detailed instruction available for immediate online viewing.

eBook Information


 

A lifelong passion:

Born in Lancaster, CA -1960, the last child of 8, my love of sculpting developed at an early age when I discovered that I could make figures out of the clay soil of the hot Mojave desert and that they would dry to a state of permanency when left out in the scalding sun. 

When in the 7th grade, I was assigned a science project with the freedom to do anything I wanted. I had intended to carve an anatomical recreation of a horse (in wood) with every muscle emphasized and labeled - and I could see exactly how to do it in my mind. I presented this idea to my teacher, and he shot it to the ground, ridiculing the idea that I could even attempt such a thing. I don't remember the project I ended up doing, but I am sure it was neither fun, educational, nor memorable (obviously).

Sharing the works of other family members

My mother, Betty Schwartz, is still an active oil painter now in her 80's and has her works in galleries along the beautiful Oregon coast. Specifically, Newport, Or. I dabbled at painting and drawing in my youth - winning several awards at the county fair for my pen and ink works - but never developed a knack for mixing color.  3 dimension just seemed to come more naturally. Besides, though I've been told that I am "thick skinned" by my coworkers, I wouldn't have taken the criticism very well from my mother, who is quite a remarkable painter.

mom Paintings

I also have one brother, Mick Schwartz, who has dedicated his lifetime to making things in clay. He lives in Paradise, CA, and is an amazing potter. I would love it if he would give me some glazing tips. You can check out his work throug:

brother Mick Pottery

Closest sister Jo-Hanna has channeled her artistic eye towards breathtaking photography. View some spectacular scenes from the Oregon coast:

sister Jo Photography

 

I have been sculpting on and off all of my life - unfortunately more off - between raising two children and working a full time job at a terrific software development company (infograph.com). I have spent many wee hours in the morning working on a piece, long after any sane person would have gone to bed, knowing that if they don't their brain will be mush the next day. For some reason, when I am working on a piece, I just can't pull myself away - I keep seeing "just one more thing" I want to do before I stop. I look forward to retirement when I will have the time and the freedom to really pursue my passion, and to develop whatever sliver of "talent" that I have been given. But alas, that is a few years away yet...

Contact Info

 Email:  Portraits In Clay


 

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