Diamond Age

or

A Young Lady's Illustrated Primer

Neil Stephenson

By nature, men are nearly alike; by practice, they get to be wide apart.

-Confucius

Moral reforms and deteriorations are moved by large forces, and they are mostly caused by reactions from the habits of a preceding period. Backwards and forwards swings the great pendulum, and its alterna-tions are not determined by a few distinguished folk clinging to the end of it.

-Sir Charles Petrie, THE VICTORIANS

PART THE FIRST

A thete visits a mod parlor;

noteworthy features of modern armaments.

The bells of St. Mark's were ringing changes up on the mountain when Bud skated over to the mod parlor to upgrade his skull gun. Bud had a nice new pair of blades with a top speed of anywhere from a hundred to a hundred and fifty kilometers, depending on how fat you were and whether or not you wore aero. Bud liked wearing skin-tight leather, to show off his muscles. On a previous visit to the mod parlor, two years ago, he had paid to have a bunch of 'sites implanted in his muscles- little critters; too small to see or feel, that twitched Bud's muscle fibers electrically according to a program that was supposed to maximize bulk. Combined with the testosterone pump embedded in his forearm, it was like working out in a gym night and day, except you didn't have to actually do anything and you never got sweaty. The only drawback was that all the little twitches made him kind of tense and jerky. He'd gotten used to it, but it still made him a little hinky on those skates, especially when he was doing a hundred clicks an hour through a crowded street. But few people hassled Bud, even when he knocked them down in the street, and after today no one would hassle him ever again.

Bud had walked away, improbably unscratched, from his last job- decoy- with something like a thousand yuks in his pocket. He'd spent a third of it on new clothes, mostly black leather, another third of it on the blades, and was about to spend the last third at the mod parlor. You could get skull guns a lot cheaper, of course, but that would mean going over the Causeway to Shanghai and getting a back-alley job from some Coaster, and probably a nice bone infection in with the bargain, and he'd probably pick your pocket while he had you theezed. Besides, you could only get into a Shanghai if you were virgin. To cross the Causeway when you were already packing a skull gun, like Bud, you had to bribe the shit out of numerous Shanghai cops. There was no reason to economize here. Bud had a rich and boundless career ahead of him, vaulting up a hierarchy of extremely dangerous drug-related occupations for which decoy served as a paid audition of sorts. A start weapons system was a wise investment.

The damn bells kept ringing through the fog. Bud mumbled a command to his music system, a phased acoustical array splayed across both eardrums like the seeds on a strawberry. The volume went up but couldn't scour away the deep tones of the carillon, which resonated in his long bones. He wondered whether, as long as he was at the mod parlor, he should have the batteries drilled out of his right mastoid and replaced. Supposedly they were ten-year jobs, but he'd had them for six and he listened to music all the time, loud.

Three people were waiting. Bud took a seat and skimmed a mediatron from the coffee table; it looked exactly like a dirty, wrinkled, blank sheet of paper. "'Annals of Self-Protection,'" he said, loud enough for everyone else in the place to hear him. The logo of his favorite meedfeed coalesced on the page. Mediaglyphics, mostly the cool animated ones, arranged themselves in a grid. Bud scanned through them until he found the one that denoted a comparison of a bunch of different stuff, and snapped at it with his fingernail. New mediaglyphics appeared, surrounding larger cine panes in which Annals staff tested several models of skull guns against live and dead targets. Bud frisbeed the mediatron back onto the table; this was the same review he'd been poring over for the last day, they hadn't updated it, his decision was still valid.

One of the guys ahead of him got a tattoo, which took about ten seconds. The other guy just wanted his skull gun reloaded, which didn't take much longer. The girl wanted a few 'sites replaced in her racting grid, mostly around her eyes, where she was starting to wrinkle up. That took a while, so Bud picked up the mediatron again and went in a ractive, his favorite, called Shut Up or Die!

The mod artist wanted to see Bud's yuks before he installed the gun, which in other surroundings might have been construed as an insult but was standard business practice here in the Leased Territories. When he was satisfied that this wasn't a stick-up, he theezed Bud's forehead with a spray gun, scalped back a flap of skin, and pushed a machine, mounted on a delicate robot arm like a dental tool, over Bud's forehead. The arm homed in automatically on the old gun, moving with alarming speed and determination. Bud, who was a little jumpy at the best of times because of hismuscle stimulators, flinched a little. But the robot arm was a hundred times faster than he was and plucked out the old gun unerringly. The proprietor was watching all of this on a screen and had nothing to do except narrate: "The hole in your skull's kind of rough, so the machine is reaming it out to a larger bore- okay, now here comes the new gun."

A nasty popping sensation radiated through Bud's skull when the robot arm snapped in the new model. It reminded Bud of the days of his youth, when, from time to time, one of his playmates would shoot him in the head with a BB gun. He instantly developed a low headache.

"It's loaded with a hundred rounds of popcorn," the proprietor said, "so you can test out the yuvree. Soon as you're comfortable with it, I'll load it for real." He stapled the skin of Bud's forehead back together so it'd heal invisibly. You could pay the guy extra to leave a scar there on purpose, so everyone would know you were packing, but Bud had heard that some chicks didn't like it. Bud's relationship with the female sex was governed by a gallimaufry of primal impulses, dim suppositions, deranged theories, overheard scraps of conversation, half-remembered pieces of bad advice, and fragments of no-doubt exaggerated anecdotes that amounted to rank superstition. In this case, it dictated that he should not request the scar.

Besides, he had a nice collection of Sights- not very tasteful sunglasses with crosshairs hudded into the lens on your dominant eye. They did wonders for marksmanship, and they were real obvious too, so that everyone knew you didn't fuck with a man wearing Sights.

"Give it a whirl," the guy said, and spun the chair around- it was a big old antique barber chair upholstered in swirly plastic- so Bud was facing a mannikin in the corner of the room. The mannikin had no face or hair and was speckled with little burn marks, as was the wall behind it.

"Status," Bud said, and felt the gun buzz lightly in response. "Stand by," he said, and got another answering buzz. He turned his face squarely toward the mannikin.

"Hut," he said. He said it under his breath, through unmoving lips, but the gun heard it; he felt a slight recoil tapping his head back, and a startling POP sounded from the mannikin, accompanied by a flash of light on the wall up above its head. Bud's headache deepened, but he didn't care.

"This thing runs faster ammo, so you'll have to get used to aiming a tad lower," said the guy. So Bud tried it again and this time popped the mannikin right in the neck.

"Great shot! That would have decapped him if you were using Hellfire," the guy said. "Looks to me like you know what you're doing- but there's other options too. And three magazines so you can run multiple ammos."

"I know," Bud said, "I been checking this thing out." Then, to the gun, "Disperse ten, medium pattern." Then he said "hut" again. His head snapped back much harder, and ten POPs went off at once, all over the mannikin's body and the wall behind it. The room was getting smoky now, starting to smell like burned plastic.

"You can disperse up to a hundred," the guy said, "but the recoil'd probably break your neck."

"I think I got it down," Bud said, "so load me up. First magazine with electrostun rounds. Second magazine with Cripplers. Third with Hellfires. And get me some fucking aspirin."

Source Victoria; description of its environs.

Source Victoria's air intakes erupted from the summit of the Royal Ecological Conservatory like a spray of hundred-meter-long calla lilies. Below, the analogy was perfected by an inverted tree of rootlike plumbing that spread fractally through the diamondoid bedrock of New Chusan, terminating in the warm water of the South China Sea as numberless capillaries arranged in a belt around the smartcoral reef, several dozen nieters beneath the surface. One big huge pipe gulping up seawater would have done roughly the same thing, just as the lilies could have been replaced by one howling maw, birds and litter whacking into a bloody grid somewhere before they could gum up the works.

But it wouldn't have been ecological. The geotects of Imperial Tectonics would not have known an ecosystem if they'd been living in the middle of one. But they did know that ecosystems were especially tiresome when they got fubared, so they protected the environment with the same implacable, plodding, green-visored mentality that they applied to designing overpasses and culverts. Thus, water seeped into Source Victoria through microtubes, much the same way it seeped into a beach, and air wafted into it silently down the artfully skewed exponential horns of those thrusting calla lilies, each horn a point in parameter space not awfully far from some central ideal. They were strong enough to withstand typhoons but flexible enough to rustle in a breeze. Birds, wandering inside, sensed a gradient in the air, pulling them down into night, and simply chose to fly out. They didn't even get scared enough to shit.

The lilies sprouted from a stadium-sized cut-crystal vase, the Diamond Palace, which was open to the public. Tourists, aerobicizing pensioners, and ranks of uniformed schoolchildren marched through it year in and year out, peering through walls of glass (actually solid diamond, which was cheaper) at various phases of the molecular disassembly line that was Source Victoria. Dirty air and dirty water came in and pooled in tanks. Next to each tank was another tank containing slightly cleaner air or cleaner water. Repeat several dozen times. The tanks at the end were filled with perfectly clean nitrogen gas and perfectly clean water.

The line of tanks was referred to as a cascade, a rather abstract bit of engineer's whimsy lost on the tourists who did not see anything snapshot-worthy there. All the action took place in the walls separating the tanks, which were not really walls but nearly infinite grids of submicroscopic wheels, ever-rotating and many-spoked. Each spoke grabbed a nitrogen or water molecule on the dirty side and released it after spinning around to the clean side. Things that weren't nitrogen or water didn't get grabbed, hence didn't make it through. There were also wheels for grabbing handy trace elements like carbon, sulfur, and phosphorus; these were passed along smaller, parallel cascades until they were also perfectly pure. The immaculate molecules wound up in reservoirs. Some of them got combined with others to make simple but handy molecular widgets. In the end, all of them were funneled into a bundle of molecular conveyor belts known as the Feed, of which Source Victoria, and the other half-dozen Sources of Atlantis/Shanghai, were the fountainheads.

Financial complications of Bud's lifestyle; visit to a banker.

Bud surprised himself with how long he went before he had to use the skull gun in anger. Just knowing it was in there gave him such an attitude that no one in his right mind would Rick with him, especially when they saw his Sights and the black leather. He got his way just by giving people the evil eye.

It was time to move up the ladder. He sought work as a lookout. It wasn't easy. The alternative pharmaceuticals industry ran on a start, just-in-time delivery system, keeping inventories low so that there was never much evidence for the cops to seize. The stuff was grown in illicit matter compilers, squirreled away in vacant low-rent housing blocks, and carried by the runners to the actual street dealers. Meanwhile, a cloud of lookouts and decoys circulated probabilistically through the neighborhood, never stopping long enough to be picked up for loitering, monitoring the approach of cops (or cops' surveillance pods) through huds in their sunglasses.

When Bud told his last boss to go Rick himself, he'd been pretty sure he could get a runner job. But it hadn't panned out, and since then a couple more big airships had come in from North America and disgorged thousands of white and black trash into the job market. Now Bud was running out of money and getting tired of eating the free food from the public matter compilers.

The Peacock Bank was a handsome man with a salt-and-pepper goatee, smelling of citrus and wearing an exceedingly snappy doublebreasted suit that displayed his narrow waist to good effect. He was to be found in a rather seedy office upstairs of a travel agency in one of the lurid blocks between the Aerodrome and the brothel-lined waterfront.

The banker didn't say much after they shook hands, just crossed his arms pensively and leaned back against the edge of his desk. In this attitude he listened to Bud's freshly composed prevarication, nodding from time to time as though Bud had said something significant. This was a little disconcerting since Bud knew it was all horseshit, but he had heard that these dotheads prided themselves on customer service.

At no particular point in the monologue, the banker cut Bud off simply by looking up at him brightly. "You wish to secure a line ofcredit," he said, as if he were pleasantly surprised, which was not terribly likely.

"I guess you could say that," Bud allowed, wishing he'd known to put it in such fine-sounding terminology.

The banker reached inside his jacket and withdrew a piece of paper, folded in thirds, from his breast pocket. "You may wish to peruse this brochure," he said to Bud, and to the brochure itself he rattled off something in an unfamiliar tongue. As Bud took it from the banker's hand, the blank page generated a nice animated color logo and music. The logo developed into a peacock. Beneath it, a video presentation commenced, hosted by a similar-looking gent- sort of Indian looking but sort of Arab too. "'The Parsis welcome you to Peacock Bank,'" he said.

"What's a Parsi?" Bud said to the banker, who merely lowered his eyelids one click and jutted his goatee at the piece of paper, which had picked up on his question and already branched into an explanation. Bud ended up regretting having asked, because the answer turned out to be a great deal of general hoo-ha about these Parsis, who evidently wanted to make very sure no one mistook them for dotheads or Pakis or Arabs- not that they had any problem with those very fine ethnic groups, mind you. As hard as he tried not to pay attention, Bud absorbed more than he wanted to know about the Parsis, their oddball religion, their tendency to wander around, even their fucking cuisine, which looked weird but made. his mouth water anyway. Then the brochure got back to the business at hand, which was lines of credit.

Bud had seen this all before. The Peacock Bank was running the same racket as all the others: If they accepted you, they'd shoot the credit card right into you, then and there, on the spot. These guys implanted it in the iliac crest of the pelvis, some opted for the mastoid bone in the skull-anywhere a big bone was close to the surface. A bone mount was needed because the card had to talk on the radio, which meant it needed an antenna long enough to hear radio waves. Then you could go around and buy stuff just by asking for it; Peacock Bank and the merchant you were buying from and the card in your pelvis handled all the details.

Banks varied in their philosophy of interest rates, minimum monthly payments, and so on. None of that mattered to Bud. What mattered was what they would do to him if he got into arrears, and so after he had allowed a decent interval to pass pretending to listen very carefully to all this crap about interest rates, he inquired, in an offhanded way, like it was an afterthought, about their collection policy. The banker glanced out the window like he hadn't noticed.

The soundtrack segued into some kind of a cool jazz number and a scene of a multicultural crew of ladies and gentlemen, not looking much like degraded credit abusers at all, sitting around a table assembling chunky pieces of ethnic jewelry by hand. They were having a good time too, sipping tea and exchanging lively banter. Sipping too much tea, to Bud's suspicious eye, so opaque to so many things yet so keen to the tactics of media manipulation. They were making rather a big deal out of the tea.

He noted with approval that they were wearing normal clothes, not uniforms, and that men and women were allowed to mingle. "Peacock Bank supports a global network of clean, safe, and commodious workhouses, so if unforeseen circumstances should befall you during our relationship, or if you should inadvertently anticipate your means, you can rely on being housed close to home while you and the bank resolve any difficulties. Inmates in Peacock Bank workhouses enjoy private beds and in some cases private rooms. Naturally your children can remain with you for the duration of your visit. Working conditions are among the best in the industry, and the high added-value content of our folk jewelry operation means that, no matter the extent of your difficulties, your situation will be happily resolved in practically no time."

"What's the, uh, strategy for making sure people actually, you know, show up when they're supposed to show up?" Bud said. At this point the banker lost interest in the proceedings, straightened up, strolled around his desk, and sat down, staring out the window across the water toward Pudong and Shanghai. "That detail is not covered in the brochure," he said, "as most of our prospective customers do not share your diligent attention to detail insofar as that aspect of the arrangement is concerned."

He exhaled through his nose, like a man eager not to smell something, and adjusted his goatee one time. "The enforcement regime consists of three phases. We have pleasant names for them, of course, but you might think of them, respectively, as: one, a polite reminder; two, well in excess of your pain threshold; three, spectacularly fatal."

Bud thought about showing this Parsi the meaning of fatal right then and there, but as a bank, the guy probably had pretty good security. Besides, it was pretty standard policy, and Bud was actually kind of glad the guy'd given it to him straight. "Okay, well, I'll get back to you," he said. "Mind if I keep the brochure?"

The Parsi waved him and the brochure away. Bud took to the streets again in search of cash on easier terms.

A visit from royalty; the Hackworths take an airship holiday; Princess Charlotte's birthday party; Hackworth encounters a member of the peerage.

Three geodesic seeds skated over the roofs and gardens of Atlantis/Shanghai on a Friday afternoon, like the germs of some moon-size calabash. A pair of mooring masts sprouted and grew from cricket ovals at Source Victoria Park. The smallest of the airships was decorated with the royal ensign; she kept station overhead as the two large ones settled toward their berths. Their envelopes, filled with nothing, were predominantly transparent. Instead of blocking the sunlight, they yellowed and puckered it, projecting vast abstract patterns of brighter and not-as-bright that the children in their best crinolines and natty short-pants suits tried to catch in their arms. A brass band played. A tiny figure in a white dress stood at the rail of the airship Atlantis, waving at the children below. They all knew that this must be the birthday girl herself, Princess Charlotte, and they cheered and waved back.

Fiona Hackworth had been wandering through the Royal Ecological Conservatory bracketed by her parents, who hoped that in this way they could keep mud and vegetable debris off her skirts. The strategy had not been completely successful, but with a quick brush, John and Gwendolyn were able to transfer most of the dirt onto their white gloves. From there it went straight into the air. Most gentlemen's and ladies' gloves nowadays were constructed of infinitesimal fabricules that knew how to eject dirt; you could thrust your gloved hand into mud, and it would be white a few seconds later.

The hierarchy of staterooms on Æther matched the status of its passengers perfectly, as these parts of the ship could be decompiled and remade between voyages. For Lord Finkle-McGraw, his three children and their spouses, and Elizabeth (his first and only grandchild so far), the airship lowered a private escalator thatcarried them up into the suite at the very prow, with its nearly 180-degree forward view.

Aft of the Finkle-McGraws were a dozen or so other Equity Lords, merely earl- or baron-level, mostly ushering grandchildren rather than children into the class B suites. Then it was executives, whose gold watch chains, adangle with tiny email-boxes, phones, torches, snuffboxes, and other fetishes, curved round the dark waistcoats they wore to deemphasize their bellies. Most of their children had reached the age when they were no longer naturally endearing to anyone save their own parents; the size when their energy was more a menace than a wonder; and the level of intelligence when what would have been called innocence in a smaller child was infuriating rudeness. A honeybee cruising for nectar is pretty despite its implicit threat, but the same behavior in a hornet three times larger makes one glance about for some handy swatting material. So on the broad escalators leading to the first-class staterooms, one could see many upper arms being violently grabbed by hissing fathers with their top hats askew and teeth clenched and eyes swiveling for witnesses.

John Percival Hackworth was an engineer. Most engineers were assigned to tiny rooms with fold-down beds, but Hackworth bore the loftier title of Artifex and had been a team leader on this very project, so he rated a second-class stateroom with one double bed and a fold-out for Fiona. The porter brought their overnight bags around just as Æther was clearing her mooring mast- a twenty-meter diamondoid truss that had already dissolved back into the billiard-table surface of the oval by the time the ship had turned itself to the south. Lying as close as it did to Source Victoria, the park was riddled with catachthonic Feed lines, and anything could be grown there on short notice.

The Hackworths' stateroom was to starboard, and so as they accelerated away from New Chusan, they got to watch the sun set on Shanghai, shining redly through the city's eternal cloak of coal-smoke. Gwendolyn read Fiona stories in bed for an hour while John perused the evening edition of the Times, then spread out some papers on the room's tiny desk. Later, they both changed into their evening clothes, primping quietly in twilight so as not to wake Fiona. At nine o'clock they stepped into the passageway, locked the door, and followed the sound of the big band to Æther's grand ballroom, where the dancing was just getting underway. The floor of the ballroom was a slab of transpicuous diamond. The lights werelow. They seemed to float above the glittering moonlit surface of the Pacific as they did the waltz, minuet, Lindy, and electric slide into the night. . . .

Sunrise found the three airships hovering over the South China Sea, no land visible. The ocean was relatively shallow here, but only Hackworth and a few other engineers knew that. The Hackworths had a passable view from their stateroom window, but John woke up early and staked out a place on the diamond floor of the ballroom, ordered an espresso and a Times from a waiter, and passed the time pleasantly while Gwen and Fiona got themselves ready for the day. All around them he could hear children speculating on what was about to happen.

Gwen and Fiona arrived just late enough to make it interesting for John, who took his mechanical pocket watch out at least a dozen times as he waited, and finally ended up clutching it in one hand, nervously popping the lid open and shut. Gwen folded her long legs and spread her skirts out prettily on the transparent floor, drawing vituperative looks from several women who remained standing. But John was relieved to see that most of these women were relatively low-ranking engineers or their wives; none of the higher-ups needed to come to the ballroom.

Fiona collapsed to her hands and knees and practically shoved her face against the diamond, her fundament aloft. Hackworth gripped the creases of his trousers, hitched them up just a bit, and sank to one knee.

The smart coral burst out of the depths with violence that shocked Hackworth, even though he'd been in on the design, seen the trial runs. Viewed through the dark surface of the Pacific, it was like watching an explosion through a pane of shattered glass. It reminded him of pouring a jet of heavy cream into coffee, watching it rebound from the bottom of the cup in a turbulent fractal bloom that solidified just as it dashed against the surface. The speed of this process was a carefully planned sleight-of-hand; the smart coral had actually been growing down on the bottom of the ocean for the last three months, drawing its energy from a supercon that they'd grown across the seafloor for the occasion, extracting the necessary atoms directly from the seawater and the gases dissolved therein. The process happening below looked chaotic, and in a way it was; but each lithocule knew exactly where it was supposed to go and what it was supposed to do. They were tetrahedral building blocks of calcium and carbon, the size of poppyseeds, each equipped with a power source, a brain, and a navigational system. They rose from the bottom of the sea at a signal given by Princess Charlotte; she had awakened to find a small present under her pillow, unwrapped it to find a golden whistle on a chain, stood out on her balcony, and blown the whistle.

The coral was converging on the site of the island from all directions, some of the lithocules traveling several kilometers to reach their assigned positions. They displaced a volume of water equal to the island itself, several cubic kilometers in all. The result was furious turbulence, an upswelling in the surface of the ocean that made some of the children scream, thinking it might rise up and snatch the airship out of the sky; and indeed a few drops pelted the ship's diamond belly, prompting the pilot to give her a little more altitude. The curt maneuver forced hearty laughter from all of the fathers in the ballroom, who were delighted by the illusion of danger and the impotence of Nature.

The foam and mist cleared away at some length to reveal a new island, salmon-colored in the light of dawn. Applause and cheers diminished to a professional murmur. The chattering of the astonished children was too loud and high to hear.

It would be a couple of hours yet. Hackworth snapped his fingers for a waiter and ordered fresh fruit, juice, Belgian waffles, more coffee. They might as well enjoy Æther's famous cuisine while the island sprouted castles, fauns, centaurs, and enchanted forests.

Princess Charlotte was the first human to set foot on the enchanted isle, tripping down the gangway of Atlantis with a couple of her little friends in tow, all of them looking like tiny wildflowers in their ribboned sun-bonnets, all carrying little baskets for souvenirs, though before long these were handed over to governesses. The Princess faced Æther and Chinook, moored a couple of hundred meters away, and spoke to them in a normal tone of voice that was, however, heard clearly by all; a nanophone was hidden somewhere in the lace collar of her pinafore, tied into phased-audio-array systems grown into the top layers of the island itself.

"I would like to express my gratitude to Lord Finkle-McGraw and all the employees of Machine-Phase Systems Limited for this most wonderful birthday present. Now, children of Atlantis/Shanghai, won't you please join me at my birthday party?"

The children of Atlantis/Shanghai all screamed yes and rampaged down the multifarious gangways of Æther and Chinook, which had all been splayed out for the occasion in hopes of preventing bottlenecks, which might lead to injury or, heaven forbid, rudeness. For the first few moments the children simply burst away from the airships like gas escaping from a bottle. Then they began to converge on sources of wonderment: a centaur, eight feet high if he was an inch, walking across a meadow with his son and daughter cantering around him: Some baby dinosaurs. A cave angling gently into a hillside, bearing promising signs of enchantment. A road winding up another hill toward a ruined castle. The grownups mostly remained aboard the airships and gave the children a few minutes to flame out, though Lord Finkle-McGraw could be seen making his way toward Atlantis, poking curiously at the earth with his walking-stick, just to make sure it was fit to be trod by royal feet.

A man and a woman descended the gangway of Atlantis: in a floral dress that explored the labile frontier between modesty and summer comfort, accessorized with a matching parasol, Queen Victoria II of Atlantis. In a natty beige linen suit, her husband, the Prince Consort, whose name, lamentably, was Joe. Joe, or Joseph as he was called in official circumstances, stepped down first, moving in a somewhat pompous one-small-step-for-man gait, then turned to face Her Majesty and offered his hand, which she accepted graciously but perfunctorily, as if to remind everyone that she'd done crew at Oxford and had blown off tension during her studies at Stanford B-School with lap-swimming, rollerbiading, and jeet kune do. Lord Finkle-McGraw bowed as the royal espadrilles touched down. She extended her hand, and he kissed it, which was racy but allowed if you were old and stylish, like Alexander Chung-Sik Finkle-McGraw.

"We thank Lord Finkle-McGraw, Imperial Tectonics Limited, and Machine-Phase Systems Limited once again for this lovely occasion. Now let us all enjoy these magnificent surroundings before, like the first Atlantis, they sink forever beneath the waves."

The parents of Atlantis/Shanghai strolled down the gangways, though many had retreated to their staterooms to change clothes upon catching sight of what the Queen and Prince Consort were wearing. The big news, already being uploaded to the Times by telescope-wielding fashion columnists on board Æther was that the parasol was back.

Gwendolyn Hackworth hadn't packed a parasol, but she was untroubled; she'd always had a kind of natural, unconscious alamodality. She and John strolled down onto the island. By the time Hackworth's eyes had adjusted to the sunlight, he was already squatting and rubbing a pinch of soil between his fingertips. Gwen left him to obsess and joined a group of other women, mostly engineers' wives, and even a baronet-level Equity Participant or two.

Hackworth found a concealed path that wound through trees up a hillside to a little grove around a cool, clear pond of fresh water- he tasted it just to be sure. He stood there for a while, looking out over the enchanted island, wondering what Fiona was up to right now. This led to daydreaming: perhaps she had, by some miracle, encountered Princess Charlotte, made friends with her, and was exploring some wonder with her right now. This led him into a long reverie that was interrupted when he realized that someone was quoting poetry to him. "Where had we been, we two, beloved Friend! If in the season of unperilous choice, In lieu of wandering, as we did, through vales Rich with indigenous produce, open ground Of Fancy, happy pastures ranged at will, We had been followed, hourly watched, and noosed, Each in his several melancholy walk Stringed like a poor man's heifer at its feed, Led through the lanes in forlorn servitude."

Hackworth turned to see that an older man was sharing his view. Genetically Asian, with a somewhat Twangy North American accent, the man looked at least seventy. His translucent skin was still stretched tight over broad cheekbones, but the eyelids, ears, and the hollows of his cheeks were weathered and wrinkled. Under his pith helmet no fringe of hair showed; the man was completely bald. Hackworth gathered these clues slowly, until at last he realized who stood before him.

"Sounds like Wordsworth," Hackworth said.

The man had been staring out over the meadows below. He cocked his head and looked directly at Hackworth for the first time.

"The poem?"

