Flamenco Information Page


The Academy of Flamenco Guitar

Note: Important Upgrade (Click above link for Info.)

Director: "Flamenco Chuck" Keyser


P.O. Box 1292, Santa Barbara, CA 93102

(805) 563-0922 

E-Mail:BuleriaChk@aol.com


"Flamenco Chuck" Keyser  

(painting by Rowan Hughes, 1998 )

Hey, I'm working on a photo, too....if only my digital camera wouldn't fog up....

Click on the highlighted links to access the other Web resources at this site.


"He was born with the gift of laughter, and a sense that the world was mad" (Scaramouche)

Welcome to the fascinating and powerful world of Flamenco! We hope your visit here will enrich your life in ways yet unimagined!


IMPORTANT NOTICE

Note to visitors: AOL destroyed my Website – from here on use my domain name “http://www.flamencochuck.com”

(Some of the links do not work; I will be repairing them as quickly as possible)

There are additional resources in the files section of Yahoo groups of which I am owner:

Flamenco
Flamenco Dancer


The Compas Analysis is an introduction to Flamenco compas (rhythm) and its accompaniment, written by "Flamenco Chuck" Keyser, for all aficionados (guitar, dance, and song).  It includes basic discussion of the Flamenco Compas forms, a report of a trip under an arts grant to study in Madrid and Moron de la Frontera, written by Susana "La Ceniza .

This document is Adobe format; you will need Adobe Reader (free at www.Adobe.com ) to view it.


Quick and Dirty 12 Count Compas Analysis (1/01/98 Last Modified 1/10/98) A brief (hopefully concise) analysis of Solea Family compas counting. Intended as a handout for aficionados and teachers who can fill in the gaps...

Statement of Purpose for the Compas Analysis (from the Flamenco Mailing List)


Music Theory for Flamenco -  a discussion of the foundations of  music theory relevant to Flamenco (for guitarists and singers).  

Basic Flamenco Guitar - an introduction to basic Flamenco guitar techniques and application of the music theory to the guitar.

-- by "Flamenco Chuck" Keyser


Workshops / Lecture-Demonstrations / Concerts

Complete presentations of the foundations of the Art of Flamenco, with textual material, live performance, and multimedia audio/visual aids in your locality.  E-Mail:BuleriaChk@aol.com for further information.

Local Events (Santa Barbara, Ventura, CA)


New! Flamenco Compas Audio Files! Audio examples of Flamenco compas forms in the Analysis (under construction). But Read Me regarding the format, first!

You can also hear the materal included in the Falseta Collections available from the Academy at the addresses below.

Included in the collections are  Soleares, BuleriasAlegrias, and Siguiryas  falsetas.


Flamenco Tapa

A Flamenco goodie which will change from time to time on an irregular basis, depending on the quantity and quality of the contributions to the Church of Flamenco Chuck ......;-)


NEW STUFF  (10/06/98) - recent additions and updates to this Web Site.  

Flamenco Guitar Transcriptions (8/26/97)


If you'd like to study the Flamenco Guitar, The Academy of Flamenco Guitar offers a multimedia method (text, video, and audio tapes) for home study. Check out our brochure.

(Note: the version of Introduction to the Flamenco included with the Academy material is not the same as the Web version, which is also available in hardcopy form.)


Flamenco Biography - "Flamenco Chuck's" Background

Home Page

Technical Resume


Additional Resources

Flamenco Mailing Lists


Photos




             
                                  Susana "La Ceniza" (ca. 1977) 

 

 



                           


                                    "Flamenco Chuck" Keyser (ca. 1977) at El Poche


 

 

 

                                   
   
                                    Susana's Costumes

 





I would like to acknowledge my deep appreciation for the Gitanos in Moron de la Frontera who were such good friends to me during a difficult period in my life.  In particular, my friends Gonzalo and La Chica, my teachers Agustin Rios (guitarist, singer, and flamenco extraordinaire), and, of course, the late Diego del Gastor, and all the others that were so tolerant of us half crazed American aficionados trying to understand the art they had inherited and created.  Also, Mercedes (Leon) and Albano, who helped me learn to accompany dance in their studio in Madrid, and many others in the studios at calle Amor de Dios (below pension La Granja). I would also like to express my deep appreciation for the generous support and encouragement of Dr. David Broad in helping me keep my Flamenco Projects alive, as well as to Donn Pohren and Brook Zern for their encouragement, their own work, and their dedication and commitment to the art of Flamenco, to Susana "La Ceniza" for her contribution to this page, to Rowan Hughes encouragement, and for his painting and for my Flamenco guitars, to my students for their support and  to all flamenco performers and aficionados, past, present, and future (with a few, uh, exceptions); without you there would be nothing......

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