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Thematic index of compositions

I regard my compositions to be organized according to a number of different themes which characterize my artistic and intellectual concerns. A given work may fall squarely within a single theme, or may intersect a number of them, or be orthogonal to all of them. Some of the themes pertain to sonic aspects of a work, such as instrumentation or structural conception, whereas others pertain to metaphor, inspiration or critical inquiry. For those familiar with some of my work, this index may help in guaging what to expect from unfamiliar works. For performers and potential collaborators or commissioners, this index may also serve to indicate the realm of possibilities from which future projects may begin to be conceived.

Cross-cultural works: involving Thai classical music
Music for a Royal Palace
Pan-lom
Lineamenta
Song of the Lonesome Road
Thao

Cross-cultural works: involving Northeast Thai / Lao music
Five Cycles
Epilogue for a Dark Day
Three Body Problem
Telemetry Lock
Tashi Delek
the wind blows inside
Three Lai

Cross-cultural works: involving Korean traditional music
Bear Woman Dances

Cross-cultural works: inspired by non-Western traditions but not explicitly evoking any in particular
things that flow
String Quartet (first movement)
Ritual Music

 

Algorithmic composition

Pines Long Slept in Sunshine
In Daylight and Cool White (to Dan Flavin)
Petit Hommage à Jehan Alain

Liber Pulveris
Hector Mine
Signals Intelligence
things that flow Carillon (from Four Piano Sketches)
Homophonic Construction on Notes by O. Messiaen (from Four Piano Sketches)
Truisms
Motetus
Five Cycles
Ritual Music

 

Improvisation and performative flexibility

Serpent of Five Tongues
Mastodon

In Daylight and Cool White (to Dan Flavin)

Telemetry Lock II

Ecstatic Volutions in a Neon Haze
Repudiation and Sacrifice (Music in Service of Revolution)
I Want to Believe
Epilogue for a Dark Day
Telemetry Lock
Tashi Delek
Lineamenta (final section)
Bear Woman Dances (third movement)

 

Derivation of musical material from the physical nature of instruments, a principle related to the structural organization of ensemble musics in Southeast Asia

First Spectrum of the Contrabass
Iris
Signals Intelligence (solo version)
String Quartet (second movement)
things that flow
Ritual Music

 

Geology

Song for a Glacial Boulder
Song for a Form Carved by Water
Hector Mine

 

Architecture

Pan-lom (Essays on Architecture 1)
Lineamenta (Essays on Architecture 2)
Music for a Royal Palace (Essays On Architecture 3)

 

compositions licensed by ASCAP

 

 

contact
adler@alum.mit.edu
619.260.7502
Christopher Adler, University of San Diego Music Program, 5998 Alcala Park, San Diego, 92110-2492

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