"Judging by content, I'd guess The Prelude."

"Nicely done," the man said.

"John Percival Hackworth at your service." Hackworth stepped toward the other and handed him a card.

"Pleasure," the man said. He did not waste breath introducing himself. Lord Alexander Chung-Sik Finkle-McGraw was one of several duke-level Equity Lords who had come out of Apthorp. Apthorp was not a formal organization that could be looked up in a phone book; in financial cant, it referred to a strategic alliance of several immense companies, including Machine-Phase Systems Limited and Imperial Tectonics Limited. When no one important was listening, its employees called it John Zaibatsu, much as their forebears of a previous century had referred to the East India Company as John Company.

MPS made consumer goods and ITL made real estate, which was, as ever, where the real money was. Counted by the hectare, it didn't amount to much- just a few strategically placed islands really, counties rather than continents- but it was the most expensive real estate in the world outside of a few blessed places like Tokyo, San Francisco, and Manhattan. The reason was that Imperial Tectonics had geotects, and geotects could make sure that every new piece of land possessed the charms of Frisco, the strategic location of Manhattan, the feng-shui of Hong Kong, the dreary but obligatory Lebensraum of L.A. It was no longer necessary to send out dirty yokels in coonskin caps to chart the wilderness, kill the abos, and clear-cut the groves; now all you needed was a hot young geotect, a start matter compiler, and a jumbo Source.

Like most other neo-Victorians, Hackworth could recite Finkle-McGraw's biography from memory. The future Duke had been born in Korea and adopted, at the age of six months, by a couple who'd met during grad school in Iowa City and later started an organic farm near the Iowa/South Dakota border.

During his early teens, a passenger jet made an improbable crashlanding at the Sioux City airport, and Finkle-McGraw, along with several other members of his Boy Scout troop who had been hastily mobilized by their scoutmaster, was standing by the runway along with every ambulance, fireman, doctor, and nurse from a radius of several counties. The uncanny efficiency with which the locals responded to the crash was widely publicized and became the subject of a made-for-TV movie. Finkle-McGraw couldn't understand why. They had simply done what was reasonable and humane under the circumstances; why did people from other parts of the country find this so difficult to understand?

This tenuous grasp of American culture might have been owing to the fact that his parents home-schooled him up to the age of fourteen. A typical school day for Finkle-McGraw consisted of walking down to a river to study tadpoles or going to the public library to check out a book on ancient Greece or Rome. The family had little spare money, and vacations consisted of driving to the Rockies for some backpacking, or up to northern Minnesota for canoeing. He probably learned more on his summer vacations than most of his peers did during their school years. Social contact with other children happened mostly through Boy Scouts or church- the Finkle-McGraws belonged to a Methodist church, a Roman Catholic church, and a tiny synagogue that met in a rented room in Sioux City.

His parents enrolled him in a public high school, where he maintained a steady 2.0 average out of a possible 4. The coursework was so stunningly inane, the other children so dull, that Finkle-McGraw developed a poor attitude. He earned some repute as a wrestler and cross-country runner, but never exploited it for sexual favors, which would have been easy enough in the promiscuous climate of the times. He had some measure of the infuriating trait that causes a young man to be a nonconformist for its own sake and found that the surest way to shock most people, in those days, was to believe that some kinds of behavior were bad and others good, and that it was reasonable to live one's life accordingly.

After graduating from high school, he spent a year running certain parts of his parents' agricultural business and then attended Iowa State University of Science and Technology ("Science with Practice") in Ames. He enrolled as an agricultural engineering major and switched to physics after his first quarter. While remaining a nominal physics major for the next three years, he took classes in whatever he wanted: information science, metallurgy, early music.

He never earned a degree, not because of poor performance but because of the political climate; like many universities at the time, ISU insisted that its students study a broad range of subjects, including arts and humanities. Finkle-McGraw chose instead to read books, listen to music, and attend plays in his spare time. One summer, as he was living in Ames and working as a research assistant in a solid-state physics lab, the city was actually turned into an island for a couple of days by an immense flood.

Along with many other Midwesterners, Finkle-McGraw put in a few weeks building levees out of sandbags and plastic sheeting. Once again he was struck by the national media coverage- reporters from the coasts kept showing up and announcing, with some bewilderment, that there had been no looting. The lesson learned during the Sioux City plane crash was reinforced. The Los Angeles riots of the previous year provided a vivid counterexample. Finkle-McGraw began to develop an opinion that was to shape his political views in later years, namely, that while people were not genetically different, they were culturally as different as they could possibly be, and that some cultures were simply better than others. This was not a subjective value judgment, merely an observation that some cultures thrived and expanded while others failed. It was a view implicitly shared by nearly everyone but, in those days, never voiced.

Finkle-McGraw left the university without a diploma and went back to the farm, which he managed for a few years while his parents were preoccupied with his mother's breast cancer. After her death, he moved to Minneapolis and took a job with a company founded by one of his former professors, making scanning tunneling microscopes, which at that time were newish devices capable of seeing and manipulating individual atoms. The field was an obscure one then, the clients tended to be large research institutions, and practical applications seemed far away. But it was perfect for a man who wanted to study nanotechnology, and McGraw began doing so, working late at night on his own time. Given his diligence, his self-confidence, his intelligence ("adaptable, relentless, but not really brilliant"), and the basic grasp of business he'd picked up on the farm, it was inevitable that he would become one of the few hundred pioneers of nanotechnological revolution; that his own company, which he founded five years after he moved to Minneapolis, would survive long enough to be absorbed into Apthorp; and that he would navigate Apthorp's political and economic currents well enough to develop a decent equity position.

He still owned the family farm in northwestern Iowa, along with a few hundred thousand acres of adjoining land, which he was turning back into a tall-grass prairie, complete with herds of bison and real Indians who had discovered that riding around on horses hunting wild game was a better deal than pissing yourself in gutters in Minneapolis or Seattle. But for the most part he stayed on New Chusan, which was for all practical purposes his ducal estate. . . .

"Public relations?" said Finkle-McGraw.

"Sir?" Modern etiquette was streamlined; no "Your Grace" or other honorifics were necessary in such an informal setting.

"Your department, sir."

Hackworth had given him his social card, which was appropriate under these circumstances but revealed nothing else.

"Engineering. Bespoke."

"Oh, really. I'd thought anyone who could recognise Wordsworth must be one of those artsy sorts in P.R."

"Not in this case, sir. I'm an engineer. Just promoted to Bespoke recently. Did some work on this project, as it happens."

"What sort of work?"

"Oh, P.I. stuff mostly," Hackworth said. Supposedly Finkle-McGraw still kept up with things and would recognize the abbreviation for pseudo-intelligence, and perhaps even appreciate that Hackworth had made this assumption.

Finkle-McGraw brightened a bit. "You know, when I was a lad they called it A.I. Artificial intelligence."

Hackworth allowed himself a tight, narrow, and brief smile. "Well, there's something to be said for cheekiness, I suppose."

"In what way was pseudo-intelligence used here?"

"Strictly on MPS's side of the project, sir." Imperial Tectonics had done the island, buildings, and vegetation. Machine-Phase Systems-Hackworth's employer-did anything that moved. "Stereotyped behaviors were fine for the birds, dinosaurs, and so on, but for the centaurs and fauns we wanted more interactivity, something that would provide an illusion of sentience."

"Yes, well done, well done, Mr. Hackworth."

"Thank you, sir."

"Now, I know perfectly well that only the very finest engineers make it to Bespoke. Suppose you tell me how an aficionado of Romantic poets made it into such a position."

Hackworth was taken aback by this and tried to respond without seeming to put on airs. "Surely a man in your position does not see any contradiction-"

"But a man in my position was not responsible for promoting you to Bespoke. A man in an entirely different position was. And I am very much afraid that such men do tend to see a contradiction."

"Yes, I see. Well, sir, I studied English literature in college."

"Ah! So you are not one of those who followed the straight and narrow path to engineering."

"I suppose not, sir."

"And your colleagues at Bespoke?"

"Well, if I understand your question, sir, I would say that, as compared with other departments, a relatively large proportion of Bespoke engineers have had- well, for lack of a better way of describing it, interesting lives."

"And what makes one man's life more interesting than another's?"

"In general, I should say that we find unpredictable or novel things more interesting."

"That is nearly a tautology." But while Lord Finkle-McGraw was not the sort to express feelings promiscuously, he gave the appearance of being nearly satisfied with the way the conversation was going. He turned back toward the view again and watched the children for a minute or so, twisting the point of his walking-stick into the ground as if he were still skeptical of the island's integrity. Then he swept the stick around in an arc that encompassed half the island. "How many of those children do you suppose are destined to lead interesting lives?"

"Well, at least two, sir-Princess Charlotte, and your granddaughter."

"You're quick, Hackworth, and I suspect capable of being devious if not for your staunch moral character," Finkle-McGraw said, not without a certain archness. "Tell me, were your parents subjects, or did you take the Oath?"

"As soon as I turned twenty-one, sir. Her Majesty- at that time, actually, she was still Her Royal Highness- was touring North America, prior to her enrollment at Stanford, and I took the Oath at Trinity Church in Boston."

"Why? You're a clever fellow, not blind to culture like so many engineers. You could have joined the First Distributed Republic or any of a hundred synthetic phyles on the West Coast. You would have had decent prospects and been free from all this"- Finkle-McGraw jabbed his cane at the two big airships- "behavioural discipline that we impose upon ourselves. Why did you impose it on yourself, Mr. Hackworth?"

"Without straying into matters that are strictly personal in nature," Hackworth said carefully, "I knew two kinds of discipline as a child: none at all, and too much. The former leads to degenerate behaviour. When I speak of degeneracy, I am not being priggish, sir- I am alluding to things well known to me, as they made my own childhood less than idyllic."

Finkle-McGraw, perhaps realizing that he had stepped out of bounds, nodded vigorously. "This is a familiar argument, of course."

"Of course, sir. I would not presume to imply that I was the only young person ill-used by what became of my native culture."

"And I do not see such an implication. But many who feel as you do found their way into phyles wherein a much harsher regime prevails and which view us as degenerates."

"My life was not without periods of excessive, unreasoning discipline, usually imposed capriciously by those responsible for laxity in the first place. That combined with my historical studies led me, as many others, to the conclusion that there was little in the previous century worthy of emulation, and that we must look to the nineteenth century instead for stable social models."

"Well done, Hackworth! But you must know that the model to which you allude did not long survive the first Victoria."

"We have outgrown much of the ignorance and resolved many of the internal contradictions that characterised that era."

"Have we, then? How reassuring. And have we resolved them in a way that will ensure that all of those children down there live interesting lives?"

"I must confess that I am too slow to follow you."

"You yourself said that the engineers in the Bespoke department- the very best- had led interesting lives, rather than coming from the straight and narrow. Which implies a correlation, does it not?"

"Clearly."

"This implies, does it not, that in order to raise a generation of children who can reach their full potential, we must find a way to make their lives interesting. And the question I have for you, Mr. Hackworth, is this: Do you think that our schools accomplish that? Or are they like the schools that Wordsworth complained of?"

"My daughter is too young to attend school- but I should fear that the latter situation prevails."

"I assure you that it does, Mr. Hackworth. My three children were raised in those schools, and I know them well. I am determined that Elizabeth shall be raised differently."

Hackworth felt his face flushing. "Sir, may I remind you that we have just met-I do not feel worthy of the confidences you are reposing in me."

"I'm telling you these things not as a friend, Mr. Hackworth, but as a professional."

"Then I must remind you that I am an engineer, not a child psychologist."

"This I have not forgotten, Mr. Hackworth. You are indeed an engineer, and a very fine one, in a company that I still think of as mine- though as an Equity Lord, I no longer have a formal connection. And now that you have brought your part of this project to a successful conclusion, I intend to put you in charge of a new project for which I have reason to believe you are perfectly suited."

Bud embarks on a life of crime; an insult to a tribe & its consequences.

Bud rolled his first victim almost by accident. He'd taken a wrong turn into a cul-de-sac and inadvertently trapped a black man and woman and a couple of little kids who'd blundered in there before him. They had a scared look about them, like a lot of the new arrivals did, and Bud noticed the way the man's gaze lingered on his Sights, wondering whether those crosshairs, invisible to him, were centered on him, his lady, or his kid.

Bud didn't get out of their way. He was packing, they weren't, it was up to them to get out of his way. But instead they just froze up. "You got a problem?" Bud said.

"What do you want?" the man said.

It had been a while since anyone had manifested such sincere concern for Bud's desires, and he kind of liked it. He realized that these people were under the impression that they were being mugged. "Oh, same as anyone else. Money and shit," Bud said, and just like that, the man took some hard ucus out of his pocket and handed them over-and then actually thanked him as he backed away.

Bud enjoyed getting that kind of respect from black people- it reminded him of his noble heritage in the trailer parks of North Florida- and he didn't mind the money either. After that day he began looking for black people with that same scared uncertain look about them. These people bought and sold off the record, and so they carried hard money. He did pretty well for himself for a couple of months. Every so often he would stop by the flat where his bitch Tequila lived, give her some lingerie, and maybe give Harv some chocolate.

Harv was presumed by both Bud and Tequila to be Bud's son. He was five, which meant that he had been conceived in a much earlier cycle of Bud and Tequila's break-up-and-make-up relationship. Now the bitch was pregnant again, which meant that Bud would have to bring even more gifts to her place when he came around. The pressures of fatherhood!

One day Bud targeted a particularly well-dressed family because of their fancy clothes. The man was wearing a business suit and the woman a nice clean dress, and they were carrying a baby all dressed up in a white lacy thing, and they had hired a porter to help them haul their luggage away from the Aerodrome. The porter was a white guy who vaguely reminded Bud of himself, and he was incensed to see him acting as a pack animal for blacks. So as soon as these people got away from the bustle of the Aerodrome and into a more secluded neighborhood, Bud approached them, swaggering in the way he'd practiced in the mirror, occasionally pushing his Sights up on his nose with one index finger.

The guy in the suit was different from most of them. He didn't try to act like he hadn't seen Bud, didn't try to skulk away, didn't cringe or slouch, just stood his ground, feet planted squarely, and very pleasantly said, "Yes, sir, can I be of assistance?" He didn't talk like an American black, had almost a British accent, but crisper.

Now that Bud had come closer, he saw that the man had a strip of colored cloth thrown around his neck and over his lapels, dangling down like a scarf. He looked well-housed and well-fed for the most part, except for a little scar high up on one cheekbone.

Bud kept walking until he was a little too close to the guy. He kept his head tilted back until the last minute, like he was kicking back listening to some loud tunes (which he was), and then suddenly snapped his head forward so he was staring the guy right in the face. It was another way to emphasize the fact that he was packing, and it usually did the trick. But this guy did not respond with the little flinch that Bud had come to expect and enjoy. Maybe he was from some booga-booga country where they didn't know about skull guns.

"Sir," the man said, "my family and I are on the way to our hotel. We have had a long journey, and we are tired; my daughter has an ear infection. If you would state your business as expeditiously as possible, I would be obliged."

"You talk like a fucking Vicky," Bud said.

"Sir, I am not what you refer to as a Vicky, or I should have gone directly there. I would be obliged if you could be so kind as to moderate your language in the presence of my wife and child."

It took Bud a while to untangle this sentence, and a while longer to believe that the man really cared about a few dirty words spoken within earshot of his family, and longer yet to believe that he had been so insolent to Bud, a heavily muscled guy who was obviously packing a skull gun.

"I'm gonna fucking say whatever I fucking want to your bitch and your flicking brat," Bud said, very loud. Then he could not keep himself from grinning. Score a few points for Bud!

The man looked impatient rather than scared and heaved a deep sigh. "Is this an armed robbery or something? Are you sure you know what you are getting into?"

Bud answered by whispering "hut" under his breath and firing a Crippler into the man's right bicep. It went off deep in the muscle, like an M-80, blowing a dark hole in the sleeve of the man's jacket and leaving his arm stretched out nice and straight- the trike now pulling without anything to oppose it. The man clenched his teeth, his eyes bulged, and for a few moments he made strangled grunting noises from way down in his chest, making an effort not to cry out.

Bud stared at the wound in fascination. It was just like shooting people in a ractive. Except that the bitch didn't scream and beg for mercy. She just turned her back, using her body to shield the baby, and looked over her shoulder, calmly, at Bud. Bud noticed she had a little scar on her cheek too.

"Next I take your eye," Bud said, "then I go to work on the bitch."

The man held up his good hand palm out, indicating surrender. He emptied his pocket of hard Universal Currency Units and handed them over. And then Bud made himself scarce, because the monitors- almond-size aerostats with eyes, ears, and radios- had probably picked up the sound of the explosion and begun converging on the area. He saw one hiss by him as he rounded the corner, trailing a short whip antenna that caught the light like a hairline crack in the atmosphere.

Three days later, Bud was hanging around the Aerodrome, looking for easy pickings, when a big ship came in from Singapore. Immersed in a stream of thousand arrivals was a tight group of some two dozen solidly built, very dark-skinned black men dressed in business suits, with Strips of colored cloth draped around their necks and little scars on their cheekbone.

It was later that night that Bud, for the first time in his life, heard the word Ashanti. "Another twenty-five Ashanti just came in from L.A.!" said a man in a bar. "The Ashanti had a big meeting in the conference room at the Sheraton!" said a woman on the street. Waiting in a queue for one of the free matter compilers, a bum said, "One of them Ashanti gave me five yuks. They're fine folks." When Bud ran into a guy he knew, a former comrade in the decoy trade, he said, "Hey, the place is crawling with them Ashanti, ain't it?"

"Yup," said the guy, who had seemed unaccountably shocked to see Bud's face on the Street, and who was annoyingly distracted all of a sudden, swiveling his head to look all ways.

"They must be having a convention or something," Bud theorized. "I rolled one of 'em the other night."

"Yeah, I know," his friend said.

"Huh? How'd you know that?"

"They ain't having a convention, Bud. All of those Ashanti- except the first one-came to town hunting for you."

Paralysis struck Bud's vocal cords, and he felt lightheaded, unable to concentrate.

"I gotta go," his friend said, and removed himself from Bud's vicinity.

For the next few hours Bud felt as though everyone on the street was looking at him. Bud was certainly looking at them, looking for those suits, those colored strips of cloth. But he caught sight of a man in shorts and a T-shirt- a black man with very high cheeks, one of which was marked with a tiny scar, and almost Asian-looking eyes in a very high state of alertness. So he couldn't rely on the Ashanti wearing stereotyped clothing.

Very soon after that, Bud swapped clothes with an indigent down on the beach, giving up all his black leather and coming away with a T-shirt and shorts of his own. The T-shirt was much too small; it bound him under the armpits and pressed against his muscles so that he felt the eternal twitching even more than usual. He wished he could turn the stimulators off now, relax his muscles even for one night, but that would require a trip to the mod parlor, and he had to figure that the Ashanti had the mod parlors all staked out. He could have gone to any of several brothels, but he didn't know what kind of connections these Ashanti might have- or even what the hell an Ashanti was, exactly-and he wasn't sure he could get a boner under these circumstances anyway.

As he wandered the streets of the Leased Territories, primed to level his Sights at any black person who blundered into his path, he reflected on the unfairness of his fate. How was he to know that guy belonged to a tribe? Actually, he should have known, just from the fact that he wore nice clothes and didn't look like all the other people. The very apartness of those people should have been a dead giveaway. And his lack of fear should have told him something. Like he couldn't believe anyone would be stupid enough to mug him.

Well, Bud had been that stupid, and Bud didn't have a phyle of his own, so Bud was screwed. Bud would have to go get himself one real quick, now.

He'd already tried to join the Boers a few years back. The Boers were to Bud's kind of white trash what these Ashanti were to most of the blacks. Stocky blonds in suits or the most conservative sorts of dresses, usually with half a dozen kids in tow, and my god did they ever stick together. Bud had paid a few visits to the local laager, studied some of their training ractives on his home mediatron, put in some extra hours at the gym trying to meet their physical standards, even gone to a couple of horrific bible-study sessions. But in the end, Bud and the Boers weren't much of a match. The amount of church you had to attend was staggering-it was like living in church. And he'd studied their history, but there were only so many Boer/Zulu skirmishes he could stand to read about or keep straight in his head. So that was out; he wasn't getting into any laager tonight.

The Vickys wouldn't take him in a million years, of course. Almost all the other tribes were racially oriented, like those Parsis or whatever. The Jews wouldn't take him unless he cut a piece of his dick off and learned to read a whole nother language, which was a bit of a tall order since he hadn't gotten round to learning how to read English yet. There were a bunch of coenobitical phyles- religious tribes- that took people of all races, but most of them weren't very powerful and didn't have turf in the Leased Territories. The Mormons had turf and were very powerful, but he wasn't sure if they'd take him as quickly and readily as he needed to be taken.

Then there were the tribes that people just made up out of thin air- the synthetic phyles- but most of them were based on some shared skill or weird idea or ritual that he wouldn't be able to pick up in half an hour.

Finally, sometime around midnight, he wandered past a man in a funny gray jacket and cap with a red star on it, trying to give away little red books, and it hit him: Sendero. Most Senderistas were either Incan or Korean, but they'd take anyone. They had a nice clave here in the Leased Territories, a clave with good security, and every one of them, down to the last man or woman, was batshit. They'd be more than a match for a few dozen Ashantis. And you could join anytime just by walking in the gates. They would take anyone, no questions asked.

He'd heard it was not such a good thing to be a Communist, but under the circumstances he figured he could hold his nose and quote from the little red book as necessary. As soon as those Ashantis left town, he'd bolt.

Once he made up his mind, he couldn't wait to get there. He had to restrain himself from breaking into a jog, which would be sure to draw the attention of any Ashantis on the street. He couldn't bear the idea of being so close to safety and then blowing it.

He rounded a corner and saw the wall of the Sendero Clave; four stories high and two blocks long, one solid giant mediatron with a tiny gate in the middle. Mao was on one end, waving to an unseen multitude, backed up by his horsetoothed wife and his beetle-browed sidekick Lin Biao, and Chairman Gonzalo was on the other, teaching some small children, and in the middle was a slogan in ten-meter-high letters: STRIVE TO UPHOLD THE PRINCIPLES OF MAO-GONZALO-THOUGHT!

The gate was guarded, as always, by a couple of twelve-year-old kids in red neckerchiefs and armbands, ancient bolt-action rifles with real bayonets leaning against their collarbones. A blond white girl and a pudgy Asian boy. Bud and his son Harv had whiled away many an idle hour trying to get these kids to laugh: making silly faces, mooning them, telling jokes. Nothing ever worked. But he'd seen the ritual: They'd bar his path with crossed rifles and not let him in until he swore his undying allegiance to Mao-Gonzalo-thought, and then-

A horse, or something built around the same general plan, was coming down the street at a hand-gallop. Its hooves did not make the pocking noise of iron horseshoes. Bud realized it was a chevaline- a four-legged robot thingy.

The man on the chev was an African in very colorful clothing.

Bud recognized the patterns on that cloth and knew without bothering to check for the scar that the guy was Ashanti. As soon as he caught Bud's eye, he kicked it up another gear, to a tantivy. He was going to cut Bud off before he could reach Sendero. And he was too far away, yet, to be reached by the skull gun, whose infinitesimal bullets had a disappointingly short range.

He heard a soft noise behind him and swiveled his head around, and something whacked him on the forehead and stuck there. A couple more Ashantis had snuck up on him barefoot.

"Sir," one of them said, "I would not recommend operation of your weapon, unless you want the round to detonate in your own forehead. Hey?" and he smiled broadly, enormous perfectly white teeth, and touched his own forehead. Bud reached up and felt something hard glued to the skin of his brow, right over the skull gun.

The chev dropped to a trot and cut toward him. Suddenly Ashantis were everywhere. He wondered how long they'd been tracking him. They all had beautiful smiles. They all carried small devices in their hands, which they aimed at the pavement, trigger fingers laid alongside the barrels until the guy on the chev told them otherwise. Then, suddenly, they all seemed to be aimed in his direction.

The projectiles stuck to his skin and clothing and burst sideways, flinging out yards and yards of weightless filmy stuff that stuck to itself and shrank. One struck him in the back of the head, and a swath of the stuff whipped around his face and encased it. It was about as thick as a soap bubble, and so he could see through it pretty well- it had peeled one of his eyelids back so he couldn't help but see- and everything now had that gorgeous rainbow tinge characteristic of soap bubbles. The entire shrink-wrapping process consumed maybe half a second, and then Bud, mummified in plastic, toppled over face-forward. One of the Ashantis was good enough to catch him. They laid him down on the Street and rolled him over on his back. Someone poked the blade of a pocketknife through the film over Bud's mouth so that he could breathe again.

Several Ashantis set about the chore of bonding handles to the shrinkwrap, two up near the shoulders and two down by the ankles, as the man on the chev dismounted and knelt over him.

This equestrian had several prominent scars on his cheeks. "Sir," the man said, smiling, "I accuse you of violating certain provisions of the Common Economic Protocol, which I will detail at a more convenient time, and I hereby place you under personal arrest. Please be aware that anyone who has been so arrested is subject to deadly force in the event he tries to resist- which- ha! ha!- does not seem likely at present- but it is a part of the procedure that I am to say this. As this territory belongs to a nation-state that recognizes the Common Economic Protocol, you are entitled to a hearing of any such charges within the judicial framework of the nation-state in question, which in this case happens to be the Chinese Coastal Republic. This nation-state may or may not grant you additional rights; we will find out in a very few moments, when we present the situation to one of the relevant authorities. Ah, I believe I see one now."

A constable from the Shanghai Police, legs strapped into a pedomotive, was coming down the street with the tremendous loping strides afforded by such devices, escorted by a couple of power-skating Ashantis. The Ashantis had big smiles, but the constable looked stereotypically inscrutable.

The chief of the Ashantis bowed to the constable and graciously spun out another lengthy quotation from the fine print of the Common Economic Protocol. The constable kept making a gesture that was somewhere between a nod and a perfunctory bow. Then the constable turned to Bud and said, very fast: "Are you a member of any signatory tribe, phyle, registered diaspora, franchise-organized quasi-national entity, sovereign polity, or any other form of dynamic security collective claiming status under the CEP?"

"Are you shitting me?" Bud said. The shrink-wrap squished his mouth together so he sounded like a duck.

Four Ashantis took the four handles and hoisted Bud off the ground. They began to follow the loping constable in the direction of the Causeway that led over the sea to Shanghai. "How 'bout it," Bud quacked through the hole in the shrink-wrap, "he said I might have other rights. Do I have any other rights?"

The constable looked back over his shoulder, turning his head carefully so he wouldn't lose his balance on that pedomotive. "Don't be a jerk," he said in pretty decent English, "this is China."

Hackworth's morning ruminations; breakfast and departure for work.

Thinking about tomorrow's crime, John Percival Hackworth slept poorly, rising three times on the pretext of having to use the loo.

Each time he looked in on Fiona, who was sprawled out in her white lace nightgown, arms above her head, doing a backflip into the arms of Morpheus. Her face was barely visible in the dark room, like the moon seen through folds of white silk.

At five A.M., a shrill pentatonic reveille erupted from the North Koreans' brutish mediatrons. Their clave, which went by the name Sendero, was not far above sea level: a mile below the Hackworths' building in altitude, and twenty degrees warmer on the average day. But whenever the women's chorus chimed in with their armor-piercing refrain about the all-seeing beneficence of the Serene Leader, it felt as if they were right next door.

Gwendolyn didn't even stir. She would sleep soundly for another hour, or until Tiffany Sue, her lady's maid, came bustling into the room and began to lay out her clothes: stretchy lingerie for the morning workout, a business frock, hat, gloves, and veil for later.

Hackworth drew a silk dressing gown from the wardrobe and poured it over his shoulders. Binding the sash around his waist, the cold tassels splashing over his fingers in the dark, he glanced through the doorway to Gwendolyn's closet and out the other side into her boudoir. Against that room's far windows was the desk she used for social correspondence, really just a table with a top of genuine marble, strewn with bits of stationery, her own and others', dimly identifiable even at this distance as business cards, visiting cards, note cards, invitations from various people still going through triage. Most of the boudoir floor was covered with a tatty carpet, worn through in places all the way down to its underlying matrix of jute, but hand-woven and sculpted by genuine Chinese slave labor during the Mao Dynasty. Its only real function was to protect the floor from Gwendolyn's exercise equipment, which gleamed in the dim light scattering off the clouds from Shanghai: a step unit done up in Beaux-Arts ironmongery, a rowing machine cleverly fashioned of writhing sea-serpents and hard-bodied nereids, a rack of free weights supported by four callipygious caryatids-not chunky Greeks but modern women, one of each major racial group, each tricep, gluteus, latissimus, sartorius, and rectus abdominus casting its own highlight. Classical architecture indeed. The caryatids were supposed to be role models, and despite subtle racial differences, each body fit the current ideal: twenty-two-inch waist, no more than 17% body fat. That kind of body couldn't be faked with undergarments, never mind what the ads in the women's magazines claimed; the long tight bodices of the current mode, and modern fabrics thinner than soap bubbles, made everything obvious. Most women who didn't have superhuman willpower couldn't manage it without the help of a lady's maid who would run them through two or even three vigorous workouts a day. So after Fiona had stopped breast-feeding and the time had loomed when Gwen would have to knacker her maternity clothes, they had hired Tiffany Sue- just another one of the child-related expenses Hackworth had never imagined until the bills had started to come in. Gwen accused him, half-seriously, of having eyes for Tiffany Sue. The accusation was almost a standard formality of modern marriage, as lady's maids were all young, pretty, and flawlessly buffed. But Tiffany Sue was a typical thete, loud and classless and heavily made up, and Hackworth couldn't abide her. If he had eyes for anyone, it was those caryatids holding up the weight rack; at least they had impeccable taste going for them.

Mrs. Hull had not heard him and was still bumping sleepily around in her quarters. Hackworth put a crumpet into the toaster oven and went out on their flat's tiny balcony with a cup of tea, catching a bit of the auroral breeze off the Yangtze Estuary.

The Hackworths' building was one of several lining a block-long garden where a few early risers were already out walking their spaniels or touching their toes. Far down the slopes of New Chusan, the Leased Territories were coming awake: the Senderos streaming out of their barracks and lining up in the streets to chant and sing through their morning calisthenics. All the other thetes, coarcted into the tacky little claves belonging to their synthetic phyles, turning up their own mediatrons to drown out the Senderos, setting off firecrackers or guns- he could never tell them apart- and a few internal-combustion hobbyists starting up their primitive full-lane vehicles, the louder the better. Commuters lining up at the tube stations, waiting to cross the Causeway into Greater Shanghai, seen only as a storm front of neon-stained, coal-scented smog that encompassed the horizon.

This neighborhood was derisively called Earshot. But Hackworth didn't mind the noise so much. It would have been a sign of better breeding, or higher pretentions, to be terribly sensitive about it, to complain of it all the time, and to yearn for a townhouse or even a small estate farther inland.

Finally the bells of St. Mark's chimed six o'clock. Mrs. Hull burst into the kitchen on the first stroke and expressed shame that Hackworth had beaten her to the kitchen and shock that he had defiled it. The matter compiler in the corner of the kitchen came on automatically and began to create a pedomotive for Hackworth to take to work.

Before the last bell had died away, the rhythmic whack-whack-whack of a big vacuum pump could be heard. The engineers of the Royal Vacuum Utility were already at work expanding the eutactic environment. The pumps sounded big, probably Intrepids, and Hackworth reckoned that they must be preparing to raise a new structure, possibly a wing of the University.

He sat down at the kitchen table. Mrs. Hull was already marmalading his crumpet. As she laid out plates and silver, Hackworth picked up a large sheet of blank paper. "The usual," he said, and then the paper was no longer blank; now it was the front page of the Times.

Hackworth got all the news that was appropriate to his station in life, plus a few optional services: the latest from his favorite cartoonists and columnists around the world; clippings on various peculiar crackpot subjects forwarded to him by his father, ever anxious that he had not, even after all this time, sufficiently edified his son; and stories relating to the Uitlanders- a subphyle of New Atlantis, consisting of persons of British ancestry who had fled South Africa several decades previously. Hackworth's mother was an Uitlander, so he subscribed to the service.

A gentleman of higher rank and more far-reaching responsibilities would probably get different information written in a different way, and the top stratum of New Chusan actually got the Times on paper, printed out by a big antique press that did a run of a hundred or so, every morning at about three A.M. That the highest levels of the society received news written with ink on paper said much about the steps New Atlantis had taken to distinguish itself from other phyles.

Now nanotechnology had made nearly anything possible, and so the cultural role in deciding what should be done with it had become far more important than imagining what could be done with it. One of the insights of the Victorian Revival was that it was not necessarily a good thing for everyone to read a completely different newspaper in the morning; so the higher one rose in the society, the more similar one's Times became to one's peers'.

Hackworth almost managed to dress without waking Gwendolyn, but she began to stir while he was stringing his watch chain around various tiny buttons and pockets in his waistcoat. In addition to the watch, various other charms dangled from it, such as a snuffbox that helped perk him up now and then, and a golden pen that made a little chime whenever he received mail.

"Have a good day at work, dear," she mumbled. Then, blinking once or twice, frowning, and focusing on the chintz canopy over the bed: "You finish it today, do you?"

"Yes," Hackworth said. "I'll be home late. Quite late."

"I understand."

"No," he blurted. Then he pulled himself up short. This was it, he realized.

"Darling?"

"It's not that-the project should finish itself. But after work, I believe I'll get a surprise for Fiona. Something special."

"Being home for dinner would be more special than anything you could get her."

"No, darling. This is different. I promise."

He kissed her and went to the stand by the front door. Mrs. Hull was awaiting him, holding his hat in one hand and his briefcase in the other. She had already removed the pedomotive from the M.C. and set it by the door for him; it was smart enough to know that it was indoors, and so its long legs were fully collapsed, giving him almost no mechanical advantage. Hackworth stepped onto the tread plates and felt the straps reach out and hug his legs.

He told himself that he could still back out. But a flash of red caught his eye, and he looked in and saw Fiona creeping down the hallway in her nightie, her flaming hair flying all directions, getting ready to surprise Gwendolyn, and the look in her eyes told him that she had heard everything. He blew her a kiss and walked out the door, resolute.

Bud is prosecuted; noteworthy features of the Confucian judicial system; he receives an invitation to take a long walk on a short pier.

Bud had spent the last several days living in the open, in a prison on the low, smelly delta of the Chang Jiang (as most of his thousands of fellow inmates called it) or, as Bud called it, the Yangtze. The walls of the prison were lines of bamboo stakes, spaced at intervals of a few meters, with strips of orange plastic fluttering gaily from their tops. Yet another device had been mounted on Bud's bones, and it knew where those boundaries were. From place to place one could see a corpse just on the other side of the line, body striped with the lurid marks of cookie-cutters. Bud had mistaken these for suicides until he'd seen a lynching in progress: a prisoner who was thought to have stolen some other fellow's shoes was picked up bodily by the mob, passed from hand to hand overhead like a crowd-surfing rock singer, all the time flailing frantically trying to grab something. When he reached the line of bamboo poles, he was given one last shove and ejected, his body virtually exploding as he flew through the invisible plane of the perimeter.

But the ever-present threat of lynching was a minor irritation compared to the mosquitoes. So when Bud heard the voice in his ears telling him to report to the northeast corner of the compound, he didn't waste any time- partly because he wanted to get away from that place and partly because, if he didn't, they could pop him by remote control. They could have just told him to walk directly to the courtroom and take a seat and he would have done it, but for ceremonial purposes they sent a cop to escort him.

The courtroom was a high-ceilinged room in one of the old buildings along the Bund, not lavishly furnished. At one end was a raised platform, and on that was an old folding table with a red cloth tossed over it. The red cloth had gold threads woven through it to make a design: a unicorn or a dragon or some shit like that. Bud had trouble discriminating among mythical beasts.

The judge came in and was introduced as Judge Fang by the larger of his two gofers: a bulky, rounded-headed Chinese guy who smelled tantalizingly of menthol cigarettes. The constable who had escorted Bud to the courtroom pointed to the floor, and Bud, knowing his cue, dropped to his knees and touched his forehead to the floor.

The Judge's other gofer was a tiny little Amerasian woman wearing glasses. Hardly anyone used glasses anymore to correct their vision, and so it was a likely bet that this was actually some kind of phantascope, which let you see things that weren't there, such as ractives. Although, when people used them for purposes other than entertainment, they used a fancier word: phenomenoscope.

You could get a phantascopic system planted directly on your retinas, just as Bud's sound system lived on his eardrums. You could even get telæsthetics patched into your spinal column at various key vertebrae. But this was said to have its drawbacks: some concerns about long-term nerve damage, plus it was rumored that hackers for big media companies had figured out a way to get through the defenses that were built into such systems, and run junk advertisements in your peripheral vision (or even spang in the fucking middle) all the time-even when your eyes were closed. Bud knew a guy like that who'd somehow gotten infected with a meme that ran advertisements for roach motels, in Hindi, superimposed on the bottom right-hand corner of his visual field, twenty-four hours a day, until the guy whacked himself.

Judge Fang was surprisingly young, probably not out of his thirties yet. He sat at the red cloth-covered table and started to talk in Chinese. His two gofers stood behind him. A Sikh was here; he stood up and said a few words back to the Judge in Chinese. Bud couldn't figure out why there was a Sikh here, but he'd become accustomed to Sikhs turning up where they were least sought.

Judge Fang said in a New York City accent, "The representative from Protocol has suggested that we conduct these proceedings in English. Any objections?"

Also present was the guy he had mugged, who was holding the one arm rather stiffly but seemed otherwise healthy. His wife was with him too.

"I'm Judge Fang," the Judge continued, looking straight at Bud. "You can address me as Your Honor. Now, Bud, Mr. Kwamina here has accused you of certain activities that are illegal in the Coastal Republic. You are also accused of actionable offenses under the Common Economic Protocol, to which we are a subscriber. These offenses are closely related to the crimes I already mentioned, but slightly different. Are you getting all this?"

"Not exactly, Your Honor," Bud said.

"We think you mugged this guy and blew a hole in his arm," Judge Fang said, "which is frowned upon. Capiche?"

"Yes, sir."

Judge Fang nodded at the Sikh, who took the cue. "The CEP code," said the Sikh, "governs all kinds of economic interactions between people and organizations. Theft is one such interaction. Maiming is another, insofar as it affects the victim's ability to fend for himself economically. As Protocol does not aspire to sovereign status, we work in cooperation with the indigenous justice system of CEP signatories in order to pursue such cases."

"You familiar with the Confucian system of justice, Bud?" said Judge Fang. Bud's head was beginning to get dizzy from snapping back and forth like a spectator at a tennis match. "I'm guessing no. Okay, even though the Chinese Coastal Republic is no longer strictly or even vaguely Confucian, we still run our judicial system that way- we've had it for a few thousand years, and we think it's not half bad. The general idea is that as judge, I actually perform several roles at once: detective, judge, jury, and if need be, executioner."

Bud snickered at this crack, then noticed that Judge Fang did not appear to be in an especially jocose mood. His New Yorkish ways had initially fooled Bud into thinking that Judge Fang was something of a Regular Guy.

"So in the first-mentioned role," Judge Fang continued, "I would like for you, Mr. Kwamina, to tell me whether you recognize the suspect."

"He is the man," said Mr. Kwamina, aiming one index finger at Bud's forehead, "who threatened me, shot me, and stole my money."

"And Mrs. Kum?" Judge Fang said. Then, as an aside to Bud, he added, "In their culture, the woman does not adopt her husband's family name."

Mrs. Kum just nodded at Bud and said, "He is the guilty party."

"Miss Pao, do you have anything to add?"

The tiny woman in the spectacles looked at Bud and said, in Texan-accented English, "From this man's forehead I removed a voice-activated nanoprojectile launcher, colloquially known as a skull gun, loaded with three types of ammunition, including so-called Crippler rounds of the type used against Mr. Kwamina. Nanopresence examination of the serial numbers on those rounds, and comparison of the same with fragments removed from Mr. Kwamina's wound, indicated that the round used on Mr. Kwamina was fired from the gun embedded in the suspect's forehead."

"Dang," Bud said.

"Okay," Judge Fang said, and reached up with one hand to rub his temples for just a moment. Then he turned to Bud. "You're guilty."

Hey! Don't I get to put up a defense?" Bud said. "I object!"

"Don't be an asshole," Judge Fang said.

The Sikh said, "As the offender has no significant assets, and as the value of his labor would not be sufficient to compensate the victim for his injury, Protocol terminates its interest in this case."

"Got it," Judge Fang said. "Okay, Bud, my man, do you have any dependents?"

"I got a girlfriend," Bud said. "She's got a son named Harv who is my boy, unless we counted wrong. And I heard she's pregnant."

"You think she is, or you know she is?"

"She was last time I checked- a couple months ago."

"What's her name?"

"Tequila."

A muffled snort came from one of the Protocol trainees- the young woman- who put one hand over her mouth. The Sikh appeared to be biting his lip.

"Tequila?" Judge Fang said, incredulous. It was becoming clear that Judge Fang tried a lot of these cases and relished the odd scrap of entertainment value.

"There are nineteen women named Tequila in the Leased Territories," said Miss Pao, reading something out of her phenomenoscope, "one of whom delivered a baby girl named Nellodee three days ago. She also has a five-year-old boy named Harvard."

"Oh, wow," Bud said.

"Congratulations, Bud, you're a pa," Judge Fang said. "I gather from your reaction that this comes as something of a surprise. It seems evident that your relationship with this Tequila is tenuous, and so I do not find that there are any mitigating circumstances I should take into account in sentencing. That being the case, I would like you to go out that door over there"- Judge Fang pointed to a door in the corner of the courtroom-" and all the way down the steps. Leave through the exit door and cross the street, and you will find a pier sticking out into the river. Walk to the end of that pier until you are standing on the red part and await further instructions."

Bud moved tentatively at first, but Judge Fang gestured impatiently, so finally he went out the door and down the stairway and out onto the Bund, the street that ran along the waterfront of the Huang Pu River, and that was lined with big old European-style buildings. A pedestrian tunnel took him under the road to the actual waterfront, which was crowded with Chinese people strolling around, and legless wretches dragging themselves hither and thither.

Some middle-aged Chinese people had set up a sound system playing archaic music and were ballroom-dancing. The music and dance style would have been offensively quaint to Bud at any other point in his life, but now for some reason the sight of these somewhat fleshy, settled-looking people, twirling around gently in one another's arms, made him feel sad.

Eventually he found the right pier. As he strolled out onto it, he had to shoulder his way past some slopes carrying a long bundle wrapped in cloth, who were trying to get onto the pier ahead of him.

The view was nice here; the old buildings of the Bund behind him, the vertiginous neon wall of the Pudong Economic Zone exploding from the opposite bank and serving as backdrop for heavy river traffic- mostly chains of low-lying barges.

The pier did not turn red until the very end, where it began to slope down steeply toward the river. It had been coated with some kind of grippy stuff so his feet wouldn't fly out from under him. He turned around and looked back up at the domed court building, searching for a window where he might make out the face of Judge Fang or one of his gofers. The family of Chinese was following him down the pier, carrying their long bundle, which was draped with garlands of flowers and, as Bud now realized, was probably the corpse of a family member. He had heard about these piers; they were called funeral piers.

Several dozen of the microscopic explosives known as cookie-cutters detonated in his bloodstream.

Nell learns to work the matter compiler; youthful indiscretions; all is made better.

Nell had grown too long for her old crib mattress, and so Harv, her big brother, said he would help get a new one. He was big enough, he offhandedly mentioned, to do that sort of thing. Nell followed him into the kitchen, which housed several important boxy entities with prominent doors. Some were warm, some cool, some had windows, some made noises. Nell had frequently seen Harv, or Tequila, or one of Tequila's boyfriends, removing food from them, in one stage or another of doneness.

One of the boxes was called the M.C. It was built into the wall over the counter. Nell dragged a chair and climbed up to watch as Harv worked at it. The front of the M.C. was a mediatron, which meant anything that had pictures moving around on it, or sound coming out of it, or both. As Harv poked it with his fingers and spoke to it, little moving pictures danced around. It reminded her of the ractives she played on the big mediatron in the living room, when it wasn't being used by someone bigger.

"What are those?" Nell said.

"Mediaglyphics," Harv said coolly. "Someday you'll learn how to read."

Nell could already read some of them.

"Red or blue?" Harv asked magnanimously.

"Red."

Harv gave it an especially dramatic poke, and then a new mediaglyphic came up, a white circle with a narrow green wedge at the top. The wedge got wider and wider. The M.C. played a little tune that meant you were supposed to wait. Harv went to the fridge and got himself a juice box and one for Nell too. He looked at the M.C. disdainfully. "This takes so long, it's ridiculous," he said.

"Why?"

"'Cause we got a cheap Feed, just a few grams per second. Pathetic."

"Why do we got a cheap Feed?"

"Because it's a cheap house."

"Why is it a cheap house?"

"Because that's all we can afford because of the economics," Harv said. "Mom's gotta compete with all kinds of Chinese and stuff that don't have any self-respect and so they'll work for nothing. So Mom's gotta work for nothing." He looked at the M.C. again and shook his head. "Pathetic. At the Flea Circus they got a Feed that's, like, this big around." He touched his fingertips together in front of him and made a big circle with his arms. "But this one's probly like the size of your pinkie."

He stepped away from the M.C. as if he could no longer stand to share a room with it, sucked powerfully on his juice box, and wandered into the living room to get in a ractive. Nell just watched the green wedge get bigger and bigger until it filled half the circle, and then it began to look like a green circle with a white wedge in it, getting narrower and narrower, and finally the music came to a bouncy conclusion just as the white wedge vanished.

"It's done!" she said.

Harv paused his ractive, swaggered into the kitchen, and poked a mediaglyphic that was an animated picture of a door swinging open. The M.C. took to hissing loudly. Harv watched her scared face and ruffled her hair; she could not fend him off because she had her hands over her ears. "Got to release the vacuum," he explained.

The sound ended, and the door popped open. Inside the M.C., folded up neatly, was Nell's new red mattress. "Give it to me! Give it to me!" Nell shouted, furious to see Harv's hands on it. Harv amused himself for a second playing keep-away, then gave it to her. She ran to the room that she shared with Harv and slammed the door as hard as she could. Dinosaur, Duck, Peter, and Purple were waiting for her. "I got us a new bed," she told them. She grabbed her old crib mattress and heaved it into the corner, then unfolded the new one precisely on the floor. It was disappointingly thin, more blanket than mattress. But when she had it all laid out on the floor, it made a whooshing noise- not loud- the sound of her brother's breathing late at night. It thickened as it inhaled, and when it was done, it looked like a real mattress. She gathered Dinosaur and Duck and Peter and Purple up into her arms and then, just to make sure, jumped up and down on it several hundred times.

"You like it?" Harv said. He had opened the door.

"No! Get out!" Nell screamed.

"Nell, it's my room too," Harv said. "I gotta deke your old one."

Later, Harv went out with his buddies, and Nell was alone in the house for a while. She had decided that her kids needed mattresses too, and so she dragged the chair to the counter and climbed up on top, right in front of the M.C., and tried to read the mediaglyphics. A lot of them she didn't recognize. But she remembered that Tequila just used words when she couldn't read something, so she tried talking to it instead.

"Please secure the permission of an adult," the M.C. said, over and over again.

Now she knew why Harv always poked at things rather than talking to them. She poked at the M.C. for a long time until finally she came to the same mediaglyphics that Harv had used to choose her mattress. One showed a man and woman sleeping in a very large bed. A man and woman in a somewhat smaller bed. A man by himself. A child by herself. A baby.

Nell poked at the baby. The white circle and red wedge appeared, the music played, the M.C. hissed and opened.

She spread it out on the floor and formally presented it to Dinosaur, who was too little to know how to jump up and down on it; so Nell showed him for a while. Then she went back to the M.C. and got mattresses for Duck, Peter, and Purple. Now, much of the room was covered with mattresses, and she thought how fun it would be to have the whole room just be one big mattress, so she made a couple of the very largest size. Then she made a new mattress for Tequila and another new one for her boyfriend Rog.

When Harv came back, his reaction swerved between terror and awe. "Mom's gonna have Rog beat the shit out of us," he said. "We gotta deke all this stuff now."

Easy come, easy go. Nell explained the situation to her kids and then helped Harv stuff all of the mattresses, except her own, into the deke hopper. Harv had to use all his strength to shove the door closed. "Now we just better hope this stuff all dekes before Mom gets home," he said. "It's gonna take a while."

Later they went to bed and both lay awake for a while, dreading the sound of the front door opening. But neither Mom nor Rog came home that night. Mom finally showed up in the morning, changed into her maid outfit, and ran for the bus to the Vicky Clave, but she just left all her garbage on the floor instead of throwing it in the hopper. When Harv checked the hopper later, it was empty. "We dodged a bullet," he said. "You gotta be careful how you use the matter compiler, Nell."

"What's a matter compiler?"

"We call it the M.C. for short."

"Why?"

"Because M.C. stands for matter compiler, or so they say."

"Why?"

"It just does. In letters, I guess."

"What are letters?"

"Kinda like mediaglyphics except they're all black, and they're tiny, they don't move, they're old and boring and really hard to read. But you can use 'em to make short words for long words."

Hackworth arrives at work; a visit to the Design Works; Mr. Cotton's vocation.

Rain beaded on the specular toes of Hackworth's boots as he strode under the vaulting wrought-iron gate. The little beads reflected the silvery gray light of the sky as they rolled off onto the pedomotive's tread plates, and dripped to the gray-brown cobblestones with each stride. Hackworth excused himself through a milling group of uncertain Hindus. Their hard shoes were treacherous on the cobblestones, their chins were in the air so that their high white collars would not saw their heads off. They had arisen many hours ago in their tiny high-rise warrens, their human coin lockers on the island south of New Chusan, which was Hindustani. They had crossed into Shanghai in the wee hours on autoskates and velocipedes, probably paid off some policemen, made their way to the Causeway joining New Chusan to the city. MachinePhase Systems Limited knew that they were coming, because they came every day. The company could have set up an employment office closer to the Causeway, or even in Shanghai itself. But the company liked to have job-seekers come all the way to the main campus to fill out their applications. The difficulty of getting here prevented people from coming on a velleity, and the eternal presence of these people- like starlings peering down hungrily at a picnic- reminded everyone who was lucky enough to have a job that others were waiting to take their place.

The Design Works emulated a university campus, in more ways than its architects had really intended. If a campus was a green quadrilateral described by hulking, hederated Gothics, then this was a campus. But if a campus was also a factory of sorts, most of whose population sat in rows and columns in large stuffy rooms and did essentially the same things all day, then the Design Works was a campus for that reason too.

Hackworth detoured through Merkle Hall. It was Gothic and very large, like most of the Design Works. Its vaulted ceiling was decorated with a hard fresco consisting of paint on plaster. Since this entire building, except for the fresco, had been grown straight from the Feed, it would have been easier to build a mediatron into the ceiling and set it to display a soft fresco, which could have been changed from time to time. But neo-Victorians almost never used mediatrons. Hard art demanded commitment from the artist. It could only be done once, and if you screwed it up, you had to live with the consequences.

The centerpiece of the fresco was a flock of cybernetic cherubs, each shouldering a spherical atom, converging on some central work-in-progress, a construct of some several hundred atoms, radially symmetric, perhaps intended to look like a bearing or motor. Brooding over the whole thing, quite large but obviously not to scale, was a white-coated Engineer with a monocular nanophenomenoscope strapped to his head. No one really used them because you couldn't get depth perception, but it looked better on the fresco because you could see the Engineer's other eye, steel-blue, dilated, scanning infinity like the steel oculus of Arecibo. With one hand the Engineer stroked his waxed mustache. The other was thrust into a nanomanipulator, and it was made obvious, through glorious overuse of radiant tromp l'oeil, that the atom-humping cherubs were all dancing to his tune, naiads to the Engineer's Neptune. The corners of the fresco were occupied with miscellaneous busywork; in the upper left, Feynman and Drexler and Merkle, Chen and Singh and Finkle-McGraw reposed on a numinous buckyball, some of them reading books and some pointing toward the work-in-progress in a manner that implied constructive criticism. In the upper right was Queen Victoria II, who managed to look serene despite the gaudiness of her perch, a throne of solid diamond. The bottom fringe of the work was crowded with small figures, mostly children with the occasional longsuffering mom, ordered chronologically. On the left were the spirits of generations past who had showed up too early to enjoy the benefits of nanotechnology and (not explicitly shown, but somewhat ghoulishly implied) croaked from obsolete causes such as cancer, scurvy, boiler explosions, derailments, drive-by shootings, pogroms, blitzkriegs, mine shaft collapses, ethnic cleansing, meltdowns, running with scissors, eating Drano, heating a cold house with charcoal briquets, and being gored by oxen. Surprisingly, none of them seemed sullen; they were all watching the activities of the Engineer and his cherubic workforce, their cuddly, uplifted faces illuminated by the light streaming from the center, liberated (as Hackworth the engineer literal-mindedly supposed) by the binding energy of the atoms as they plummeted into their assigned potential wells.

The children in the center had their backs to Hackworth and were mostly seen in silhouette, looking directly up and raising their arms toward the light. The kids in bottom right balanced the angelic host on the bottom left; these were the spirits of unborn children yet to benefit from the Engineer's work, though they certainly looked eager to get born as soon as possible. Their backdrop was a luminescent, undulous curtain, much like the aurora, which was actually a continuation of the flowing skirts of Victoria II seated on her throne above.

"Pardon me, Mr. Cotton," Hackworth said, almost sotto voce. He had worked here once, for several years, and knew the etiquette. A hundred designers were sitting in the hall, neatly arranged in rows. All had their heads wrapped up in phenomenoscopes. The only persons who were aware of Hackworth's presence in the hall were Supervising Engineer Dung, his lieutenants Chu, DeGrado, and Beyerley, and a few water-boys and couriers standing erect at their stations around the perimeter. It was bad form to startle the engineers, so you approached them loudly and spoke to them softly.

"Good morning, Mr. Hackworth," Cotton said.

"Good morning, Demetrius. Take your time."

"I'll be with you in a moment, sir."

Cotton was a southpaw. His left hand was in a black glove. Laced through it was a network of invisibly tiny rigid structures, motors, position sensors, and tactile stimulators. The sensors kept track of his hand's position, how much each joint of each knuckle was bent, and so on. The rest of the gear made him feel as though he were touching real objects.

The glove's movements were limited to a roughly hemispherical domain with a radius of about one cubit; as long as his elbow stayed on or near its comfy elastomeric rest, his hand was free. The glove was attached to a web of infinitesimal wires that emerged from filatories placed here and there around the workstation. The filatories acted like motorized reels, taking up slack and occasionally pulling the glove one way or another to simulate external forces. In fact they were not motors but little wire factories that generated wire when it was needed and, when slack needed to be taken up or a wire needed a tug, sucked it back in and digested it. Each wire was surrounded by a loose accordion sleeve a couple of millimeters in diameter, which was there for safety, lest visitors stick their hands in and slice off fingers on the invisible wires.

Cotton was working with some kind of elaborate structure consisting, probably, of several hundred thousand atoms. Hackworth could see this because each workstation had a mediation providing a two-dimensional view of what the user was seeing. This made it easy for the supervisors to roam up and down the aisles and see at a glance what each employee was up to.

The structures these people worked with seemed painfully bulky to Hackworth, even though he'd done it himself for a few years. The people here in Merkle Hall were all working on mass-market consumer products, which by and large were not very demanding. They worked in symbiosis with big software that handled repetitive aspects of the job. It was a fast way to design products, which was essential when going after the fickle and impressionable consumer market. But systems designed that way always ended up being enormous. An automated design system could always make something work by throwing more atoms at it. Every engineer in this hall, designing those nanotechnological toasters and hair dryers, wished he could have Hackworth's job in Bespoke, where concinnity was an end in itself, where no atom was wasted and every subsystem was designed specifically for the task at hand. Such work demanded intuition and creativity, qualities neither abundant nor encouraged here in Merkle Hall. But from time to time, over golf or karaoke or cigars, Dung or one of the other supervisors would mention some youngster who showed promise. Because Lord Alexander Chung-Sik Finkle-McGraw was paying for Hackworth's current project, the Young Lady's Illustrated Primer, price was no object. The Duke would brook no malingering or corner-cutting, so everything was as start as Bespoke could make it, every atom could be justified.

Even so, there was nothing especially interesting about the power supply being created for the Primer, which consisted of batteries of the same kind used to run everything from toys to airships. So Hackworth had farmed that part of the job out to Cotton, just to see whether he had potential.

Cotton's gloved hand fluttered and probed like a stuck horsefly in the center of the black web. On the mediatronic screen attached to his workstation, Hackworth saw that Cotton was gripping a medium-size (by Merkie Hall standards) subassembly, presumably belonging to some much larger nanotechnological system. The standard color scheme used in these phenomenoscopes depicted carbon atoms in green, sulfur in yellow, oxygen in red, and hydrogen in blue. Cotton's assembly, as seen from a distance, was generally turquoise because it consisted mostly of carbon and hydrogen, and because Hackworth's point of view was so far away that the thousands of individual atoms all blended together. It was a gridwork of long, straight, but rather bumpy rods laid across each other at right angles. Hackworth recognized it as a rod logic system- a mechanical computer.

Cotton was trying to snap it together with some larger part. From this Hackworth inferred that the auto-assembly process (which Cotton would have tried first) hadn't worked quite right, and so now Cotton was trying to maneuver the part into place by hand. This wouldn't fix what was wrong with it, but the telesthetic feedback coming into his hand through those wires would give him insight as to which bumps were lining up with which holes and which weren't. It was an intuitive approach to the job, a practice furiously proscribed by the lecturers at the Royal Nanotechnological Institute but popular among Hackworth's naughty, clever colleagues.

"Okay," Cotton finally said, "I see the problem." His hand relaxed. On the mediatron, the subassembly drifted away from the main group under its own momentum, then slowed, stopped, and began to fall back toward it, drawn in by weak van den Waals forces. Cotton's right hand was resting on a small chordboard; he whacked a key that froze the simulation, then, as Hackworth noted approvingly, groped the keys for a few seconds, typing in some documentation. Meanwhile he was withdrawing his left hand from the glove and using it to pull the rig off his head; its straps and pads left neat indentations in the nap of his hair.

"Is this the smart makeup?" Hackworth said, nodding at the screen.

"The next step beyond," Cotton said. "Remote-control."

"Controlled how? Yuvree?" Hackworth said, meaning Universal Voice Recognition Interface.

"A specialised variant thereof, yes sir," Cotton said. Then, lowering his voice, "Word has it they considered makeup with nanoreceptors for galvanic skin response, pulse, respiration, and so on, so that it would respond to the wearer's emotional state. This superficial, need I say it, cosmetic issue concealed an undertow that pulled them out into deep and turbulent philosophical waters-"

"What? Philosophy of makeup?"

"Think about it, Mr. Hackworth- is the function of makeup to respond to one's emotions- or precisely not to do so?"

"These waters are already over my head," Hackworth admitted.

"You'll be wanting to know about the power supply for Runcible," Cotton said, using the code name for the Illustrated Primer. Cotton had no idea what Runcible was, just that it needed a relatively long-lived power supply.

"Yes."

"The modifications you requested are complete. I ran the tests you specified plus a few others that occurred to me- all of them are documented here." Cotton grabbed the heavy brasslike pull of his desk drawer and paused for a fraction of a second while the embedded fingerprint-recognition logic did its work. The drawer unlocked itself, and Cotton pulled it open to reveal a timeless assortment of office drawer miscellany, including several sheets of paper- some blank, some printed, some scrawled on, and one sheet that was blank except for the word RUNCIBLE printed at the top in Cotton's neat draughtsman's hand. Cotton pulled this one out and spoke to it: "Demetrius James Cotton transferring all privileges to Mr. Hackworth."

"John Percival Hackworth in receipt," Hackworth said, taking the page from Cotton. "Thank you, Mr. Cotton."

"You're welcome, sir."

"Cover sheet," Hackworth said to the piece of paper, and then it had pictures and writing on it, and the pictures moved- a schematic of a machine-phase system cycling.

"If I'm not being too forward by enquiring," Cotton said, "will you be compiling Runcible soon?"

"Today most likely," Hackworth said.

"Please feel free to inform me of any glitches," Cotton said, just for the sake of form.

"Thank you, Demetrius," Hackworth said. "Letter fold," he said to the piece of paper, and it creased itself neatly into thirds. Hackworth put it in the breast pocket of his jacket and walked out of Merkle Hall.

Particulars of Nell & Harv's domestic situation; Harv brings back a wonder.

Whenever Nell's clothes got too small for her, Harv would pitch them into the deke bin and then have the M.C. make new ones. Sometimes, if Tequila was going to take Nell someplace where they would see other moms with other daughters, she'd use the M.C. to make Nell a special dress with lace and ribbons, so that the other moms would see how special Nell was and how much Tequila loved her. The kids would sit in front of the mediatron and watch a passive, and the moms would sit nearby and talk sometimes or watch the mediatron sometimes. Nell listened to them, especially when Tequila was talking, but she didn't really understand all the words.

She knew, because Tequila repeated it often, that when Tequila got pregnant with Nell, she had been using something called the Freedom Machine- a mite that lived in your womb and caught eggs and ate them. Victorians didn't believe in them, but you could buy them from Chinese and Hindustanis, who, of course, had no scruples. You never knew when they'd all gotten too worn out to work anymore, which is how Tequila had ended up with Nell. One of the women said you could buy a special kind of Freedom Machine that would go in there and eat a fetus. Nell didn't know what a fetus was, but all of the women apparently did, and thought that the idea was the kind of thing that only the Chinese or Hindustanis would ever think up. Tequila said she knew all about that sort of Freedom Machine but didn't want to use one, because she was afraid it might be gross.

Sometimes Tequila would bring back pieces of real cloth from her work, because she said that the rich Victorians she worked for would never miss them. She never let Nell play with them, and so Nell did not understand the difference between real cloth and the kind that came from the M.C.

Harv found a piece of it once. The Leased Territories, where they lived, had their own beach, and Harv and his friends liked to go prospecting there, early in the morning, for things that had drifted across from Shanghai, or that the Vickys in New Atlantis Clave had flushed down their water-closets. What they were really looking for was pieces of stretchy, slippery Nanobar. Sometimes the Nanobar was in the shape of condoms, sometimes it came in larger chunks that were used to wrap things up and preserve them from the depredations of mites. In any case, it could be gathered up and sold to certain persons who knew how to clean it and weld one piece of Nanobar to another and make it into protective suits and other shapes.

Harv had quietly stuffed the piece of cloth into his shoe and then limped home, not saying a word to anyone. That night Nell, lying on her red mattress, was troubled by vague dreams about strange lights and finally woke up to see a blue monster in her room: It was Harv underneath his blanket with a torch, doing something. She climbed out very slowly so as not to disturb Dinosaur, Duck, Peter, and Purple, and stuck her head beneath the blanket, and found Harv, holding the little flashlight in his teeth, working at something with a pair of toothpicks.

"Harv," she said, "are you working on a mite?"

"No, dummy." Harv's voice was hushed, and he had to mumble around the little button-shaped torch he was holding in his teeth. "Mites are lots smaller. See, look!"

She crawled forward a little more, drawn as much by warmth and security as by curiosity, and saw a limp mottled brown thing a few centimeters on a side, fuzzy around the edges, resting on Hanv's crossed ankles.

"What is it?"

"It's magic. Watch this," Harv said. And worrying at it with his toothpick, he teased something loose.

"It's got string coming out of it!" Nell said.

"Sssh!" Harv gripped the end of the thread beneath his thumbnail and pulled. It looked quite short, but it lengthened as he pulled, and the fuzzy edge of the piece of fabric waffled too fast to see, and then the thread had come loose entirely. He held it up for inspection, then let it drift down onto a heap of others just like it.

"How many does it have?" Nell said.

"Nell," Harv said, turning to face her so that his light shone into her face, his voice coming out of the light epiphanically, "you got it wrong. It's not that the thing has threads in it- it is threads. Threads going under and over each other. If you pulled out all of the threads, nothing would be left."

"Did mites make it?" Nell asked.

"The way it's made- so digital- each thread going over and under other threads, and those ones going over and under all the other threads-" Harv stopped for a moment, his mind overloaded by the inhuman audacity of the thing, the promiscuous reference frames. "It had to be mites, Nell, nothing else could do it."

Security measures adopted by Atlantis/Shanghai.

Atlantis/Shanghai occupied the loftiest ninety percent of New Chusan's land area- an inner plateau about a mile above sea level, where the air was cooler and cleaner. Parts of it were marked off with a lovely wrought iron fence, but the real border was defended by something called the dog pod grid- a swarm of quasi-independent aerostats.

Aerostat meant anything that hung in the air. This was an easy trick to pull off nowadays. Nanotech materials were stronger. Computers were infinitesimal. Power supplies were much more potent. It was almost difficult not to build things that were lighter than air. Really simple things like packaging materials- the constituents of litter, basically- tended to float around as if they weighed nothing, and aircraft pilots, cruising along ten kilometers above sea level, had become accustomed to the sight of empty, discarded grocery bags zooming past their windshields (and getting sucked into their engines). As seen from low earth orbit, the upper atmosphere now looked dandruffy. Protocol insisted that everything be made heavier than need be, so that it would fall, and capable of being degraded by ultraviolet light. But some people violated Protocol.

Given that it was so easy to make things that would float in air, it was not much of a stretch to add an air turbine. This was nothing more than a small propeller, or series of them, mounted in a tubular foramen wrought through the body of the aerostat, drawing in air at one end and forcing it out the other to generate thrust. A device built with several thrusters pointed along different axes could remain in one position, or indeed navigate through space.

Each aerostat in the dog pod grid was a mirror-surfaced, aerodynamic teardrop just wide enough, at its widest part, to have contained a pingpong ball. These pods were programmed to hang in space in a hexagonal grid pattern, about ten centimeters apart near the ground (close enough to stop a dog but not a cat, hence "dog pods") and spaced wider as they got higher. In this fashion a hemispherical dome was limned around the sacrosanct airspace of the New Atlantis Clave. When wind gusted, the pods all swung into it like weathervanes, and the grid deformed for a bit as the pods were shoved around; but all of them eventually worked their way back into place, swimming upstream like minnows, propelling the air turbines. The 'bines made a thin hissing noise, like a razor blade cutting air, that, when multiplied by the number of pods within earshot, engendered a not altogether cheerful ambience. Enough wrestling with the wind, and a pod's battery would run down. Then it would swim over and nuzzle its neighbor. The two would mate in midair, like dragonflies, and the weaker would take power from the stronger. The system included larger aerostats called nurse drones that would cruise around dumping large amounts of power into randomly selected pods all over the grid, which would then distribute it to their neighbors. If a pod thought it was having mechanical trouble, it would send out a message, and a fresh pod would fly out from the Royal Security installation beneath Source Victoria and relieve it so that it could fly home to be decompiled.

As numerous eight-year-old boys had discovered, you could not climb the dog pod grid because the pods didn't have enough thrust to support your weight; your foot would just mash the first pod into the ground. It would try to work its way loose, but if it were stuck in mud or its turbines fouled, another pod would have to come out and replace it. For the same reason you could pluck any pod from its place and carry it away. When Hackworth had performed this stunt as a youth, he had discovered that the farther it got from its appointed place the hotter it became, all the while politely informing him, in clipped military diction, that he had best release it or fall victim to vaguely adumbrated consequences. But nowadays you could just steal one or two whenever you felt like it, and a new one would come out and replace it; once they figured out they were no longer part of the grid, the pods would self-scramble and become instant souvenirs.

This user-friendly approach did not imply that grid-tampering went ignored, or that such activities were approved of. You could walk through the grid whenever you chose by shoving a few pods out of the way- unless Royal Security had told the pods to electrocute you or blast you into chum. If so, they would politely warn you before doing it. Even when they were in a more passive mode, though, the aerostats were watching and listening, so that nothing got through the dog pod grid without becoming an instant media celebrity with hundreds of uniformed fans down in Royal Joint Forces Command.

Unless it was microscopic. Microscopic invaders were more of the threat nowadays. Just to name one example, there was Red Death, a.k.a. the Seven Minute Special, a tiny aerodynamic capsule that burst open after impact and released a thousand or so corpuscle-size bodies, known colloquially as cookie-cutters, into the victim's bloodstream. It took about seven minutes for all of the blood in a typical person's body to recirculate, so after this interval the cookie-cutters would be randomly distributed throughout the victim's organs and limbs.

A cookie-cutter was shaped like an aspirin tablet except that the top and bottom were domed more to withstand ambient pressure; for like most other nanotechnological devices a cookie-cutter was filled with vacuum. Inside were two centrifuges, rotating on the same axis but in opposite directions, preventing the unit from acting like a gyroscope. The device could be triggered in various ways; the most primitive were simple seven-minute time bombs.

Detonation dissolved the bonds holding the centrifuges together so that each of a thousand or so balhisticules suddenly flew outward. The enclosing shell shattered easily, and each ballisticule kicked up a shock wave, doing surprisingly little damage at first, tracing narrow linear disturbances and occasionally taking a chip out of a bone. But soon they slowed to near the speed of sound, where shock wave piled on top of shock wave to produce a sonic boom. Then all the damage happened at once. Depending on the initial speed of the centrifuge, this could happen at varying distances from the detonation point; most everything inside the radius was undamaged but everything near it was pulped; hence, "cookie-cutter."

The victim then made a loud noise like the crack of a whip, as a few fragments exited his or her flesh and dropped through the sound barrier in air. Startled witnesses would turn just in time to see the victim flushing bright pink. Bloodred crescents would suddenly appear all over the body; these marked the geometric intersection of detonation surfaces with skin and were a boon to forensic types, who could thereby identify the type of cookie-cutter by comparing the marks against a handy pocket reference card. The victim was just a big leaky sack of undifferentiated gore at this point and, of course, never survived.

Such inventions had spawned concern that people from Phyle A might surreptitiously introduce a few million lethal devices into the bodies of members of Phyle B, providing the technically sweetest possible twist on the trite, ancient dream of being able instantly to turn a whole society into gravy. A few inroads of that kind had been made, a few mass closed-casket funerals had been held, but not many. It was hard to control these devices. If a person ate or drank one, it might end up in their body, but it might just go into the food chain and get recycled into the body of someone you liked. But the big problem was the host's immune system, which caused enough of a histological fuss to tip off the intended victims.

What worked in the body could work elsewhere, which is why phyles had their own immune systems now. The impregnable-shield paradigm didn't work at the nano level; one needed to hack the mean free path. A well-defended clave was surrounded by an aerial buffer zone infested with immunocules- microscopic aerostats designed to seek and destroy invaders. In the case of Atlantis/Shanghai this zone was never shallower than twenty kilometers. The innermost ring was a greenbelt lying on both sides of the dog pod grid, and the outer ring was called the Leased Territories.

It was always foggy in the Leased Territories, because all of the immunocules in the air sensed as nuclei for the condensation of water vapor. If you stared carefully into the fog and focused on a point inches in front of your nose, you could see it sparkling, like so many microscopic searchlights, as the immunocules swept space with lidar beams. Lidar was like radar except that it used the smaller wavelengths that happened to be visible to the human eye. The sparkling of tiny lights was the evidence of microscopic dreadnoughts hunting each other implacably through the fog, like U-boats and destroyers in the black water of the North Atlantic.

Nell sees something peculiar; Harv explains all.

One morning Nell looked out the window and saw the world had turned the color of pencil lead. Cars, velocipedes, quadrupeds, even power-skaters left towering black vortices in their wakes. Harv came back from being out all night. Nell screamed when she saw him because he was a charcoal wraith with two monstrous growths on his face. He peeled back a filter mask to reveal grayish-pink skin underneath. He showed her his white teeth and then took up coughing. He went about this methodically, conjuring tangles of spun phlegm from his deepest alveoli and projecting them into the toilet. Now and then he would stop just to breathe, and a faint whistling noise would come from his throat.

Harv did not explain himself but went about working with his things. He unscrewed the bulges on his mask and took out black things that kicked up little black dust storms when he tossed them onto the floor. He replaced them with a couple of white things that he took from a Nanobar wrapper, though by the time he was finished, the white things were covered with his black fingerprints, the ridges and whorls perfectly resolved. He held the Nanobar wrapper up to the light for a moment. "Early protocol," he rasped, and pitched it toward the wastebasket.

Then he held the mask up to Nell's face, guided the straps around her head, and tightened them down. Her long hair got caught in the buckles and pinched, but her objections were muffled by the mask. It took a little effort to breathe now. The mask pressed against her face when she inhaled and whooshed when she exhaled.

"Keep it on," Harv said. "It'll protect you from toner."

"What's toner?" she mumbled. The words did not make it out through the mask, but Harv guessed them from the look in her eyes.

"Mites," he said, "or so they say down at the Flea Circus anyway." He picked up one of the black things taken from the mask and flicked it with a fingertip. A cineritious cloud swirled out of it, like a drop of ink in a glass of water, and hung swirling in the air, neither rising nor falling. Sparkles of light flashed in the midst of it like fairy dust. "See, there's mites around, all the time. They use the sparkles to talk to each other," Harv explained. "They're in the air, in food and water, everywhere. And there's rules that these mites are supposed to follow, and those rules are called protocols. And there's a protocol from way back that says they're supposed to be good for your lungs. They're supposed to break down into safe pieces if you breathe one inside of you." Harv paused at this point, theatrically, to summon forth one more ebon loogie, which Nell guessed must be swimming with safe mite bits. "But there are people who break those rules sometimes. Who don't follow the protocols. And I guess if there's too many mites in the air all breaking down inside your lungs, millions- well maybe those safe pieces aren't so safe if there's millions. But anyways, the guys at the Flea Circus say that sometimes the mites go to war with each other. Like maybe someone in Shanghai makes a mite that doesn't follow the protocol, and gets his matter compiler to making a whole lot of them, and sends them all across the water to New Atlantis Clave to snoop on the Vickys, or even maybe to do them harm. Then some Vicky- one of their Protocol Enforcement guys- makes a mite to go out and find that mite and kill it, and they get into a war.

That's what's happening today, Nell. Mites fighting other mites. This dust- we call it toner- is actually the dead bodies of all those mites."

"When will the war be over?" Nell asked, but Harv could not hear her, having entered into another coughing jag.

Eventually Harv got up and tied a strip of white Nanobar around his face. The spot over his mouth immediately began turning gray. He ejected used cartridges from his mite gun and inserted new ones. It was shaped like a gun, but it sucked air in instead of shooting things out. You loaded it with drum-shaped cartridges filled with accordion-pleated paper. When you turned it on, it made a little whooshing noise as it sucked air- and hopefully mites- through the paper. The mites got stuck in there. "Gotta go," he said, goosing the trigger on the gun a couple of times. "Never know what I might find." Then he headed for the exit, leaving black toner footprints on the floor, which were scoured away by the swirling air currents in his wake, as if he had never passed that way.

Hackworth compiles the Young Lady's Illustrated Primer; particulars of the underlying technology.

Bespoke was a Victorian house on a hill, a block long and replete with wings, turrets, atria, and breezy verandas. Hackworth was not senior enough to merit a turret or a balcony, but he did have a view into a garden where gardenia and boxwood grew. Sitting at his desk, he could not see the garden, but he could smell it, especially when the wind blew in from the sea.

Runcible was sitting on his desk in the form of a stack of papers, most of them signed JOHN PERCIVAL HACKWORTH.

He unfolded Cotton's document. It was still running the little industrial cartoon. Cotton had clearly enjoyed himself. No one ever got fired for going with enhanced photorealism, but Hackworth's own signature look was lifted from nineteenth-century patent applications: black on white, shades of gray implied with nearly microscopic crosshatching, old-fashioned letterpress font a little rough around the edges. It drove clients wild- they always wanted to blow up the diagrams on their drawing-room mediatrons. Cotton got it. He'd done his diagram in the same style, and so his nanotechnological battery chugged away on the page looking much like the gear train of an Edwardian dreadnought.

Hackworth put Cotton's document atop the Runcible stack and guillotined it against the desktop a couple of times, superstitiously trying to make it look neat. He carried it to the corner of his office, over by the window, where a new piece of furniture had recently been rolled in by the porter: a cherrywood cabinet on brass casters. It came up to his waist. On top was a polished brass mechanism- an automatic document reader with detachable tray. A small door in the back betrayed a Feed port, one centimeter, typical of household appliances but startlingly wimpy in a heavy industrial works, especially considering that this cabinet contained one of the most powerful computers on earth- five cc's of Bespoke rod logic. It used about a hundred thousand watts of power, which came in over the superconducting part of the Feed. The power had to be dissipated, or else the computer would incinerate itself and most of the building too. Getting rid of that energy had been much more of an engineering job than the rod logic. The latest Feed protocol had a solution built in: a device could now pull ice off the Feed, one microscopic chunk at a time, and output warm water.

Hackworth put the stack of documents into the feed tray on top and told the machine to compile Runcible. There was a card-shuffling buzz as the reader grabbed the edge of each page momentarily and extracted its contents. The flexible Feed line, which ran from the wall into the back of the cabinet, jerked and stiffened orgasmically as the computer's works sucked in a tremendous jolt of hypersonic ice and shot back warm water. A fresh sheet of paper appeared in the cabinet's output tray.

The top of the document read, "RUNCIBLE VERSION 1.0- COMPILED SPECIFICATION." The only other thing on the document was a picture of the final product, nicely rendered in Hackworth's signature pseudo-engraved style. It looked exactly like a book.

On his way down the vast helical stair in the largest and most central of Bespoke's atria, Hackworth pondered his upcoming crime. It was entirely too late to go back now. It flustered him that he had unconsciously made up his mind months ago without marking the occasion.

Though Bespoke was a design rather than a production house, it had its own matter compilers, including a couple of fairly big ones, a hundred cubic meters. Hackworth had reserved a more modest desktop model, one-tenth of a cubic meter. Use of these compilers had to be logged, so he identified himself and the project first. Then the machine accepted the edge of the document.

Hackworth told the matter compiler to begin immediately, and then looked through a transparent wall of solid diamond into the eutactic environment.

The universe was a disorderly mess, the only interesting bits being the organized anomalies. Hackworth had once taken his family out rowing on the pond in the park, and the ends of the yellow oars spun off compact vortices, and Fiona, who had taught herself the physics of liquids through numerous experimental beverage spills and in the bathtub, demanded an explanation for these holes in water. She leaned over the gunwhale, Gwendolyn holding the sash of her dress, and felt those vortices with her hands, wanting to understand them. The rest of the pond, simply water in no particular order, was uninteresting.

We ignore the blackness of outer space and pay attention to the stars, especially if they seem to order themselves into constellations. "Common as the air" meant something worthless, but Hackworth knew that every breath of air that Fiona drew, lying in her little bed at night, just a silver glow in the moonlight, was used by her body to make skin and hair and bones. The air became Fiona, and deserving- no, demanding- of love. Ordering matter was the sole endeavor of Life, whether it was a jumble of self-replicating molecules in the primordial ocean, or a steam-powered English mill turning weeds into clothing, or Fiona lying in her bed turning air into Fiona.

A leaf of paper was about a hundred thousand nanometers thick; a third of a million atoms could fit into this span. Smart paper consisted of a network of infinitesimal computers sandwiched between mediatrons. A mediation was a thing that could change its color from place to place; two of them accounted for about two-thirds of the paper's thickness, leaving an internal gap wide enough to contain structures a hundred thousand atoms wide.

Light and air could easily penetrate to this point, so the works were contained within vacuoles- airless buckminsterfullerene shells overlaid with a reflective aluminum layer so that they would not implode en masse whenever the page was exposed to sunlight. The interiors of the buckyballs, then, constituted something close to a eutactic environment. Here resided the rod logic that made the paper smart. Each of these spherical computers was linked to its four neighbors, north-east-southwest, by a bundle of flexible pushrods running down a flexible, evacuated buckytube, so that the page as a whole constituted a parallel computer made up of about a billion separate processors. The individual processors weren't especially smart or fast and were so susceptible to the elements that typically only a small fraction of them were working, but even with those limitations the smart paper still constituted, among other things, a powerful graphical computer.

And still, Hackworth reflected, it had nothing on Runcible, whose pages were thicker and more densely packed with computational machinery, each sheet folded four times into a sixteen-page signature, thirty-two signatures brought together in a spine that, in addition to keeping the book from falling apart, functioned as an enormous switching system and database. It was made to be robust, but it still had to be born in the eutactic womb, a solid diamond vacuum chamber housing a start matter compiler. The diamond was doped with something that let only red light pass through; standard engineering practice eschewed any molecular bonds that were tenuous enough to be broken by those lazy red photons, underachievers of the visible spectrum. Thus the growth of your prototype was visible through the window- a good last-ditch safety measure. If your code was buggy and your project grew too large, threatening to shatter the walls of the chamber, you could always shut it down via the ludicrously low-tech expedient of shutting off the Feed line.

Hackworth wasn't worried, but he watched the initial phases of growth anyway, just because it was always interesting. In the beginning was an empty chamber, a diamond hemisphere, glowing with dim red light. In the center of the floor slab, one could see a naked cross-section of an eight-centimeter Feed, a central vacuum pipe surrounded by a collection of smaller lines, each a bundle of microscopic conveyor belts carrying nanomechanical building blocks- individual atoms, or scores of them linked together in handy modules.

The matter compiler was a machine that sat at the terminus of a Feed and, following a program, plucked molecules from the conveyors one at a time and assembled them into more complicated structures. Hackworth was the programmer. Runcible was the program. It was made up of a number of subprograms, each of which had resided on a separate piece of paper until a few minutes ago, when the immensely powerful computer in Hackworth's office had compiled them into a single finished program written in a language that the matter compiler could understand.

A transparent haze coalesced across the terminus of the Feed, mold on an overripe strawberry. The haze thickened and began adopting a shape, some parts a little higher than others. It spread across the floor away from the Feed line until it had filled out its footprint: one quadrant of a circle with a radius of a dozen centimeters. Hackworth continued to watch until he was sure he could see the top edge of the book growing out of it.

In the corner of this lab stood an evolved version of a copy machine that could take just about any kind of recorded information and transmogrify it into something else. It could even destroy a piece of information and then attest to the fact that it had been destroyed, which was useful in the relatively paranoid environment of Bespoke. Hackworth gave it the document containing the compiled Runcible code and destroyed it. Provably.

When it was finished, Hackworth released the vacuum and lifted the red diamond dome. The finished book stood upright atop the system that had extruded it, which was turned into a junkheap as soon as it was touched by the air. Hackworth picked up the book in his right hand and the extruder in his left, and tossed the latter into a junk bin.

He locked the book in a desk drawer, picked up his top hat, gloves, and walking-stick, stepped into his walker, and set off for the Causeway. Toward Shanghai.

Nell & Harv's general living situation; the Leased Territories; Tequila.

China was right across the water, and you could see it if you went down to the beach. The city there, the one with skyscrapers, was called Pudong, and beyond that was Shanghai. Harv went there with his friends sometimes. He said it was bigger than you could imagine, old and dirty and full of strange people and sights.

They lived in the L.T., which according to Harv was short for Leased Territories in letters. Nell already knew the mediaglyphics for it. Harv had also taught her the sign for Enchantment, which was the name of the Territory where they lived; it was a princess sprinkling golden specks from a stick onto some gray houses, which turned yellow and bright when the specks touched them. Nell thought that the specks were mites, but Harv insisted that mites were too small to be seen, that the stick was a magic wand and the specks were fairy dust. In any case, Harv made her remember that mediaglyph so that if she ever got lost, she could find her way home.

"But it's better if you just call me," Harv said, "and I'll come and find you."

"Why?"

"Because there's bad people out there, and you shouldn't walk through the L.T. alone, ever."

"What bad people?"

Harv looked troubled, heaved multiple sighs, fidgeted. "You know that ractive I was in the other day, where there were pirates, and they tied up the kids and were going to make them walk the plank?"

"Yeah."

"There are pirates in the L.T. too."

"Where?"

"Don't bother looking. You can't see 'em. They don't look like pirates, with the big hats and swords and all. They just look like normal people. But they're pirates on the inside, and they like to grab kids and tie 'em up."

"And make them walk the plank?"

"Something like that."

"Call the police!"

"I don't think the police would help. Maybe they would."

Police were Chinese. They came across the Causeway from Shanghai. Nell saw them up close once, when they came into the house to arrest Mom's boyfriend Rog. Rog wasn't home, just Nell and Harv were, and so Harv let them in and let them sit in the living room and fetched tea for them. Harv spoke some words of Shanghainese to them, and they grinned and ruffled his hair. He told Nell to stay in their bedroom and not come out, but Nell came out anyway and peeked. There were three policemen, two in uniforms and one in a suit, and they sat smoking cigarettes and watching something on the mediatron until Rog came back. Then they had an argument with him and took him out, shouting the whole way. After that, Rog didn't come around anymore, and Tequila started going out with Mark.

Unlike Rog, Mark had a job. He worked in the New Atlantis Clave cleaning windows of the Vickys' homes. He would come home late in the afternoon all tired and dirty and take a long shower in their bathroom. Sometimes he would have Nell come into the bathroom with him and help scrub his back, because he couldn't quite reach one spot in the middle. Sometimes he would look at Nell's hair and tell her that she needed a bath, and then she would take off her clothes and climb into the shower with him and he would help wash her.

One day she asked Harv whether Mark ever gave him a shower. Harv got upset and asked her a lot of questions. Later, Harv told Tequila about it, but Tequila had an argument with him and sent him to his room with one side of his face red and puffy. Then Tequila talked to Mark. They argued in the living room, the thumps booming through the wall as Harv and Nell huddled together in Harv's bed.

Harv and Nell both pretended to go to sleep that night, but Nell heard Harv getting up and sneaking out of the house. She didn't see him for the rest of the night. In the morning, Mark got up and went to work, and then Tequila got up and put a lot of makeup all over her face and went to work.

Nell was alone the whole day, wondering if Mark was going to make her take a shower that evening. She knew from the way Harv had reacted that the showers were a bad thing, and in a way it felt good to know this because it explained why it felt wrong. She did not know how to stop Mark from making her take the shower this evening. She told Dinosaur, Duck, Peter, and Purple about it.

These four creatures were the only animals that had sun'ived a great massacre perpetrated during the previous year by Mac, one of Mom's boyfriends, who in a fit of rage had gathered up all of the dolls and stuffed animals in Nell's room and stuffed them into the knacking hatch.

When Harv had opened it up a few hours later, he had found all of the toys vanished except for these four. He had explained that the deke bin would only work on things that had come from the M.C.originally, and that anything that had been made "by hand" (a troublesome concept to explain) was rejected. Dinosaur, Duck, Peter, and Purple were old ragged things that had been made "by hand."

When Nell told them her story, Dinosaur was brave and said that she should fight Mark. Duck had some ideas, but they were silly ideas, because Duck was just a little kid. Peter thought she should run away. Purple thought she should use magic and sprinkle Mark with fairy dust; some of it would be like the mites that (according to Hanr) the Vickys used to protect themselves from bad people.

In the kitchen was some food that Tequila had brought home last night, including chopsticks with little mediatrons built into their handles so that mediaglyphics ran up and down them while you ate. Nell knew that there must be mites in there, to make those mediaglyphics, and so she took one of the chopsticks as her magic wand. She also had a silvery plastic balloon that Harv had made her in the M.C. All the air had gone out of it. She reckoned it would make a nice shield like she had once seen on the arm of a knight in one of Harv's ractives. She sat in the corner of the room on her mattress with Dinosaur and Purple in front of her, and Duck and Peter behind her, and waited, clutching her magic wand and her shield.

But Mark didn't come home. Tequila came home and wondered where Mark was, but didn't seem to mind that he wasn't there. Finally Harv came back, late that night, after Nell had gone to bed, and hid something under his mattress. The next day Nell looked: It was a pair of heavy sticks, each about a foot long, joined in the middle by a short chain, and the whole thing was smeared with reddish-brown stuff that had gone sticky and crusty.

The next time Nell saw Harv, he told her that Mark was never coming back, that he was one of the pirates he'd warned her about, and that if anyone else ever tried to do such things to her, she should run away and scream and tell Harv and his friends right away. Nell was astonished; she had not understood just how tricky pirates were until this moment.

Hackworth crosses the Causeway into Shanghai; ruminations.

The Causeway joining New Chusan and the Pudong Economic Zone was Atlantis/Shanghai's whole reason for existence, being in fact a titanic Feed restrained by mountainous thrust bearings at each end.

From the standpoint of mass & cash flow, the physical territory of New Chusan itself, a lung of smart coral respiring in the ocean, was nothing more or less than the fountainhead of China's consumer economy, its only function to spew megatons of nanostuff into the Middle Kingdom's ever amplifying Feed network, reaching millions of new peasants every month.

For most of its length the Causeway skimmed the high tide level, but the middle kilometer arched to let ships through; not that anyone really needed ships anymore, but a few recalcitrant swabbies and some creative tour operators were still plying the Yangtze estuary in junks, which looked precious underneath the catenary arch of the big Feed, strumming the ancient-meets-modern chord for adherents of the National Geographic worldview. As Hackworth reached the apogee, he could see similar Causeways to port and starboard, linking the outskirts of Shanghai with other artificial islands. Nippon Nano looked Fujiesque, a belt of office buildings around the waterline, houses above that, the higher the better, then a belt of golf courses, the whole top third reserved for gardens, bamboo groves, and other forms of micromanaged Nature. In the other direction was a little bit of Hindustan. The geotecture of their island owed less to the Mogul period than to the Soviet, no effort being made to shroud its industrial heart in fractal artifice. It squatted out there some ten kilometers from New Chusan, sabotaging many expensive views and serving as the butt of snotty wog jokes. Hackworth never joined in these jokes because he was better informed than most and knew that the Hindustanis stood an excellent chance of stomping all over the Victorians and the Nipponese in the competition for China. They were just as smart, there were more of them, and they understood the peasant thing.

From the high point of the arch, Hackworth could look across the flat territory of outer Pudong and into the high-rise district of metropolis. He was struck, as ever, by the sheer clunkiness of old cities, the acreage sacrificed, over the centuries, to various stabs at the problem of Moving Stuff Around. Highways, bridges, railways, and their attendant smoky, glinting yards, power lines, pipelines, port facilities ranging from sampan-and-junk to stevedore-and-cargo-net to containership, airports. Hackworth had enjoyed San Francisco and was hardly immune to its charm, but Atlantis/Shanghai had imbued him with, the sense that all the old cities of the world were doomed, except possibly as theme parks, and that the future was in the new cities, built from the bedrock up one atom at a time, their Feed lines as integral as capillaries were to flesh. The old neighborhoods of Shanghai, Feedless or with overhead Feeds kludged in on bamboo stilts, seemed frighteningly inert, like an opium addict squatting in the middle of a frenetic downtown street, blowing a reed of sweet smoke out between his teeth, staring into some ancient dream that all the bustling pedestrians had banished to unfrequented parts of their minds.

Hackworth was heading for one of those neighborhoods right now, as fast as he could walk.

If you counterfeited directly from a Feed, it would be noticed sooner or later, because all matter compilers fed information back to the Source.

You needed your very own private Source, disconnected from the Feed network, and this was a difficult thing to make. But a motivated counterfeiter could, with some ingenuity and patience, put together a Source capable of providing an assortment of simple building blocks in the range of ten to a hundred daltons. There were a lot of people like that in Shanghai, some more patient and ingenious than others.

Hackworth in the hong of Dr. X.

The scalpel's edge was exactly one atom wide; it delaminated the skin of Hackworth's palm like an airfoil gliding through smoke. He peeled off a strip the size of a nailhead and proffered it to Dr. X, who snatched it with ivory chopsticks, dredged it through an exquisite cloisonné bowl filled with chemical dessicant, and arranged it on a small windowpane of solid diamond.

Dr. X's real name was a sequence of shushing noises, disembodied metallic buzzes, unearthly quasi-Germanic vowels, and half-swallowed R's, invariably mangled by Westerners. Possibly for political reasons, he preferred not to pick a fake Western name like many Asians, instead suggesting, in a vaguely patronizing way, that they should just be satisfied with calling him Dr. X- that letter being the first in the Pinyin spelling of his name.

Dr. X placed the diamond slide into a stainless-steel cylinder. At one end was a teflon-gasketed flange riddled with bolt-holes. Dr. X handed it to one of his assistants, who carried it with both hands, as if it were a golden egg on a silken pillow, and mated it with another flange on a network of massive stainless-steel plumbing that covered most of two tabletops. The assistant's assistant got the job of inserting all the shiny bolts and torque-wrenching them down.

Then the assistant flicked a switch, and an old-fashioned vacuum pump whacked into life, making conversation impossible for a minute or two. During this time Hackworth looked around Dr. X's laboratory, trying to peg the century and in some cases even the dynasty of each item. A row of mason jars stood on a high shelf, filled with what looked like giblets floating in urine. Hackworth supposed that they were the gall bladders of now-extinct species, no doubt accruing value by the moment, better than any mutual fund. A locked gun cabinet and a primeval Macintosh desktop-publishing system, green with age, attested to the owner's previous forays into officially discouraged realms of behavior. A window had been cut into one wall, betraying an airshaft no larger than a grave, from the bottom of which grew a gnarled maple. Other than that, the room was packed with so many small, numerous, brown, wrinkled, and organic-looking objects that Hackworth's eyes lost the ability to distinguish one from the next. There were also some samples of calligraphy dangling here and there, probably snatches of poetry.

Hackworth had made efforts to learn a few Chinese characters and to acquaint himself with some basics of their intellectual system, but in general, he liked his transcendence out in plain sight where he could keep an eye on it- say, in a nice stained-glass window- not woven through the fabric of life like gold threads through a brocade.

Everyone in the room could tell by its sound when the mechanical pump was finished with its leg of the relay. The vapor pressure of its own oil had been reached. The assistant closed a valve that isolated it from the rest of the system, and then they switched over to the nanopumps, which made no noise at all. They were turbines, just like the ones in jet engines but very small and lots of them. Casting a critical eye over Dr. X's vacuum plumbing, Hackworth could see that they also had a scavenger, which was a cylinder about the size of a child's head, wrinkled up on the inside into a preposterous surface area coated with nanodevices good at latching onto stray molecules. Between the nanopumps and the scavenger, the vacuum rapidly dropped to what you might expect to see halfway between the Milky Way and Andromeda galaxies. Then Dr. X himself quivered up out of his chair and began shuffling around the room, powering up a gallimaufry of contraband technology.

This equipment came from diverse technological epochs and had been smuggled into this, the Outer Kingdom, from a variety of sources, but all of it contributed to the same purpose: It surveyed the microscopic world through X-ray diffraction, electron microscopy, and direct nanoscale probing, and synthesized all of the resulting information into a single three-dimensional view. If Hackworth had been doing this at work, he would already be finished, but Dr. X's system was a sort of Polish democracy requiring full consent of all participants, elicited one subsystem at a time. Dr. X and his assistants would gather around whichever subsystem was believed to be farthest out of line and shout at each other in a mixture of Shanghainese, Mandarin, and technical English for a while. Therapies administered included but were not limited to: turning things off, then on again; picking them up a couple of inches and then dropping them; turning off nonessential appliances in this and other rooms; removing lids and wiggling circuit boards; extracting small contaminants, such as insects and their egg cases, with nonconducting chopsticks; cable-wiggling; incense-burning; putting folded-up pieces of paper beneath table legs; drinking tea and sulking; invoking unseen powers; sending runners to other rooms, buildings, or precincts with exquisitely calligraphed notes and waiting for them to come back carrying spare parts in dusty, yellowed cardboard boxes; and a similarly diverse suite of troubleshooting techniques in the realm of software. Much of this performance seemed to be genuine, the rest merely for Hackworth's consumption, presumably laying the groundwork for a renegotiation of the deal.

Eventually they were looking at the severed portion of John Percival Hackworth on a meter-wide sheet of mediatronic paper that one of the assistants had, with great ceremony, unfurled across a low, black lacquer table. They sought something that was bulky by nanotech standards, so the magnification was not very high- even so, the surface of Hackworth's skin looked like a table heaped with crumpled newspapers. If Dr. X shared Hackworth's queasiness, he didn't show it. He appeared to be sitting with hands folded in the lap of his embroidered silk robe, but Hackworth leaned forward a bit and saw his yellowed, inch-long fingernails overhanging the black Swiss cross of an old Nintendo pad. The fingers moved, the image on the mediation zoomed forward. Something smooth and inorganic unfolded at the top of their field of view: some kind of remotely controlled manipulator. Under Dr. X's direction it began to sift through the heap of desiccated skin. They found a lot of mites, of course, both natural and artificial.

The natural ones looked like little crabs and had been quietly inhabiting the outer layers of other creatures' bodies for hundreds of millions of years. The artificial ones had all been developed in the past few decades. Most of them consisted of a spherical or ellipsoidal hull with various attachments. The hull was a vacuole, a wee bit of the eutactic environment to coddle the mite's machine-phase innards. The hull's diamondoid structure was protected from the light by a thin layer of aluminum that made mites look like miniature spaceships- only with the air on the outside and the vacuum inside.

Attached to the hulls were various bits of gear: manipulators, sensors, locomotion systems, and antennas. The antennas were not at all like the ones on an insect- they were usually flat patches studded with what looked like close-cropped fuzz- phased-array systems for sweeping beams of visible light through the air. Most of the mites were also clearly marked with the manufacturer's name and a part number; this was demanded by Protocol. A few of them were unmarked. These were illicit and had been invented either by people like Dr. X; by outlaw phyles who spurned Protocol; or by the covert labs that most people assumed were run by all the zaibatsus.

During half an hour's rooting around through Hackworth's skin, roaming around an area perhaps a millimeter on a side, they obsen'ed a few dozen artificial mites, not an unusual number nowadays. Almost all of them were busted. Mites didn't last very long because they were small but complicated, which left little space for redundant systems. As soon as one got hit with a cosmic ray, it died. They also had little space for energy storage, so many of them simply ran out of juice after a while. Their manufacturers compensated for this by making a lot of them.

Nearly all of the mites were connected in some way with the Victorian immune system, and of these, most were immunocules whose job was to drift around the dirty littoral of New Chusan using lidar to home in on any other mites that might disobey protocol. Finding one, they killed the invader by grabbing onto it and not letting go. The Victorian system used Darwinian techniques to create killers adapted to their prey, which was elegant and effective but led to the creation of killers that were simply too bizarre to have been thought up by humans, just as humans designing a world never would have thought up tile naked mole rat. Dr. X took time out to zoom in on an especially freakish killer locked in a death-grip around an unlabeled mite. This did not necessarily mean that Hackworth's flesh had been invaded, rather that the dead mites had become part of the dust on a table somewhere and been ground into his skin when he touched it.

To illustrate the kind of mite he was presently looking for, Hackworth had brought along a cocklebur that he had teased from Fiona's hair after they had gone for a walk in the park. He had shown it to Dr. X, who had understood immediately, and eventually he found it. It looked completely different from all the other mites, because, as a cocklebur, its sole job was to stick to whatever touched it first. It had been generated a few hours previously by the matter compiler at Bespoke, which, following Hackworth's instructions, had placed a few million of them on the outer surface of the Illustrated Primer. Many of them had been embedded in Hackworth's flesh when he had first picked the book up. Many remained on the book, back at the office, but Hackworth had anticipated that.

He made it explicit now, just so Dr. X and his staff wouldn't get any ideas: "The cocklebur has an internal timer," he said, "that will cause it to disintegrate twelve hours after it was compiled. We have six hours left in which to extract the information. It's encrypted, of course."

Dr. X smiled for the first time all day. . . .

Dr. X was the ideal man for this job because of his very disreputability. He was a reverse engineer. He collected artificial mites like some batty Victorian lepidopterist. He took them apart one atom at a time to see how they worked, and when he found some clever innovation, he squirreled it away in his database. Since most of these innovations were the result of natural selection, Dr. X was usually the first human being to know about them.

Hackworth was a forger, Dr. X was a honer. The distinction was at least as old as the digital computer. Forgers created a new technology and then forged on to the next project, having explored only the outlines of its potential. Honers got less respect because they appeared to sit still technologically, playing around with systems that were no longer start, hacking them for all they were worth, getting them to do things the forgers had never envisioned.

Dr. X selected a pair of detachable manipulator arms from his unusually large arsenal. Some of these had been copied from New Atlantan, Nipponese, or Hindustani designs and looked familiar to Hackworth; others, however, were bizarre naturalistic devices that seemed to have been torn loose from New Atlantan immunocules- evolved structures, rather than designed. The Doctor employed two of these arms to grip the cocklebur. It was an aluminum-covered megabuckyball in a sunburst of barbed spines, several of which were decorated with fragments of shishkebabed skin.

Under Hackworth's direction he rotated the cocklebur until a small spine-free patch came into view. A circular depression, marked with a regular pattern of holes and knobs, was set into the surface of the ball, like a docking port on the side of a spacecraft. Inscribed around the circumference of this fitting was his maker's mark: IOANNI HACVIRTUS FECIT.

Dr. X did not need an explanation. It was a standard port. He probably had half a dozen manipulator arms designed to mate with it. He selected one and maneuvered its tip into place, then spoke a command in Shanghainese. Then he pulled the rig off his head and watched his assistant pour him another cup of tea. "How long?" he said.

"About a terabyte," Hackworth said. This was a measure of storage capacity, not of time, but he knew that Dr. X was the sort who could figure it out.

The ball contained a machine-phase tape drive system, eight reels of tape rigged in parallel, each with its own read/write machinery. The tapes themselves were polymer chains with different side groups representing the logical ones and zeroes. It was a standard component, and so Dr. X already knew that when it was told to dump, it would spew out about a billion bytes a second.

Hackworth had just told him that the total stored on the tapes was a trillion bytes, so they had a thousand seconds to wait. Dr. X took advantage of the time to leave the room, supported by assistants, and tend to some of the other parallel threads of his enterprise, which was known informally as the Flea Circus.

Hackworth departs from Dr. X's laboratory; further ruminations; poem from Finkle-McGraw; encounter with ruffians.

Dr. X's assistant swung the door open and nodded insolently. Hackworth swung his top hat into place and stepped out of the Flea Circus, blinking at the reek of China: smoky like the dregs of a hundred million pots of lapsang souchong, mingled with the sweet earthy smell of pork fat and the brimstony tang of plucked chickens and hot garlic. He felt his way across the cobbles with the tip of his walking-stick until his eyes began to adjust. He was now poorer by several thousand ucus. A sizable investment, but the best a father could make.

Dr. X's neighborhood was in the Ming Dynasty heart of Shanghai, a warren of tiny brick structures sheathed in gray stucco, topped with tiled roofs, frequently surrounded by stucco walls. Iron poles projected from the second-story windows for drying clothes, so that in the narrow streets the buildings appeared to be fencing with each other. This neighborhood was near the foundation of the ancient city wall, built to keep out acquisitive Nipponese ronin, which had been torn down and made into a ring road.

It was part of the Outer Kingdom, which meant that foreign devils were allowed, as long as they were escorted by Chinese. Beyond it, deeper into the old neighborhood, was supposedly a scrap of the Middle Kingdom proper- the Celestial Kingdom, or C.K., as they liked to call it- where no foreigners at all were allowed.

An assistant took Hackworth as far as the border, where he stepped into the Chinese Coastal Republic, an entirely different country that comprised, among many other things, virtually all of Shanghai. As if to emphasize this, young men loitered on corners in Western clothes, listening to loud music, hooting at women, and generally ignoring their filial duties.

He could have taken an auto-rickshaw, which was the only vehicle other than a bicycle or skateboard narrow enough to negotiate the old streets. But you never could tell what kind of surveillance might be present in a Shanghai taxi. The departure of a New Atlantis gentleman from the Flea Circus late at night could only stimulate the imaginations of the gendarmes, who had intimidated the criminal element to such a degree that they were now feeling restless and looking for ways to diversify. Sages, seers, and theoretical physicists could only speculate at what, if any, relationship might exist between the Shanghai Police Department's astonishing scope of activities and actual law enforcement: Deplorable, but Hackworth was thankful for it as he sampled the French Settlement's ramified backstreets. A handful of figures skulked across an intersection several blocks away, bloody light from a mediatron glancing off their patchwork Nanobar outfits, the kind of thing only street criminals would need to wear. Hackworth comforted himself by reasoning that this must be a gang from one of the Leased Territories who had just come over the Causeway. They wouldn't possibly be so rash as to assault a gentleman in the street, not in Shanghai. Hackworth detoured around the intersection anyway. Having never done anything illegal in his life, he was startled to understand, all of a sudden, that a ruthless constabulary was a crucial resource to more imaginative sorts of criminals, such as himself.

Countless times that afternoon, Hackworth had been overcome by shame, and as many times he had fought it off with rationalization: What was so bad about what he was doing? He was not selling any of the new technologies that Lord Finkle-McGraw had paid Bespoke to develop. He was not profiting directly. He was just trying to secure a better place in the world for his descendants, which was every father's responsibility.

Old Shanghai was close to the Huang Pu; the mandarins had once sat in their garden pavilions enjoying the river view. Within a few minutes Hackworth had crossed a bridge into Pudong and was navigating narrow ravines between illuminated skyscrapers, heading for the coast a few miles farther to the east.

Hackworth had been catapulted out of the rank-and-file and into Bespoke's elite ranks by his invention of the mediatronic chopstick. He'd been working in San Francisco at the time. The company was thinking hard about things Chinese, trying to one-up the Nipponese, who had already figured out a way to generate passable rice (five different varieties, yet!) direct from Feed, bypassing the whole paddy/coolie rat race, enabling two billion peasants to hang up their conical hats and get into some serious leisure time- and don't think for one moment that the Nipponese didn't already have some suggestions for what they might do with it. Some genius at headquarters, stewing over Nippon's prohibitive lead in nanotechnological rice production, decided the only thing for it was to leapfrog them by mass-producing entire meals, from wonton all the way to digital interactive fortune cookies. Hackworth got the seemingly trivial job of programming the matter compiler to extrude chopsticks.

Now, doing this in plastic was idiotically simple- polymers and nanotechnology went together like toothpaste and tubes. But Hackworth, who'd eaten his share of Chinese as a student, had never taken well to the plastic chopsticks, which were slick and treacherous in the blunt hands of a gwailo. Bamboo was better- and not that much harder to program, if you just had a bit of imagination. Once he'd made that conceptual leap, it wasn't long before he came up with the idea of selling advertising space on the damn things, chopstick handles and Chinese columnar script being a perfect match. Before long he was presenting it to his superiors: eminently user-friendly bamboid chopsters with colorful advertising messages continuously scrolling up their handles in real time, like news headlines in Times Square. For that, Hackworth was kicked upstairs to Bespoke and across the Pacific to Atlantis/Shanghai. He saw these chopsticks everywhere now. To the Equity Lords, the idea had been worth billions; to Hackworth, another week's paycheck. That was the difference between the classes, right there. He wasn't doing that badly, compared to most other people in the world, but it still rankled him. He wanted more for Fiona. He wanted Fiona to grow up with some equity of her own. And not just a few pennies invested in common stocks, but a serious position in a major company.

Starting your own company and making it successful was the only way. Hackworth had thought about it from time to time, but he hadn't done it. He wasn't sure why not; he had plenty of good ideas. Then he'd noticed that Bespoke was full of people with good ideas who never got around to starting their own companies. And he'd met a few big lords, spent considerable time with Lord Finkle-McGraw developing Runcible, and seen that they weren't really smarter than he. The difference lay in personality, not in native intelligence.

It was too late for Hackworth to change his personality, but it wasn't too late for Fiona.

Before Finkle-McGraw had come to him with the idea for Runcible, Hackworth had spent a lot of time pondering this issue, mostly while carrying Fiona through the park on his shoulders. He knew that he must seem distant to his daughter, though he loved her so- but only because, when he was with her, he couldn't stop thinking about her future. How could he inculcate her with the nobleman's emotional stance- the pluck to take risks with her life, to found a company, perhaps found several of them even after the first efforts had failed? He had read the biographies of several notable peers and found few common threads between them.

Just when he was about to give up and attribute it all to random chance, Lord Finkle-McGraw had invited him over to his club and, out of nowhere, begun talking about precisely the same issue. Finkle-McGraw couldn't prevent his granddaughter Elizabeth's parents from sending her to the very schools for which he had lost all respect; he had no right to interfere. It was his role as a grandparent to indulge and give gifts. But why not give her a gift that would supply the ingredient missing in those schools?

It sounds ingenious, Hackworth had said, startled by Finkle-McGraw's offhanded naughtiness. But what is that ingredient?

I don't exactly know, Finkle-McGraw had said, but as a starting-point, I would like you to go home and ponder the meaning of the word subversive.

Hackworth didn't have to ponder it for long, perhaps because he'd been toying with these ideas so long himself. The seed of this idea had been germinating in his mind for some months now but had not bloomed, for the same reason that none of Hackworth's ideas had ever developed into companies. He lacked an ingredient somewhere, and as he now realized, that ingredient was subversiveness. Lord Alexander Chung-Sik Finkle-McGraw, the embodiment of the Victorian establishment, was a subversive. He was unhappy because his children were not subversives and was horrified at the thought of Elizabeth being raised in the stodgy tradition of her parents. So now he was trying to subvert his own granddaughter.

A few days later, the gold pen on Hackworth's watch chain chimed. Hackworth pulled out a blank sheet of paper and summoned his mail. The following appeared on the page:

THE RAVEN A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS by Samuel Taylor Coleridge (1798) Underneath an old oak tree There was of swine a huge company That grunted as they crunched the mast: For that was ripe, and fell full fast. Then they trotted away, for the wind grew high: One acorn they left, and no more might you spy. Next came a Raven, that liked not such folly: He belonged, they did say, to the witch Melancholy! Blacker was he than blackest jet, Flew low in the rain, and his feathers not wet. He picked up the acorn and buried it straight By the side of a river both deep and great. Where then did the Raven go? He went high and low, Over hill, over dale, did the black Raven go. Many Autumns, many Springs Travelled he with wandering wings: Many summers, many Winters- I can't tell half his adventures. At length he came back, and with him a She And the acorn was grown to a tall oak tree. They built them a nest in the topmost bough, And young ones they had, and were happy enow. But soon came a Woodman in leathern guise, His brow, like a pent-house, hung over his eyes. He'd an axe in his hanth not a word he spoke, But with many a hem! and a sturdy stroke, At length he brought down the poor Raven's own oak. His young ones were killed; for they could not depart, And their mother did die of a broken heart. The boughs from the trunk the Woodman did sever; And they floated it down on the course of the river. They sawed it in planks, and its bark they did strip, And with this tree and others they made a good ship. The ship, it was launched; but in sight of the land Such a storm there did rise as no ship would withstand. It bulged on a rock, and the waves rush'd in fast; Round and round flew the Raven, and cawed to the blast. He heard the last shriek of the perishing souls- See! see! o'er the topmast the mad water rolls! Right glad was the Raven, and off he went fleet, And Death riding home on a cloud he did meet, And he thank'd him again and again for this treat: They had taken his all, and REVENGE IT WAS SWEET!

Mr. Hackworth:

I hope the above poem illuminates the ideas I only touched on during our meeting of Tuesday last, and that it may contribute to your paroemiological studies.

Coleridge wrote it in reaction to the tone of contemporary children's literature, which was didactic, much like the stuff they feed to our children in the "best" schools. As you can see, his concept of a children's poem is refreshingly nihilistic.

Perhaps this sort of material might help to inculcate the sought-after qualities.

I look forward to further conversations on the subject. Finkle-McGraw

This was only the starting-point of development that had lasted for two years and culminated today. Christmas was just over a month away. Four-year-old Elizabeth Finkle-McGraw would receive the Young Lady's Illustrated Primer from her grandfather.

Fiona Hackworth would be getting a copy of the Illustrated Primer too, for this had been John Percival Hackworth's crime: He had programmed the matter compiler to place the cockleburs on the outside of Elizabeth's book. He had paid Dr. X to extract a terabyte of data from one of the cockleburs. That data was, in fact, an encrypted copy of the matter compiler program that had generated the Young Lady's Illustrated Primer. He had paid Dr. X for the use of one of his matter compilers, which was connected to private Sources owned by Dr. X and not connected to any Feed. He had generated a second, secret copy of the Primer.

The cockleburs had already self-destructed, leaving no evidence of his crime. Dr. X probably had a copy of the program on his computers, but it was encrypted, and Dr. X was smart enough simply to erase the thing and free up the storage, knowing that the encryption schemes apt to be used by someone like Hackworth could not be cracked without divine intervention.

Before long the streets widened, and the hush of tires on pavement blended with the buller of waves against the gradual shores of Pudong. Across the bay, the white lights of the New Atlantis Clave rose up above the particolored mosaic of the Leased Territories. It seemed a long way off, so on impulse Hackworth rented a velocipede from an old man who had set up a stall in the lee of the Causeway's thrust bearing. He rode out onto the Causeway and, invigorated by the cool moist air on his face and hands, decided to pedal for a while. When he reached the arch, he allowed the bike's internal batteries to carry him up the slope. At the summit he turned it off and began to coast down the other side, enjoying the speed.

His top hat flew off. It was a good one, with a smart band that was supposed to make these mishaps a thing of the past, but as an engineer, Hackworth had never taken the manufacturer's promise seriously. Hackworth was going too fast to make a safe U-turn, and so he put on the brakes. When he finally got himself turned around, he was unable to see his hat. He did see another cyclist coming toward him. It was a young man, covered in a slick Nanobar outfit. Except for his head, which was smartly adorned with Hackworth's top hat.

Hackworth was prepared to ignore this jape; it was probably the only way the boy could safely get the hat down the hill, as prudence dictated keeping both hands on the handlebars. But the boy did not seem to be applying his brakes, and as he accelerated toward Hackworth, he actually sat up, taking both hands off the handlebars, and gripped the brim of the hat with both hands. Hackworth thought the boy was preparing to throw it back as he went by, but instead he pulled it down onto his head and grinned insolently as he shot past.

"Say! Stop right there! You have my hat!" Hackworth shouted, but the boy did not stop. Hackworth stood astride his bicycle and watched unbelievingly as the boy began to fade into the distance. Then he turned on the bicycle's power assist and began chasing him.

His natural impulse had been to summon the police. But since they were on the Causeway, this would mean the Shanghai Police again. In any case, they could not possibly have responded fast enough to catch this boy, who was well on his way to the end of the Causeway, where he could fork off into any of the Leased Territories.

Hackworth nearly caught him. Without the power assist it would have been no contest, as Hackworth exercised daily in his club while this boy had the pudgy, pasty look typical of thetes. But the boy had a considerable head start. By the time they reached the first ramp leading down into the Leased Territories, Hackworth was only ten or twenty meters away, just close enough that he could not resist following the boy down the ramp. An overhead sign read: ENCHANTMENT.

They both picked up more speed on the ramp, and once again the boy reached up to grip the brim of the top hat. This time the bike's front wheel turned the wrong way. The boy erupted from the seat. The bicycle skittered into the irrelevant distance and clattered into something. The boy bounced once, rolled, and skidded for a couple of meters. The hat, its crown partially collapsed, rolled on its brim, toppled, and wobbled to a stop. Hackworth hit the brakes hard and overshot the boy for some distance. As before, it took him longer than he would have liked to get turned around.

And then he knew for the first time that the boy was not alone but part of a gang, probably the same group he'd seen in Shanghai; that they'd followed him onto the Causeway and taken advantage of his fallen top hat to lure him into the Leased Territories; and that the rest of the gang, four or five boys on bicycles, was coming toward him down the ramp, coming fast; and in the fog of light from all of the Leased Territories' mediatronic billboards glittered the chromium chains of their nunchuks.

Miranda; how she became a ractor; her early career.

From the age of five, Miranda wanted to be in a ractive. In her early teens, after Mother had taken her away from Father and Father's money, she'd worked as a maid-of-all-work, chopping onions and polishing people's sterling-silver salvers, cake combs, fish trowels, and grape shears. As soon as she got good enough with hair and makeup to pass for an eighteen-year-old, she worked as a governess for five years, which paid a little better. With her looks she probably could have gotten a job as a lady's maid or parlormaid and become an Upper Servant, but she preferred the governess job. Whatever bad things her parents had done to her along the way, they had at least put her through some nice schools, where she'd learned to read Greek, conjugate Latin verbs, speak a couple of Romance languages, draw, paint, integrate a few simple functions, and play the piano. Working as a governess, she could put it all to use. Besides, she preferred even bratty children to adults.

When the parents finally dragged their worn-out asses home to give their children Quality Time, Miranda would run to her subterranean quarters and get into the cheapest, trashiest ractive she could find. She wasn't going to make the mistake of spending all her money being in fancy ractives. She wanted to be a payee, not a payer, and you could practice your racting just as well in a dead shoot-'em-up as a live Shakespeare.

As soon as she had saved up her ucus, she made the long-dreamed-of trip to the mod parlor, strode in with her jawline riding high as the hull of a clipper ship above a black turtleneck, looking very like a ractor, and asked for the Jodie. That turned a few heads in the waiting room. From there on it was all very good, madam, and please make yourself comfortable here and would you like tea, madam. It was the first time since she and her mother had left home that anyone had offered her tea, instead of ordering her to make some, and she knew perfectly well it would be the last time for several years, even if she got lucky.

The tat machine worked on her for sixteen hours; they dripped Valium into her arm so she wouldn't whine. Most tats nowadays went on like a slap on the back. "You sure you want the skull?" "Yeah, I'm sure." "Positive?" "Positive." "Okay-" and SPLAT there was the skull, dripping blood and lymph, blasted through your epidermis with a wave of pressure that nearly knocked you out of the chair. But a dermal grid was a whole different thing, and a Jodie was top of the line, it had a hundred times as many 'sites as the lo-res grid sported by many a porn starlet, something like ten thousand of them in the face alone. The grossest part was when the machine reached down her throat to plant a trail of nanophones from her vocal cords all the way up to her gums. She closed her eyes for that one.

She was glad she'd done it on the day before Christmas because she couldn't have handled the kids afterward. Her face swelled up just like they said it would, especially around the lips and eyes where the 'site density was greatest. They gave her creams and drugs, and she used them. The day after that, her mistress double-taked when Miranda came upstairs to fix the children breakfast. But she didn't say anything, probably assuming she'd gotten slapped around by a drunken boyfriend at a Christmas party. Which was hardly Miranda's style, but it was a comfortable assumption for a New Atlantan woman to make.

When her face had gotten back to looking exactly the same as it had before her trip to the tat parlor, she packed everything she owned into a carpet bag and took the tube into the city.

The theatre district had its good end and its bad end. The good end was exactly what and where it had been for centuries. The bad end was a vertical rather than a horizontal development, being a couple of old office skyscrapers now fallen into disreputable uses. Like many such structures they were remarkably unpleasant to look at, but from the point of view of a ractive company, they were ideal. They had been designed to support a large number of people working side by side in vast grids of semiprivate cubicles.

"Let's have a gander at your grid, sweetheart," said a man identifying himself as Mr. Fred ("not my real name") Epidermis, after he had removed his cigar from his mouth and given Miranda a prolonged, methodical, full-body optical grope.

"My grid ain't no Sweetheart," she said. SweetheartTM and HeroTM were the same grid as purveyed to millions of women and men respectively. The owners didn't want to be ractors at all, just to look good when they happened to be in a ractive. Some were stupid enough to fall for the hype that one of these grids could serve as the portal to stardom; a lot of those girls probably ended up talking to Fred Epidermis.

"Ooh, now I'm all curious," he said, writhing just enough to make Miranda's lip curl. "Let's put you on stage and see what you got."

The cubicles where his ractors toiled were mere head stages. He had a few body stages, though, probably so he could bid on fully ractive porn. He pointed her toward one of these. She walked in, slammed the door, turned toward the wall-size mediatron, and got her first look at her new Jodie.

Fred Epidermis had put the stage into Constellation Mode. Miranda was looking at a black wall speckled with twenty or thirty thousand individual pricks of white light. Taken together, they formed a sort of three-dimensional constellation of Miranda, moving as she moved. Each point of light marked one of the 'sites that had been poked into her skin by the tat machine during those sixteen hours. Not shown were the filaments that tied them all together into a network- a new bodily system overlaid and interlaced with the nervous, lymph, and vascular systems.

"Holy shit! Got a fucking Hepburn or something here!" Fred Epidermis was exclaiming, watching her on a second monitor outside the stage.

"It's a Jodie," she said, but she stumbled over the words as the field of stars moved, tracking the displacements of her jaw and lips.

Outside, Fred Epidermis was wielding the editing controls, zooming in on her face, which was dense as a galactic core. By comparison, her arms and legs were wispy nebulas and the back of her head nearly invisible, with a grand total of maybe a hundred 'sites placed around her scalp like the vertices of a geodesic dome. The eyes were empty holes, except (she imagined) when she closed her eyes. Just to check it out, she winked into the mediatron. The 'sites on her eyelids were dense as grass blades on a putting green, but accordioned together except when the lid expanded over the eye.

Fred Epidermis recognized the move and zoomed in so violently on her winking eye that she nearly threw herself back on her ass. She could hear him chortling. "You'll get used to it, honey," he said. "Just hold still so I check the 'sites on your lips."

He panned to her lips, rotated them this way and that, as she puckered and pursed. She was glad they'd drugged her out of her mind while they were doing the lips; thousands of nanosites in there.

"Looks like we got ourselves an artiste here," Fred Epidermis said. "Lemme try you in one of our most challenging roles."

Suddenly a blond, blue-eyed woman was standing in the mediatron, perfectly aping Miranda's posture, wearing big hair, a white sweater with a big letter F in the middle, and a preposterously short skirt. She was carrying big colored puffy things. Miranda recognized her, from old passives she'd seen on the mediatron, as an American teenager from the previous century. "This is Spirit. A little old-fashioned to you and me, but popular with tube feeders," said Fred Epidermis. "'Course your grid's way overkill for this, but hey, we're about giving the customer what they want- moving those bids, you know."

But Miranda wasn't really listening; for the first time ever, she was watching another person move exactly as she moved, as the stage mapped Miranda's grid onto this imaginary body. Miranda pressed her lips together as if she'd just put on lipstick, and Spirit did the same. She winked, and Spirit winked. She touched her nose, and Spirit got a face full of pom-pon.

"Let's run you through a scene," said Fred Epidermis.

Spirit vanished and was replaced by an electronic form with blanks for names, numbers, dates, and other data. He flashed through it before Miranda could really read it; they didn't need a contract for a dry run. Then she saw Spirit again, this time from two different camera angles. The mediatron had split up into several panes. One was a camera angle on Spirit's face, which still did whatever Miranda's face did. One was a two-shot showing Spirit and an older man, standing in a room full of big machines. Another pane showed a closeup of the old man, who as Spirit realized was being played by Fred Epidermis. The old man said, "Okay, keep in mind we usually play this through a head stage, so you don't control Spirit's arms and legs, just her face-"

"How do I walk around?" Miranda said. Spirit's lips moved with hers, and from the mediatron came Spirit's voice- squeaky and breathy at the same time. The stage was programmed to take the feeds from the nanophones in her throat and disp them into a different envelope.

"You don't. Computer decides where you go, when. Our dirty little secret: This isn't really that ractive, it's just a plot tree- but it's good enough for our clientele because all the leaves of the tree- the ends of the branches, you understand- are exactly the same, namely what the payer wants you to follow? Well, you'll see," said the old man on the screen, reading Miranda's confusion in Spirit's face. What looked like guarded skepticism on Miranda came across as bubble-brained innocence on Spirit. "Cue! Follow the fucking cues! This isn't improv workshop!" shouted the old man.

Miranda checked the other panes on the display. One she reckoned was a map of the room, showing her location and the old man's, with arrows occasionally pulsing in the direction of movement. The other was a prompter, with a line waiting for her, flashing red.

"Oh, hello, Mr. Willie!" she said, "I know school's out, and you must be very tired after a long day of teaching shop to all of those nasty boys, but I was wondering if I could ask you for a big, big favor."

"Certainly, go ahead, whatever," said Fred Epidermis through the face and body of Mr. Willie, not even pretending to emote.

"Well, it's just that I have this appliance that's very important to me, and it seems to have broken. I was wondering if you knew how to fix- one of these," Miranda said. On the mediatron, Spirit said the same thing. But Spirit's hand was moving. She was holding something up next to her face. An elongated glossy white plastic thing. A vibrator.

"Well," said Mr. Willie, "it's a scientific fact that all electrical devices work on the same principles, so in theory I should be able to help you. But I must confess, I've never seen an appliance quite like that one. Would you mind explaining what it is and what it does?"

"I'd be more than happy to- " said Miranda, but then the display froze and Fred Epidermis cut her off by shouting through the door. "Enough already," he said. "I just had to make sure you could read."

He opened the stage door and said, "You're hired. Cubicle 238. My commission is eighty percent. The dormitory's upstairs- pick your own bunk, and clean it out. You can't afford to live anywhere else."

Harv brings Nell a present; she experiments with the Primer.

When Harv came back home, he was walking with all of his weight on one foot. When the light struck the smudges on his face in the right way, Nell could see streaks of red mixed in with the dirt and the toner. He was breathing fast, and he swallowed heavily and often, as though throwing up were much on his mind. But he was not empty-handed. His arms were crossed tightly across his belly. He was carrying things in his jacket.

"I made out, Nell," he said, seeing his sister's face and knowing that she was too scared to talk first. "Didn't get much, but got some. Got some stuff for the Flea Circus."

Nell wasn't sure what the Flea Circus was, but she had learned that it was good to have stuff to take there, that Harv usually came back from the Flea Circus with an access code for a new ractive. Harv shouldered the light switch on and kneeled in the middle of the room before relaxing his arms, lest some small thing fall out and be lost in a corner. Nell sat in front of him and watched.

He took out a piece of jewelry swinging ponderously at the end of a gold chain. It was circular, smooth gold on one side and white on the other. The white side was protected under a flattened glass dome. It had numbers written around the edge, and a couple of slender metal things like daggers, one longer than the other, joined at their hilts in the center. It made a noise like mice trying to eat their way through a wall in the middle of the night.

Before she could ask about it, Harv had taken out other things. He had a few cartridges from his mite trap. Tomorrow Harv would take the cartridge down to the Flea Circus and find out if he'd caught anything, and whether it was worth money. There were other things like buttons. But Harv saved the biggest thing for last, and he withdrew it with ceremony.

"I had to fight for this, Nell," he said. "I fought hard because I was afraid the others would break it up for parts. I'm giving it to you."

It appeared to be a flat decorated box. Nell could tell immediately that it was fine. She had not seen many fine things in her life, but they had a look of their own, dark and rich like chocolate, with glints of gold.

"Both hands," Harv admonished her, "it's heavy."

Nell reached out with both hands and took it. Harv was right, it was heavier than it looked. She had to lay it down in her lap or she'd drop it. It was not a box at all. It was a solid thing. The top was printed with golden letters. The left edge was rounded and smooth, made of something that felt warm and soft but strong. The other edges were indented slightly, and they were cream-colored.

Harv could not put up with the wait. "Open it," he said.

"How?"

Harv leaned toward her, caught the upper-right corner under his finger, and flipped it. The whole lid of the thing bent upward around a hinge on the left side, pulling a flutter of cream-colored leaves after it. Underneath the cover was a piece of paper with a picture on it and some more letters. On the first page of the book was a picture of a little girl sitting on a bench. Above the bench was a thing like a ladder, except it was horizontal, supported at each end by posts. Thick vines twisted up the posts and gripped the ladder, where they burst into huge flowers.

The girl had her back to Nell; she was looking down a grassy slope sprinkled with little flowers toward a blue pond. On the other side of the pond rose mountains like the ones they supposedly had in the middle of New Chusan, where the fanciest Vickys of all had their æstival houses. The girl had a book open on her lap. The facing page had a little picture in the upper left, consisting of more vines and flowers wrapped around a giant egg-shaped letter. But the rest of that page was nothing but tiny black letters without decoration. Nell turned it and found two more pages of letters, though a couple of them were big ones with pictures drawn around them. She turned another page and found another picture. In this one, the little girl had set aside her book and was talking to a big black bird that had apparently gotten its foot tangled up in the vines overhead. She flipped another page.

The pages she'd already turned were under her left thumb. They were trying to work their way loose, as if they were alive. She had to press down harder and harder to keep them there. Finally they bulged up in the middle and slid out from underneath her thumb and, flop-flop-flop, returned to the beginning of the story.

"Once upon a time," said a woman's voice, "there was a little girl named Elizabeth who liked to sit in the bower in her grandfather's garden and read story-books." The voice was soft, meant just for her, with an expensive Victorian accent.

Nell slammed the book shut and pushed it away. It slid across the floor and came to rest by the sofa. The next day, Mom's boyfriend Tad came home in a bad mood. He slammed his six-pack down on the kitchen table, pulled out a beer, and headed for the living room. Nell was trying to get out of the way. She picked up Dinosaur, Duck, Peter Rabbit, and Purple, her magic wand, a paper bag that was actually a car her kids could drive around in, and a piece of cardboard that was a sword for killing pirates. Then she ran for the room where she and Harv slept, but Tad had already come in with his beer and begun rooting through the stuff on the sofa with his other hand, trying to find the control pad for the mediatron. He threw a lot of Harv's and Nell's toys on the floor and then stepped on the book with his bare foot.

"Ouch, god damn it!" Tad shouted. He looked down at the book in disbelief. "What the fuck is this?!" He wound up as if to kick it, then thought better of it, remembering he was barefoot. He picked it up and hefted it, looking straight at Nell and getting a fix on her range and azimuth. "Stupid little cunt, how many times do I have to tell you to keep your flicking shit cleaned up!" Then he turned away from her slightly, wrapping his arm around his body, and snapped the book straight at her head like a frisbee.

She stood watching it come toward her because it did not occur to her to get out of the way, but at the last moment the covers flew open. The pages spread apart. They all bent like feathers as they hit her in the face, and it didn't hurt at all.

The book fell to the floor at her feet, open to an illustrated page. The picture was of a big dark man and a little girl in a cluttered room, the man angrily flinging a book at the little girl's head. "Once upon a time there was a little girl named Cunt," the book said.

"My name is Nell," Nell said.

A tiny disturbance propagated through the grid of letters on the facing page.

"Your name's mud if you don't fucking clean this shit up," Tad said. "But do it later, I want some fucking privacy for once."

Nell's hands were full, and so she shoved the book down the hallway and into the kids' room with her foot. She dumped all her stuff on her mattress and then ran back and shut the door. She left her magic wand and sword nearby in case she should need them, then set Dinosaur, Duck, Peter, and Purple into bed, all in a neat to be a bird. Big letters appeared beneath. "R A V E N," the book said. "Raven. Now, say it with me."

"Raven."

"Very good! Nell, you are a clever girl, and you have much talent with words. Can you spell raven?"

Nell hesitated. She was still blushing from the praise. After a few seconds, the first of the letters began to blink. Nell prodded it. The letter grew until it had pushed all the other letters and pictures off the edges of the page. The loop on top shrank and became a head, while the lines sticking out the bottom developed into legs and began to scissor. "R is for Run," the book said. The picture kept on changing until it was a picture of Nell. Then something fuzzy and red appeared beneath her feet. "Nell Runs on the Red Rug," the book said, and as it spoke, new words appeared.

"Why is she running?"

"Because an Angry Alligator Appeared," the book said, and panned back quite some distance to show an alligator, waddling along ridiculously, no threat to the fleet Nell. The alligator became frustrated and curled itself into a circle, which became a small letter.

"A is for Alligator. The Very Vast alligator Vainly Viewed Nell's Valiant Velocity." The little story went on to include an Excited Elf who was Nibbling Noisily on some Nuts. Then the picture of the Raven came back, with the letters beneath. "Raven. Can you spell raven, Nell?" A hand materialized on the page and pointed to the first letter.

"R," Nell said.

"Very good! You are a clever girl, Nell, and good with letters," the book said. "What is this letter?" and it pointed to the second one.

This one Nell had forgotten. But the book told her a story about an Ape named Albert.

A young hooligan before the court of Judge Fang; the magistrate confers with his advisers; Justice is served.

"The revolving chain of a nunchuk has a unique radar signature- reminiscent of that of a helicopter blade, but noisier," Miss Pao said, gazing up at Judge Fang over the half-lenses of her phenomenoscopic spectacles. Her eyes went out of focus, and she winced; she had been lost in some enhanced three-dimensional image, and the adjustment to dull reality was disorienting. "A cluster of such patterns was recognized by one of Shanghai P.D.'s sky-eyes at ten seconds after 2351 hours."

As Miss Pao worked her way through this summary, images appeared on the big sheet of mediatronic paper that Judge Fang had unrolled across his brocade tablecloth and held down with carved jade paperweights. At the moment, the image was a map of a Leased Territory called Enchantment, with one location, near the Causeway, highlighted. In the corner was another pane containing a standard picture of an anticrime sky-eye, which always looked, to Judge Fang, like an American football as redesigned by fetishists: glossy and black and studded.

Miss Pao continued, "The sky-eye dispatched a flight of eight smaller aerostats equipped with cine cameras." The kinky football was replaced by a picture of a teardrop-shaped craft, about the size of an almond, trailing a whip antenna, with an orifice at its nose protected by an incongruously beautiful iris. Judge Fang was not really looking; at least three-quarters of the cases that came before him commenced with a summary almost exactly like this one. It was a credit to Miss Pao's seriousness and diligence that she was able to tell each story afresh. It was a challenge to Judge Fang's professionalism for him to listen to each one in the same spirit.

"Converging on the scene," Miss Pao said, "they recorded activities."

The large map image on Judge Fang's scroll was replaced by a cine feed. The figures were far away, flocks of relatively dark pixels nudging their way across a rough gray background like starlings massing before a winter gale. They got bigger and more clearly defined as the aerostat flew closer to the action. A man was curled on the street with his arms wrapped around his head. The nunchuks had been put away by this point, and hands were busy going through the innumerable pockets that were to be found in a gentleman's suit. At this point the cine went into slow-mo. A watch flashed and oscillated hypnotically at the end of its gold chain. A silver fountain pen glowed like an ascending rocket and vanished into the folds of someone's mite-proof raiment. And then out came something else, harder to resolve: larger, mostly dark, white around the edge. A book, perhaps.

"Heuristic analysis of the cine feeds suggested a probable violent crime in progress," Miss Pao said.

Judge Fang valued Miss Pao's services for many reasons, but her deadpan delivery was especially precious to him.

"So the sky-eye dispatched another flight of aerostats, specialized for tagging." An image of a tagger stat appeared: smaller and narrower than the cinestats, reminiscent of a hornet with the wings stripped off. The nacelles containing the tiny air turbines, which gave such devices the power to propel themselves through the air, were prominent; it was built for speed.

"The suspected assailants adopted countermeasures," Miss Pao aaid, again using that deadpan tone. On the cine feed, the criminals were retreating. The cinestat followed them with a nice tracking shot. Judge Fang, who had watched thousands of hours of film of thugs departing from the scenes of their crimes, watched with a discriminating eye. Less sophisticated hoodlums would simply have run away in a panic, but this group was proceeding methodically, two to a bicycle, one person pedaling and steering while the other handled the countermeasures. Two of them were discharging fountains of material into the air from canisters on their bicycles' equipment racks, like fire extinguishers, waving the nozzles in all directions.

"Following a pattern that has become familiar to law enforcement," Miss Pao said, "they dispersed adhesive foam that clogged the intakes of the stats' air turbines, rendering them inoperative." The big mediatron had also taken to emitting tremendous flashes of light that caused Judge Fang to close his eyes and pinch the bridge of his nose. After a few of these, the cine feed went dead.

"Another suspect used strobe illumination to pick out the locations of the cinestats, then disabled them with pulses of laser light- evidently using a device, designed for this purpose, that has recently become widespread among the criminal element in the L.T."

The big mediatron cut back to a new camera angle on the original scene of the crime. Across the bottom of the scroll was a bar graph depicting the elapsed time since the start of the incident, and the practiced Judge Fang noted that it had jumped backward by a quarter of a minute or so; the narrative had split, and we were now seeing the other fork of the plot. This feed depicted a solitary gang member who was trying to climb aboard his bicycle even as his comrades were riding away on contrails of sticky foam. But the bike had been mangled somehow and would not function. The youth abandoned it and fled on foot.

Up in the corner, the small diagram of the tagging aerostat zoomed in to a high magnification, revealing some of the device's internal complications, so that it began to look less like a hornet and more like a cutaway view of a starship. Mounted in the nose was a device that spat out tiny darts drawn from an interior magazine. At first these were almost invisibly tiny, but as the view continued to zoom, the hull of the tagging aerostat grew until it resembled the gentle curve of a planet's horizon, and the darts became more clearly visible. They were hexagonal in crosssection, like pencil stubs. When they were shot out of the tag stat's nose, they sprouted cruel barbs at the nose and a simple empennage at the tail.

"The suspect had experienced a ballistic interlude earlier in the evening," Miss Pao said, "regrettably not filmed, and relieved himself of excess velocity by means of an ablative technique." Miss Pao was outdoing herself. Judge Fang raised an eyebrow at her, briefly hitting the pause button.

Chang, Judge Fang's other assistant, rotated his enormous, nearly spherical head in the direction of the defendant, who was looking very small as he stood before the court. Chang, in a characteristic gesture, reached up and rubbed the palm of his hand back over the short stubble that covered his head, as if he could not believe he had such a bad haircut. He opened his sleepy, slitlike eyes just a notch, and said to the defendant, "She say you have road rash."

The defendant, a pale asthmatic boy, had seemed too awed to be scared through most of this. Now the corners of his mouth twitched. Judge Fang noticed with approval that he controlled the impulse to smile.

"Consequently," Miss Pao said, "there were lapses in his Nanobar integument. An unknown number of tag mites passed through these openings and embedded themselves in his clothing and flesh. He discarded all of his clothing and scrubbed himself vigorously at a public shower before returning to his domicile, but three hundred and fifty tag mites remained in his flesh and were later extracted during the course of our examination. As usual, the tag mites were equipped with inertial navigation systems that recorded all of the suspect's subsequent movements."

The big cine feed was replaced by a map of the Leased Territories with the suspect's movements traced out with a red line. This boy did a lot of wandering about, even going into Shanghai on occasion, but he always came back to the same apartment.

"After a pattern was established, the tag mites automatically spored," Miss Pao said. The image of the barbed dart altered itself, the midsection- which contained a taped record of the dart's movements- breaking free and accelerating into the void.

"Several of the spores found their way to a sky-eye, where their contents were downloaded and their serial numbers checked against police records. It was determined that the suspect spent much of his time in a particular apartment. Surveillance was placed on that apartment. One of the residents clearly matched the suspect seen on the cine feed. The suspect was placed under arrest and additional tag mites found in his body, tending to support our suspicions."

"Oooh," Chang blurted, absently, as if he'd just remembered something important.

"What do we know about the victim?" Judge Fang said.

"The cine stat could track him only as far as the gates of New Atlantis," Miss Pao said. "His face was bloody and swollen, complicating identification. He had also been tagged, naturally- the tagger aerostat cannot make any distinction between victim and perpetrator- but no spores were received; we can assume that all of his tag mites were detected and destroyed by Atlantis/Shanghai's immune system."

At this point Miss Pao stopped talking and swiveled her eyes in the direction of Chang, who was standing quiescently with his hands clasped behind his back, staring down at the floor as if his thick neck had finally given way under the weight of his head. Miss Pao cleared her throat once, twice, three times, and suddenly Chang came awake. "Excuse me, Your Honor," he said, bowing to Judge Fang. He rummaged in a large plastic bag and withdrew a gentleman's top hat in poor condition. "This was found at the scene," he said, finally reverting to his native Shanghainese.

Judge Fang dropped his eyes to the tabletop and then looked up at Chang. Chang stepped forward and placed the hat carefully on the table, giving it a little nudge as if its position were not quite perfect. Judge Fang regarded it for a few moments, then withdrew his hands from the voluminous sleeves of his robe, picked it up, and flipped it over. The words JOHN PERCIVAL HACKWORTH were written in gold script on the hatband.

Judge Fang cast a significant look at Miss Pao, who shook her head. They had not yet contacted the victim. Neither had the victim contacted them, which was interesting; John Percival Hackworth must have something to hide. The neo-Victorians were smart; why did so many of them get mugged in the Leased Territories after an evening of brothel-crawling?

"You have recovered the stolen items?" Judge Fang said. Chang stepped to the table again and laid out a man's pocket watch. Then he stepped back, hands clasped behind him, bent his neck again, and watched his feet, which could not contain themselves from shuffling back and forth in tiny increments. Miss Pao was glaring at him.

"There was another item? A book, perhaps?" Judge Fang said. Chang cleared his throat nervously, suppressing the urge to hawk and spit- an activity Judge Fang had barred in his courtroom. He turned sideways and backed up one step, allowing Judge Fang to view one of the spectators: a young girl, perhaps four years old, sitting with her feet up on the chair so that her face was blocked by her knees. Judge Fang heard the sound of a page turning and realized that the girl was reading a book propped up on her thighs. She cocked her head this way and that, talking to the book in a tiny voice.

"I must humbly apologize to the Judge," Chang said in Shanghainese. "My resignation is hereby proffered."

Judge Fang took this with due gravity. "Why?"

"I was unable to wrest the evidence from the young one's grasp," Chang said.

"I have seen you kill adult men with your hands," Judge Fang reminded him. He had been raised speaking Cantonese, but could make himself understood to Chang by speaking a kind of butchered Mandarin.

"Age has not been kind," Chang said. He was thirty-six.

"The hour of noon has passed," said Judge Fang. "Let us go and get some Kentucky Fried Chicken."

"As you wish, Judge Fang," said Chang.

"As you wish, Judge Fang," said Miss Pao.

Judge Fang switched back to English. "Your case is very serious," he said to the boy. "We will go and consult the ancient authorities. You will remain here until we return."

"Yes, sir," said the defendant, abjectly terrified. This was not the abstract fear of a first-time delinquent; he was sweating and shaking. He had been caned before.

The House of the Venerable and Inscrutable Colonel was what they called it when they were speaking Chinese. Venerable because of his goatee, white as the dogwood blossom, a badge of unimpeachable credibility in Confucian eyes. Inscrutable because he had gone to his grave without divulging the Secret of the Eleven Herbs and Spices. It had been the first fast-food franchise established on the Bund, many decades earlier. Judge Fang had what amounted to a private table in the corner. He had once reduced Chang to a state of catalepsis by describing an avenue in Brooklyn that was lined with fried chicken establishments for miles, all of them ripoffs of Kentucky Fried Chicken. Miss Pao, who had grown up in Austin, Texas, was less easily impressed by these legends.

Word of their arrival preceded them; their bucket already rested upon the table. The small plastic cups of gravy, coleslaw, potatoes, and so on had been carefully arranged. As usual, the bucket was placed squarely in front of Chang's seat, for he would be responsible for consumption of most of it. They ate in silence for a few minutes, communicating through eye contact and other subtleties, then spent several minutes exchanging polite formal chatter.

"Something struck a chord in my memory," Judge Fang said, when the time was right to discuss business. "The name Tequila- the mother of the suspect and of the little girl."

"The name has come before our court twice before," Miss Pao said, and refreshed his memory of two previous cases: one, almost five years ago, in which this woman's lover had been executed, and the second, only a few months ago, a case quite similar to this one.

"Ah, yes," Judge Fang said, "I recall the second case. This boy and his friends beat a man severely. But nothing was stolen. He would not give a justification for his actions. I sentenced him to three strokes of the cane and released him."

"There is reason to suspect that the victim in that case had molested the boy's sister," Chang put in, "as he has a previous record of such accomplishments."

Judge Fang fished a drumstick out of the bucket, arranged it on his napkin, folded his hands, and sighed. "Does the boy have any filial relationships whatsoever?"

"None," said Miss Pao.

"Would anyone care to advise me?" Judge Fang frequently asked this question; he considered it his duty to teach his subordinates.

Miss Pao spoke, using just the right degree of cautiousness. "The Master says, 'The superior man bends his attention to what is radical. That being established, all practical courses naturally grow up. Filial piety and fraternal submission!- are they not the root of all benevolent actions?'

"How do you apply the Master's wisdom in this instance?"

"The boy has no father- his only possible filial relationship is with the State. You, Judge Fang, are the only representative of the State he is likely to encounter. It is your duty to punish the boy firmly- say, with six strokes of the cane. This will help to establish his filial piety."

"But the Master also said, 'If the people be led by laws, and uniformity sought to be given them by punishments, they will try to avoid the punishments, but have no sense of shame. Whereas, if they be led by virtue, and uniformity sought to be given them by the rules of propriety, they will have the sense of shame, and moreover will become good.'"

"So you are advocating leniency in this case?" Miss Pao said, somewhat skeptically.

Chang chimed in: "'Mang Wu asked what filial piety was. The Master said, "Parents are anxious lest their children should be sick."' But the Master said nothing about caning."

Miss Pao said, "The Master also said, 'Rotten wood cannot be carved.' And, 'There are only the wise of the highest class, and the stupid of the lowest class, who cannot be changed.'"

"So the question before us is: Is the boy rotten wood? His father certainly was. I am not certain about the boy, yet."

"With utmost respect, I would direct your attention to the girl," said Chang, "who should be the true subject of our discussions. The boy may be lost; the girl can be saved."

"Who will save her?" Miss Pao said. "We have the power to punish; we are not given the power to raise children."

"This is the essential dilemma of my position," Judge Fang said. "The Mao Dynasty lacked a real judicial system. When the Coastal Republic arose, a judicial system was built upon the only model the Middle Kingdom had ever known, that being the Confucian. But such a system cannot truly function in a larger society that does not adhere to Confucian precepts. 'From the Son of Heaven down to the mass of the people, all must consider the cultivation of the person the root of everything besides.' Yet how am I to cultivate the persons of the barbarians for whom I have perversely been given responsibility?"

Chang was ready for this opening and exploited it quickly. "The Master stated in his Great Learning that the extension of knowledge was the root of all other virtues."

"I cannot send the boy to school, Chang."

"Think instead of the girl," Chang said, "the girl and her book."

Judge Fang contemplated this for a few moments, though he could see that Miss Pao badly wanted to say something.

"'The superior man is correctly firm, and not firm merely,'"

Judge Fang said. "Since the victim has not contacted the police seeking return of his property, I will allow the girl to keep the book for her own edification- as the Master said, 'In teaching there should be no distinction of classes' I will sentence the boy to six strokes of the cane. But I will suspend all but one of those strokes, since he has displayed the beginnings of fraternal responsibility by giving the book to his sister. This is correctly firm."

"I have completed a phenomenoscopic survey of the book," Miss Pao said. "It is not an ordinary book."

"I had already surmised that it was a ractive of some sort," Judge Fang said.

"It is considerably more sophisticated than that description implies. I believe that it may embody hot I.P.," Miss Pao said.

"You think that this book incorporates stolen technology?"

"The victim works in the Bespoke division of Machine-Phase Systems. He is an artifex."

"Interesting," Judge Fang said.

"Is it worthy of further investigation?"

Judge Fang thought about it for a moment, carefully wiping his fingertips on a fresh napkin. "It is," he said.

Hackworth presents the Primer to Lord Finkle-McGraw.

"Is the binding and so on what you had in mind? Hackworth said.

"Oh, yes," said Lord Finkle-McGraw. If I found it in an antiquarian bookshop, covered with dust, I shouldn't give it a second glance."

"Because if you were not happy with any detail," Hackworth said, "I could recompile it." He had come in hoping desperately that Finkle-McGraw would object to something; this might give him an opportunity to filch another copy for Fiona. But so far the Equity Lord had been uncharacteristically complacent. He kept flipping through the book, waiting for something to happen.

"It is unlikely to do anything interesting just now," Hackworth said. "It won't really activate itself until it bonds."

"Bonds?"

"As we discussed, it sees and hears everything in its vicinity,"

Hackworth said. "At the moment, it's looking for a small female. As soon as a little girl picks it up and opens the front cover for the first time, it will imprint that child's face and voice into its memory-"

"Bonding with her. Yes, I see."

"And thenceforth it will see all events and persons in relation to that girl, using her as a datum from which to chart a psychological terrain, as it were. Maintenance of that terrain is one of the book's primary processes. Whenever the child uses the book, then, it will perform a sort of dynamic mapping from the database onto her particular terrain."

"You mean the database of folklore."

Hackworth hesitated. "Pardon me, but not precisely, sir. Folklore consists of certain universal ideas that have been mapped onto local cultures. For example, many cultures have a Trickster figure, so the Trickster may be deemed a universal; but he appears in different guises, each appropriate to a particular culture's environment. The Indians of the American Southwest called him Coyote, those of the Pacific Coast called him Raven. Europeans called him Reynard the Fox. African-Americans called him Br'er Rabbit. In twentieth-century literature he appears first as Bugs Bunny and then as the Hacker."

Finkle-McGraw chuckled. "When I was a lad, that word had a double meaning. It could mean a trickster who broke into things- but it could also mean an especially skilled coder."

"The ambiguity is common in post-Neolithic cultures," Hackworth said. "As technology became more important, the Trickster underwent a shift in character and became the god of crafts- of technology, if you will- while retaining the underlying roguish qualities. So we have the Sumerian Enki, the Greek Prometheus and Hermes, Norse Loki, and so on.

"In any case," Hackworth continued, "Trickster/Technologist is just one of the universals. The database is full of them. It's a catalogue of the collective unconscious. In the old days, writers of children's books had to map these universals onto concrete symbols familiar to their audience- like Beatrix Potter mapping the Trickster onto Peter Rabbit. This is a reasonably effective way to do it, especially if the society is homogeneous and static, so that all children share similar experiences.

"What my team and I have done here is to abstract that process and develop systems for mapping the universals onto the unique psychological terrain of one child- even as that terrain changes over time. Hence it is important that you not allow this book to fall into the hands of any other little girl until Elizabeth has the opportunity to open it up."

"Understood," said Lord Alexander Chung-Sik Finkle-McGraw.

"I'll wrap it up myself, right now. Compiled some nice wrapping paper this morning." He opened a desk drawer and took out a roll of thick, glossy mediatronic paper bearing animated Christmas scenes: Santa sliding down the chimney, the ballistic reindeer, the three Zoroastrian sovereigns dismounting from their dromedaries in front of the stable. There was a lull while Hackworth and Finkle-McGraw watched the little scenes; one of the hazards of living in a world filled with mediatrons was that conversations were always being interrupted in this way, and that explained why Atlantans tried to keep mediatronic commodities to a minimum. Go into a thete's house, and every object had moving pictures on it, everyone sat around slackjawed, eyes jumping from the bawdy figures cavorting on the mediatronic toilet paper to the big-eyed elves playing tag in the bathroom mirror to . .

"Oh, yes," Finkle-McGraw said. "Can it be written on? I should like to inscribe it to Elizabeth."

"The paper is a subclass of both input-paper and output-paper, so it possesses all the underlying functionality of the sort of paper you would write on. For the most part these functions are not used- beyond, of course, simply making marks where the nib of the pen has moved across it.'

"You can write on it," Finkle-McGraw translated with some asperity, "but it doesn't think about what you're writing."

"Well, my answer to that question must be ambiguous," Hackworth said. "The Illustrated Primer is an extremely general and powerful system capable of more extensive self-reconfiguration than most. Remember that a fundamental part of its job is to respond to its environment. If the owner were to take up a pen and write on a blank page, this input would be thrown into the hopper along with everything else, so to speak."

"Can I inscribe it to Elizabeth or not?" Finkle-McGraw demanded.

"Certainly, sir."

Finkle-McGraw extracted a heavy gold fountain pen from a holder on his desk and wrote in the front of the book for a while.

"That being done, sir, there remains only for you to authorise a standing purchase order for the ractors."

"Ah, yes, thank you for reminding me," said Finkle-McGraw, not very sincerely. "I still would have thought that for all the money that went into this project-"

"That we might have solved the voice-generation problem to boot, yes sir," Hackworth said. "As you know, we took some stabs at it, but none of the results were up to the level of quality you demand. After all of our technology, the pseudo-intelligence algorithms, the vast exception matrices, the portent and content monitors, and everything else, we still can't come close to generating a human voice that sounds as good as what a real, live ractor can give us."

"Can't say I'm surprised, really," said Finkle-McGraw. "I just wish it were a completely self-contained system."

"It might as well be, sir. At any given time there are tens of millions of professional ractors in their stages all over the world, in every time zone, ready to take on this kind of work at an instant's notice. We are planning to authorise payment at a relatively high rate, which should bring in only the best talent. You won't be disappointed with the results."

Nell's second experience with the Primer; the story of Princess Nell in a nutshell.

Once upon a time there was a little Princess named Nell who was imprisoned in a tall dark castle on an island in the middle of a great sea, with a little boy named Harv, who was her friend and protector. She also had four special friends named Dinosaur, Duck, Peter Rabbit, and Purple.

Princess Nell and Harv could not leave the Dark Castle, but from time to time a Raven would come to visit them and tell them of the wonderful things over the sea in the Land Beyond. One day the Raven helped Princess Nell escape from the castle, but alas, poor Harv was too big and had to stay locked up behind the castle's great iron door with twelve locks.

Princess Nell loved Harv like a brother and refused to abandon him, so she and her friends, Dinosaur, Duck, Peter, and Purple, traveled over the sea in a little red boat, having many adventures, until they came to the Land Beyond. This was divided into twelve countries each ruled by a Faery King or a Faery Queen. Each King or Queen had a wonderful Castle, and each Castle was a Treasury containing gold and jewels, and in each Treasury was a jeweled Key that would open one of the twelve locks on the iron door of the Dark Castle.

Princess Nell and her friends had many adventures as they visited each of the twelve kingdoms and collected the twelve keys. Some they got by persuasion, some by cleverness, and some they took in battle. By the end of the quest, some of Nell's four friends had died, and some had gone their separate ways. But Nell was not alone, for she had become a great heroine during her adventures.

In a great ship, accompanied by many soldiers, servants, and elders, Nell traveled back over the sea to the island of the Dark Castle. As she approached the iron door, Harv saw her from the top of a tower and gruffly told her to go away, for Princess Nell had changed so much during her Quest that Harv no longer recognized her. "I have come to set you free," Princess Nell said. Harv again told her to go away, saying that he had all the freedom he wanted within the walls of the Dark Castle.

Princess Nell put the twelve keys into the twelve locks and began to open them one by one. When the rusty door of the castle finally creaked open, she saw Harv standing with a bow at the ready, and an arrow drawn, pointed straight at her heart. He let fly the arrow, and it struck her in the chest and would have killed her except that she was wearing a locket Harv had given her many years ago, before she left the castle. The arrow struck and shattered the locket. In the same moment, Harv was cut down by an arrow from one of Princess Nell's soldiers. Nell rushed to her fallen brother to comfort him and wept over his body for three days and three nights.

When finally she dried her eyes, she saw that the Dark Castle had become glorious; for the river of tears that had flowed from her eyes had watered the grounds, and beautiful gardens and forests had sprung up overnight, and the Dark Castle itself was no longer dark, but a shining beacon filled with delightful things.

Princess Nell lived in that castle and ruled over that island for the rest of her days, and every morning she would go for a walk in the garden where Harv had fallen. She had many adventures and became a great Queen, and in time she met and married a Prince, and had many children, and lived happily ever after.

"What's an adventure?" Nell said.

The word was written across the page. Then both pages filled with moving pictures of glorious things: girls in armor fighting dragons with swords, and girls riding white unicorns through the forest, and girls swinging from vines, swimming in the blue ocean, piloting rocket ships through space. Nell spent a long time looking at all of the pictures, and after a while all of the girls began to look like older versions of herself.

Judge Fang visits his district; Miss Pao arranges a demonstration; the case of the stolen book takes on unexpected depth.

As Judge Fang proceeded across the Causeway on his chevaline, accompanied by his assistants, Chang and Miss Pao, he saw the Leased Territories wreathed in a mephitic fog. The emerald highlands of Atlantis/Shanghai floated above the squalor. A host of mirrored aerostats surrounded that lofty territory, protecting it from the larger and more obvious sorts of intruders; from here, miles away, the individual pods were of course not visible, but they could be seen in the aggregate as a subtle gleam in the air, a vast bubble, perfectly transparent, enveloping the sacrosanct territory of the Anglo-Americans, stretching this way and that in the shifting winds but never tearing.

The view was spoiled as they drew closer to the Leased Territories and entered into their eternal fogs. Several times as they rode through the streets of the L.T., Judge Fang made a peculiar gesture: He curled the fingers of his right hand into a cylinder, as though grasping an invisible stalk of bamboo. He cupped his other hand beneath, forming a dark enclosed cavity, and then peeked into it with one eye. When he stared into the pocket of air thus formed, he saw the darkness filled with coruscating light- something like staring into a cavern filled with fireflies, except that these lights came in all colors, and all of the colors were as pure and clear as jewels.

People who lived in the L.T. and who performed this gesture frequently developed a feel for what was going on in the microscopic world. They could tell when something was up. If the gesture was performed during a toner war, the result was spectacular.

Today it was nowhere near toner war levels, but it was fairly intense. Judge Fang suspected that this had something to do with the purpose of this errand, which Miss Pao had declined to explain.

They ended up in a restaurant. Miss Pao insisted on a table out on the terrace, even though it looked like rain. They ended up overlooking the street three stories below. Even at that distance it was difficult to make out faces through the fog.

Miss Pao drew a rectangular package from her bag, wrapped up in Nanobar. She unwrapped it and drew out two objects of roughly the same size and shape: a book and a block of wood. She placed them side by side on the table. Then she ignored them, turning her attention to the menu. She continued to ignore them for several minutes more, as she and Chang and Judge Fang sipped tea, exchanged polite chatter, and began to eat their meals.

"At Your Honor's convenience," Miss Pao said, "I would invite you to examine the two objects I laid on the table."

Judge Fang was startled to notice that, while the block's appearance had not changed, the book had become covered in a layer of thick gray dust, as if it had been growing mildew for several decades.

"Oooh," Chang blurted, sucking a lengthy skein of noodles into his maw and bulging his eyes in the direction of this peculiar exhibit.

Judge Fang rose, walked around the table, and bent down for a closer look. The gray dust was not uniformly distributed; it was much thicker toward the edges of the book cover. He opened the book and was startled to notice that the dust had infiltrated deep between the pages.

"This is dust with a purpose in life," Judge Fang observed. Miss Pao glanced significantly at the block of wood. Judge Fang picked it up and examined it on all sides; it was clean. "This stuff is discriminating too!" Judge Fang said.

"It is Confucian toner," Chang said, finally choking down his noodles. "It has a passion for books."

The Judge smiled tolerantly and looked to Miss Pao for an explanation. "You have examined this new species of mite, I take it?"

"It is more interesting than that," Miss Pao said. "Within the last week, not one but two new species of mite have appeared in the Leased Territories- both programmed to seek out anything that looks like a book." She reached into her bag again and handed her master a rolled-up piece of mediatronic paper.

A waitress scurried up and helped move the dishes and teacups aside. Judge Fang unrolled the page and anchored it with various small items of faience. The paper was divided into two panes, each containing a magnified view of a microscopic device. Judge Fang could see that both were made to navigate through the air, but beyond that, they could hardly have been more different. One of them looked like a work of nature; it had several bizarre and elaborate arms and sported four enormous, wildly involuted, scooplike devices, arranged ninety degrees apart.

"The eats of a bat!" Chang exclaimed, tracing their impossibly complex whorls with the tip of a chopstick. Judge Fang said nothing but reminded himself that this sort of quick insight was just the sort of thing Chang excelled at.

"It appears to use echolocation, like a bat," Miss Pao admitted. "The other one, as you can see, is of a radically different design." The other mite looked like a spacecraft as envisioned by Jules Verne. It had a streamlined, teardrop shape, a pair of manipulator arms folded neatly against its fuselage, and a deep cylindrical cavity in the nose that Eudge Fang took to be its eye.

"This one sees light in the ultraviolet range," Miss Pao said. "Despite their differences, each does the same thing: searches for books. When it finds a book, it lands on the cover and :rawls to the edge, then creeps between the pages and examines the internal structure of the paper."

"What is it looking for?"

"There is no way to tell, short of disassembling its internal computer system and decompiling its program- which is difficult," Miss Pao said, with characteristic understatement. "When it finds that it has been investigating a normal book made of old-fashioned paper, it deactivates and becomes dust."

"So there are many dirty books in the Leased Territories now," Chang said.

"There aren't that many books to begin with," Judge Fang said. Miss Pao and Chang chuckled, but the Judge showed no sign that he had been making a joke; it was just an observation. "What conclusions do you draw, Miss Pao?" the Judge said.

"Two different parties are searching the Leased Territories for the same book," Miss Pao said. She did not have to state that the target of this search was probably the book stolen from the gentleman named Hackworth.

"Can you speculate as to the identity of these parties?"

Miss Pao said, "Of course, neither device carries a maker's mark. The bat-eared one has Dr. X written all over it; most of its features appear to be evolved, not engineered, and the Doctor's Flea Circus is nothing more than an effort to collect evolved mites with useful features. At a first glance, the other device could have come from any of the engineering works associated with major phyles- Nippon, New Atlantis, Hindustan, the First Distributed Republic being prime suspects. But on deeper examination I find a level of elegance-"

"Elegance?"

"Pardon me, Your Honor, the concept is not easy to explain- there is an ineffable quality to some technology, described by its creators as concinnitous, or technically sweet, or a nice hack- signs that it was math with great care by one who was not merely motivated but inspired. It is the difference between an engineer and a hacker."

"Or an engineer and an artifex?" Judge Fang said.

A trace of a smile came across Miss Pao's face. "I fear that I have enmeshed that little girl in a much deeper business than I ever imagined," Judge Fang said. He rolled up the paper and handed it back to Miss Pao. Chang set the Judge's teacup back in front oi him and poured more tea. Without thinking about it, the Judge put his thumb and fingertips together and tapped them lightly against the tabletop several times. This was an ancient gesture in China. The story was that one of the early Emperors liked to dress as a commoner and travel about the Middk Kingdom to see how the peasants were getting along. Frequently, as he and his staff were sitting about the table in some inn, he would pour tea for everyone. They could not kowtow to their lord without giving away his identity, so they would make this gesture, using their hand to imitate the act of kneeling. Now Chinese people used it to thank each other ai the dinner table. From time to time, Judge Fang caught himself doing it: and thought about what a peculiar thing it was to be Chinese in a world without an Emperor.

He sat, hands folded into sleeves, and thought about this and other issues for several minutes, watching the vapor rise from his tea and forn into a fog as it condensed round the bodies of micro-aerostats.

"Soon we will obtrude upon Mr. Hackworth and Dr. X and learn more by observing their reactions. I will consider the right way to sei about this. In the meantime, let us concern ourselves with the girl. Chang, visit her apartment building and see whether there has been any trouble there- suspicious characters hanging about."

"Sir, with all respect, everyone who lives in the girl's building is of suspicious character."

"You know what I mean," said the Judge with some asperity. "The building should have a system for filtering nanosites from the air. If this system is working properly, and if the girl does not take the book out of her building, then she should go unnoticed by these." The Judge drew a streak through the dust on the book's cover and smeared the toner between his fingers. "Speak with the landlord of her building, and let him know that his air-filtering system is due for an inspection, and that this is genuine, not just a solicitation for a bribe."

"Yes, sir," Chang said. He pushed his chair back, rose, bowed, and strode out of the restaurant, pausing only to extract a toothpick from the dispenser by the exit. It would have been acceptable for him to finish his lunch, but Chang had, in the past, evinced concern for the girl's welfare, and apparently wanted to waste no time.

"Miss Pao, plant recording surveillance devices in the girl's flat. At first we will change and review the tapes every day. If the book is not detected soon, we will begin changing them every week."

"Yes, sir," Miss Pao said. She slipped on her phenomenoscopic spectacles. Colored light reflected from the surfaces of her eyes as she lost herself in some kind of interface. Judge Fang refilled his tea, cupped it in the palm of his hand, and went for a stroll round the edge of the terrace. He had much more important things to think about than this girl and her book; but he suspected that from now on he would be thinking about little else.

Description of Old Shanghai; situation of the Theatre Parnasse; Miranda's occupation.

Before the Europeans got their hooks into it, Shanghai had been a walled village on the Huang Pu River, a few miles south of its confluence with the estuary of the Yangtze. Much of the architecture was very sophisticated Ming Dynasty stuff, private gardens for rich families, a shopping street here and there concealing interior slums, a rickety, vertiginous teahouse rising from an island in the center of a pond. More recently the wall had been torn down and a sort of beltway built on its foundations. The old French concession wrapped around the north side, and in that neighborhood, on a corner looking across the ring road into the old city, the Theatre Parnasse had been constructed during the late 1800s. Miranda had been working there for five years, but the experience had been so intense that it often seemed more like five days.

The Parnasse had been built by Europeans back when they were serious and unapologetic about their Europeanness. The facade was classical: a three-quarter-round portico on the streetcorner, supported by Corinthian columns, all done in white limestone. The portico was belted by a white marquee, circa 1990, outlined by tubes of purple and pink neon. It would have been easy enough to tear it off and replace it with something mediatronic, but they enjoyed hauling the bamboo ladders out from the set shop and snapping the black plastic letters into place, advertising whatever they were doing tonight. Sometimes they would lower the big mediatronic screen and show movies, and Westerners would come from all over Greater Shanghai, dressed up in their tuxedos and evening gowns, and sit in the dark watching Casablanca or Dances With Wolves. And at least twice a month, the Parnasse Company would actually get out on stage and do it: become actors rather than ractors for a night, lights and greasepaint and costumes. The hard part was indoctrinating the audience; unless they were theatre buffs, they always wanted to run up on stage and interact, which upset the whole thing. Live theatre was an ancient and peculiar taste, roughly on par with listening to Gregorian chants, and it didn't pay the bills. They paid the bills with ractives.

The building was tall and narrow, making the most of precious Shanghai real estate, so the proscenium had a nearly square aspect ratio, like an old-fashioned television. Above it was the bust of some forgotten French actress, supported on gilt wings, flanked by angels brandishing trumpets and laurel wreaths. The ceiling was a circular fresco depicting Muses disporting themselves in flimsy robes. A chandelier hung from the center; its incandescent bulbs had been replaced by new things that didn't burn out, and now it cast light evenly onto the rows of tiny, creaking seats closely packed together on the main floor. There were three balconies and three stories of private boxes, two on the left side and two on the right side of each level. The fronts of the boxes and balconies were all painted with tableaux from classical mythology, the predominant color there as elsewhere being a highly French robin's-egg blue.

The theatre was crammed with plasterwork, so that the faces of cherubs, overwrought Roman gods, impassioned Trojans, and such were always poking out of columns and soffits and cornices, catching you by surprise. Much of this work was spalled from bullets fired by high-spirited Red Guards during Cultural Revolution times. Other than the bullet holes, the Parnasse was in decent shape, though sometime in the twentieth century great blackiron pipes had been anchored vertically alongside the boxes and horizontally before the balconies so that spotlights could be bolted on. Nowadays the spotlights were coin-size disks- phased-array devices that carried their own batteries- and could be stuck up anywhere and controlled by radio. But the pipes were still there and always required a lot of explaining when tourists came through.

Each of the twelve boxes had its own door, and a curtain rail curving around the front so that the occupants could get some privacy between acts. They'd mothballed the curtains and replaced them with removable soundproof screens, unbolted the seats, and stored them in the basement. Now each box was a private egg-shaped room just the right size to serve as a body stage. These twelve stages generated seventy-five percent of the cash flow of the Theatre Parnasse.

Miranda always checked into her stage half an hour early to run a diagnostic on her tat grid. The 'sites didn't last forever- static electricity or cosmic rays could knock them out, and if you let your instrument go to pot out of sheer laziness, you didn't deserve to call yourself a ractor.

Miranda had decorated the dead walls of her own stage with posters and photos of role models, largely actresses from twentieth-century passives. She had a chair in 'the corner for roles that involved sitting down. There was also a tiny coffee table where she set down her triple latte, a two-liter bottle of mineral water, and a box of throat lozenges. Then she peeled down to a black leotard and tights, hanging her street clothes on a tree by the door. Another ractor might have gone nude, worn street clothes, or tried to match her costume to the role she'd be playing, if she were lucky enough to know in advance. At the moment, though, Miranda never knew. She had standing bids on Kate in the ractive version of Taming of the Shrew (which was a butcherous kludge, but popular among a certain sort of male user); Scarlett O'Hara in the ractive Gone With the Wind; a double agent named Ilse in an espionage thriller set on a train passing through Nazi Germany; and Rhea, a neo-Victorian damsel in distress in Silk Road, an adventure-comedy-romance ractive set on the wrong side of contemporary Shanghai. She'd created that role. After the good review had come in ("a remarkably Rhea-listic portrayal by newcomer Miranda Redpath!") she had played little else for a couple of months, even though her bid was so steep that most users opted for one of the understudies or contented themselves with watching passively for one-tenth the price. But the distributor had botched the PR targeting when they tried to take it beyond the Shanghai market, and so now Silk Road was in limbo while various heads rolled.

Four leading roles was about as many as she could keep in her head at once. The prompter made it possible to play any role without having seen it before, if you didn't mind making an ass of yourself. But Miranda had a reputation now and couldn't get away with shoddy work. To fill in the blanks when things got slow, she also had standing bids, under another name, for easier work: mostly narration jobs, plus anything having to do with children's media.

She didn't have any kids of her own, but she still corresponded with the ones she'd taken care of during her governess days. She loved racting with children, and besides it was good exercise for the voice, saying those silly little rhymes just right. "Practice Kate from Shrew," she said, and the Miranda-shaped constellation was replaced by a dark-haired woman with green, feline eyes, dressed in some costume designer's concept of what a rich woman in the Italian Renaissance would be likely to wear. Miranda had large bunny eyes while Kate had cat eyes, and cat eyes were used differently from bunny eyes, especially when delivering a slashing witticism. Carl Hollywood, the company's founder and dramaturge, who'd been sitting in passively on her Shrews, had suggested that she needed more work in this area. Not many payers enjoyed Shakespeare or even knew who he was, but the ones who did tended to be very high on the income scale and worth catering to. Usually this kind of argument had no effect on Miranda, but she'd been finding that some of these (rich sexist snob asshole) gentlemen were remarkably good ractors. And any professional could tell you that it was a rare pleasure to ract with a payer who knew what he was doing. . . .

The Shift comprised the Prime Times for London, the East Coast, and the West Coast. In Greenwich Time, it started around nine P.M., when Londoners were finishing dinner and looking for entertainment, and wound up about seven A.M., when Californians were going to bed. No matter what time zones they actually lived in, all ractors tried to work during those hours. In Shanghai's time zone, The Shift ran from about five A.M. to midafternoon, and Miranda didn't mind doing overtime if some well-heeled Californian wanted to stretch a ractive late into the night. Some of the ractors in her company didn't come in until later in the day, but Miranda still had dreams of living in London and craved attention from that city's sophisticated payers. So she always came to work early.

When she finished her warmups and went on. she found a bid already waiting for her. The casting agent, which was a semiautonomous piece of software, had assembled a company of nine payers, enough to ract all the guest roles in First Class to Geneva, which was about intrigue among rich people on a train in Nazi-occupied France, and which was to ractives what The Mousetrap was to passive theatre. It was an ensemble piece: nine guest roles to be assumed by payers, three somewhat larger and more glamorous host roles to be assumed by payees like Miranda. One of the characters was, unbeknownst to the others, an Allied spy.

Another was a secret colonel in the SS, another was secretly Jewish, another was a Cheka agent. Sometimes there was a German trying to defect to the Allied side. But you never knew which was which when the ractive started up; the computer switched all the roles around at random.

It paid well because of the high payer/payee ratio. Miranda provisionally accepted the bid. One of the other host roles hadn't been filled yet, so while she waited, she bid and won a filler job. The computer morphed her into the face of an adorable young woman whose face and hair looked typical of what was current in London at the moment; she wore the uniform of a British Airways ticket agent. "Good evening, Mr. Oremland," she gushed, reading the prompter. The computer disped it into an even perkier voice and made subtle corrections in her accent.

"Good evening, er, Margaret," said the jowly Brit staring out of a pane on her mediatron. He was wearing half-glasses, had to squint to make out her nametag. His tie was loose on his chest, a gin and tonic in one hairy fist, and he liked the looks of this Margaret. Which was almost guaranteed, since Margaret had been morphed up by a marketing computer in London that knew more about this gentleman's taste in girlflesh than he would like to think.

"Six months without a vacation!? How boring," Miranda/Margaret said. "You must be doing something terribly important," she continued, facetious without being mean, the two of them sharing a little joke.

"Yes, I suppose even making lots of money does become boring after a while," the man returned, in much the same tone.

Miranda glanced over at the casting sheet for First Class to Geneva. She'd be pissed if this Mr. Oremland got overly talkative and forced her to pass on the bigger role. Though he did seem a reasonably clever sort. "You know, it's a fine time to visit Atlantan West Africa, and the airship Gold Coast is scheduled to depart in two weeks- shall I book a stateroom for you? And a companion perhaps?"

Mr. Oremland seemed iffy. "Call me old-fashioned," he said, "but when you say Africa, I think AIDS and parasites."

"Oh, not in West Africa, sir, not in the new colonies. Would you like a quick tour?"

Mr. Oremland gave Miranda/Margaret one long, searching, horny look, sighed, checked his watch, and seemed to remember that she was an imaginary being. "Thank you just the same," he said, and cut her off. Just in time too; the playbill for Geneva had just filled up. Miranda only had a few seconds to switch contexts and get herself into the character of Ilse before she found herself sitting in a first-class coach of a midtwentieth-century passenger train, staring into the mirror at a blond, blue-eyed, high-cheekboned ice queen.

Unfolded on her dressing-table was a letter written in Yiddish. So tonight she was the secret Jew. She tore the letter into tiny pieces and fed them out her window, then did the same with a couple of Stars of David that she rooted out of her jewelry case.

This thing was fully ractive, and there was nothing to prevent other characters from breaking into her coach and going through her possessions. Then she finished putting on her makeup and choosing her outfit, and went to the dining car for dinner. Most of the other characters were already in here. The nine amateurs were stiff and stilted as usual, the two other professionals were circulating among them, trying to loosen them up, break through that self-consciousness and get them into their characters.

Geneva ended up dragging on for a good three hours. It was nearly ruined by one of the payers, who had clearly signed up exclusively for the purpose of maneuvering Ilse into bed. He turned out to be the secret SS colonel too; but he was so hell-bent on fucking Ilse that he spent the whole evening out of character. Finally Miranda lured him into the kitchen in the back of the dining car, shoved a foot-long butcher knife into his chest, and left him in the fridge. She had played this role a couple of hundred times and knew the location of every potentially lethal object on the train.

After a ractive it was considered good form to go to the Green Room, a virtual pub where you could chat out-of-character with the other ractors. Miranda skipped it because she knew that the creep would be waiting for her there.

Next was a lull of an hour or so. Primetime in London was over, and New Yorkers were still eating dinner. Miranda went to the bathroom, ate a little snack, and picked up a few kiddy jobs. Kids on the West Coast were getting back from school and jumping right 'into the high-priced educational ractives that their parents made available to them. These things created a plethora of extremely short but fun roles; in quick succession, Miranda's face was morphed into a duck, a bunny, a talking tree, the eternally elusive Carmen Sandiego, and the repulsively cloying Doogie the Dinosaur. Each of them got a couple of lines at most: "That's right! B stands for balloon! I like to play with balloons, don't you, Matthew?" "Sound it out, Victoria! You can do it!" "Soldier ants have larger and stronger jaws than their worker counterparts and play a key role in defending the nest from predators." "Please don't throw me into that briar patch, Br'er Fox!" "Hello, Roberta! I've been missing you all day. How was your field trip to Disneyland?" "Twentieth-century airships were filled with flammable hydrogen, expensive helium, or inefficient hot air, but our modern versions are filled literally with nothing at all. High-strength nanostructures make it possible to pump all the air from an airship's envelope and fill it with a vacuum. Have you ever been on an airship, Thomas?"

Nell's further experiences with the Primer; the origin of Princess Nell.

"Once upon a time there was a little Princess named Nell who was imprisoned in a tall dark castle on an island-"

"Why?"

"Nell and Harv had been locked up in the Dark Castle by their evil stepmother."

"Why didn't their father let them out of the Dark Castle?"

"Their father, who had protected them from the whims of the wicked stepmother, had gone sailing over the sea and never come back."

"Why did he never come back?"

"Their father was a fisherman. He went out on his boat every day. The sea is a vast and dangerous place, filled with monsters, storms, and other dangers. No one knows what fate befell him. Perhaps it was foolish of him to sail into such danger, but Nell knew better than to fret over things she could not change."

"Why did she have a wicked stepmother?"

"Nell's mother died one night when a monster came out of the sea and entered their cottage to snatch Nell and Harv, who were just babies. She fought with the monster and slew it, but in so doing suffered grievous wounds and died the next day with her adopted children still nestled in her bosom."

"Why did the monster come from the sea?"

"For many years, Nell's father and mother badly wanted children but were not so blessed until one day, when the father caught a mermaid in his net. The mermaid said that if he let her go, she would grant him a wish, so he wished for two children, a boy and a girl.

"The next day, while he was out fishing, he was approached by a mermaid carrying a basket. In the basket were the two little babies, just as he had requested, wrapped up in cloth of gold. The mermaid cautioned him that he and his wife should not allow the babies to cry at night."

"Why were they in gold cloth?"

"They were actually a Princess and a Prince who had been in a shipwreck. The ship sank, but the basket containing the two babies bobbed like a cork on the ocean until the mermaids came and found them. They took care of those two babies until they found a good parent for them.

"He took the babies back to the cottage and presented them to his wife, who swooned for joy. They lived happily together for some time, and whenever one of the babies cried, one of the parents would get up and comfort it. But one night father did not come home, because a storm had pushed his little red fishing boat far out to sea. One of the babies began to cry, and the mother got up to comfort it. But when the other began to cry as well, there was nothing she could do, and shortly the monster came calling.

"When the fisherman returned home the next day, he found his wife's body lying beside that of the monster, and both of the babies unharmed. His grief was very great, and he began the difficult task of raising both the children.

"One day, a stranger came to his door. She said that she had been cast out by the cruel Kings and Queens of the Land Beyond and that she needed a place to sleep and would do any kind of work in exchange. At first she slept on the floor and cooked and cleaned for the fisherman all day long, but as Nell and Harv got bigger, she began to give them more and more chores, until by the time their father disappeared, they toiled from dawn until long after nightfall, while their stepmother never lifted a finger."

"Why didn't the fisherman and his babies live in the castle to protect them from the monster?"

"The castle was a dark forbidding place on the top of a mountain. The fisherman had been told by his father that it had been built many ages ago by trolls, who were still said to live there. And he did not have the twelve keys."

"Did the wicked stepmother have the twelve keys?"

"She kept them buried in a secret place as long as the fisherman was around, but after he sailed away and did not come back, she had Nell and Harv dig them up again, along with a quantity of jewels and gold that she had brought with her from the Land Beyond. She bedecked herself with the gold and jewels, then opened up the iron gates of the Dark Castle and tricked Nell and Harv into going inside. As soon as they were in, she slammed the gates shut behind them and locked the twelve locks. 'When the sun goes down, the trolls will have you for a snack!' she cackled."

"What's a troll?"

"A scary monster that lives in holes in the ground and comes out after dark."

Nell started to cry. She slammed the book closed, ran to her bed, gathered her stuffed animals up in her arms, started chewing on her blanket, and cried for a while, considering the question of trolls.

The book made a fluttering sound. Nell saw it opening in the corner of her eye and looked over cautiously, afraid she might see a picture of a troll. But instead, she saw two pictures. One was of Princess Nell, sitting on the grass with four dolls gathered in her arms. Facing it was a picture of Nell surrounded by four creatures: a big dinosaur, a rabbit, a duck, and a woman in a purple dress with purple hair.

The book said, "Would you like to hear the story of how Princess Nell made some friends in the Dark Castle, where she least expected it, and how they killed all of the trolls and made it a safe place to live?"

"Yes!" Nell said, and scooted across the floor until she was poised above the book.

Judge Fang pays a visit to the Celestial Kingdom; tea served in an ancient setting; a "chance" encounter with Dr. X

Judge Fang was not afflicted with the Westerner's inability to pronounce the name of the man known as Dr. X, unless a combined Cantonese/New York accent counted as a speech impediment. In his discussions with his trusted subordinates he had fallen into the habit of calling him Dr. X anyway.

He had never had cause to pronounce the name at all, until recently. Judge Fang was district magistrate for the Leased Territories, which in turn were part of the Chinese Coastal Republic.

Dr. X almost never left the boundaries of Old Shanghai, which was part of a separate district; more to the point, he stuck to a small but anfractuous subregion whose tendrils were seemingly ramified through every block and building of the ancient city. On the map, this region looked like the root system of a thousand-year-old dwarf tree; its border must have been a hundred kilometers long, even though it was contained within a couple of square kilometers. This region was not part of the Coastal Republic; it styled itself as the Middle Kingdom, a living vestige of Imperial China, prohibitively the oldest and greatest nation of the world.

The tendrils went even farther than that; Judge Fang had known this for a long time. Many of the gang members running around the Leased Territories with Judge Fang's cane marks across their asses had connections on the mainland that could ultimately be traced back to Dr. X. It was rarely useful to dwell upon this fact; if it hadn't been Dr. X, it would have been someone else. Dr. X was unusually clever at taking advantage of the principle of grith, or right of refuge, which in the modern usage simply meant that Coastal Republic officials like Judge Fang could not enter the Celestial Kingdom and arrest someone like Dr. X. So usually when they bothered to trace a criminal's higher connections at all, they simply drew an arrow up the page to a single character, consisting of a box with a vertical slash drawn down through the middle. The character meant Middle, as in Middle Kingdom, though for Judge Fang it had come to mean, simply, trouble.

At the House of the Venerable and Inscrutable Colonel and other Judge Fang hangouts, the name of Dr. X had been pronounced more frequently in recent weeks. Dr. X had tried to bribe everyone on Judge Fang's hierarchy except for the Judge himself. Of course, the overtures had been made by people whose connection with Dr. X was tenuous in the extreme, and had been so subtle that most of those approached had not even realized what was happening until, days or weeks later, they had suddenly sat up in bed exclaiming, "He was trying to bribe me! I must tell Judge Fang!"

If not for grith, this might have made for a merry and stimulating couple of decades, as Judge Fang atched his wits against those of the Doctor, a worthy adversary at last and a welcome break from smelly, larcenous barbarian whelps. As it was, Dr. X's machinations were of purely abstract interest. But they were no less interesting for that, and many days, as Miss Pao proceeded through the familiar line of patter about sky-eyes, heuristic mugging detection, and tagger aerostats, Judge Fang found his attention wandering across town to the ancient city, to the hong of Dr. X.

It was said that the Doctor frequently took tea in the morning at an old teahouse there, and so it was that one morning Judge Fang happened to drop in on the place. It had been built, centuries ago, in the center of a pond. Swarms of fire-colored fish hung just beneath the surface of the khaki water, glowing like latent coals, as Judge Fang and his assistants, Miss Pao and Chang, crossed the bridge.

There was a Chinese belief that demons liked to travel only in straight lines. Hence the bridge zigzagged no fewer than nine times as it made its way to the center of the pond. The bridge was a demon filter, in other words, and the teahouse demon-free, which seemed of only limited usefulness if it still hosted people like Dr. X. But for Judge Fang, raised in a city of long straight avenues, full of straight talkers, it was useful to be reminded that from the point of view of some people, including Dr. X, all of that straightness was suggestive of demonism; more natural and human was the ever-turning way, where you could never see round the next corner, and the overall plan could be understood only after lengthy meditation.

The teahouse itself was constructed of unfinished wood, aged to a nice gray. It looked rickety but evidently wasn't. It was narrow and tall, two stories high with a proud winglike roof. One entered through a low narrow door, built by and for the chronically undernourished. The interior had the ambience of a rustic cabin on a lake. Judge Fang had been here before, in mufti, but today he had thrown a robe over his charcoal-gray pinstripe suit- a reasonably subtle brocade, funereal by comparison with what people used to wear in China. He also wore a black cap embroidered with a unicorn, which in most company would probably be lumped in with rainbows and elves but here would be understood for what it was, an ancient symbol of acuity. Dr. X could be relied upon to get the message.

The teahouse staff had had plenty of time to realize he was coming as he negotiated the endless turns in the causeway. A manager of sorts and a couple of waitresses were arrayed before the door, bowing deeply as he approached.

Judge Fang had been raised on Cheerios, burgers, and jumbo burritos bulging with beans and meat. He was just a bit less than two meters in height. His beard was unusually thick, and he had been letting it grow out for a couple of years now, and his hair fell down past the tips of his shoulder blades. These elements, plus the hat and robe, and in combination with the power reposed in him by the state, gave him a certain presence of which he was well aware.

He tried not to be overly satisfied with himself, as this would have gone against all Confucian precepts. On the other hand, Confucianism was all about hierarchy, and those who were in high positions were supposed to comport themselves with a certain dignity. Judge Fang could turn it on when he needed to. He used it now to get himself situated at the best table on the first floor, off in the corner with a nice view out the tiny old windows into the neighboring Ming-era garden. He was still in the Coastal Republic, in the middle of the Twenty-first century. But he could have been in the Middle Kingdom of yore, and for all intents and purposes, he was.

Chang and Miss Pao separated themselves from their master and requested a table on the second floor, up a narrow and alarming stairway, leaving Judge Fang in peace whilst also making their presence forcibly known to Dr. X, who happened to be up there right now, as he always was at this time in the morning, sipping tea and chatting with his venerable homeboys.

When Dr. X made his way down half an hour later, he was nonetheless delighted and surprised to see the moderately famous and widely respected Judge Fang sitting all by his lonesome staring out at the pond, its schools of fish flickering lambently. When he approached the table to tender his respects, Judge Fang invited him to take a seat, and after several minutes of sensitive negotiations over whether this would or would not be an unforgivable intrusion on the magistrate's privacy, Dr. X finally, gratefully, reluctantly, respectfully took a seat.

There was lengthy discourse between the two men on which of them was more honored to be in the company of the other, followed by exhaustive discussion of the relative merits of the different teas offered by the proprietors, whether the leaves were best picked in early or late April, whether the brewing water should be violently boiling as the pathetic gwailos always did it, or limited to eighty degrees Celsius.

Eventually, Dr. X got around to complimenting Judge Fang on his cap, especially on the embroidery work. This meant that he had noticed the unicorn and understood its message, which was that Judge Fang had seen through all of his efforts at bribery. Not long afterward, Miss Pao came down and regretfully informed the Judge that his presence was urgently required at a crime scene in the Leased Territories. To spare Judge Fang the embarrassment of having to cut short the conversation, Dr. X was approached, moments later, by one of his staff, who whispered something into his ear. The Doctor apologized for having to take his leave, and the two men then got into a very genteel argument over which one of them was being more inexcusably rude, and then over which would precede the other across the bridge. Judge Fang ended up going first, because his duties were deemed more pressing, and thus ended the first meeting between the Judge and Dr. X. The Judge was quite happy; it had all gone just as planned.

Hackworth receives an unexpected visit from Inspector Chang.

Mrs. Hull had to shake the flour out of her apron to answer the door. Hackworth, working in his study, assumed it was a mere delivery until she appeared in his doorway, harrumphing lightly, holding a salver with a single card centered on it: Lieutenant Chang. His organization was called, in traditional Chinese general-to-specific order, China Coastal Republic Shanghai New Chusan Leased Territories District Magistrate Office.

"What does he want?"

"To give you your hat back."

"Send him in," Hackworth said, startled.

Mrs. Hull dawdled significantly. Hackworth glanced into a mirror and saw himself rea