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TALE OF A SHADOW REVIEWS |
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Music Guide REVIEW:
The wholly acoustic THE TALE OF A SHADOW is one of the most low-key
of Damien Youth's releases. In fact it's not too different
from his first cassette releases about a decade prior to the recording
of this effort, a big difference being that the sound quality's much
better than those early endeavors. Damien Youth has his style
and he's sticking to it: quality tuneful folk-rock in a very British
style, most highly reminiscent of Donovan, but with similarities
to other UK acid-folk wordsmiths like Syd Barrett. The only
criticism one can offer is that there's little to distinguish it from
many of his prior albums. Should you not be able to get enough of it,
this is very affecting, slightly haunting pastoral stuff with a slightly
devilish kick, ideal for psychic woodsy strolls that hide occasional
nasty surprises behind the trees. Occasionally things do take a turn
away from the usual format, as some tracks are more in the traditional
British folk style, "Winds of Ill" sounding about halfway
between Nick Drake and Bert Jansch. The only non-original
draws from quite an unconventional source: "Gently Johnny,"
which sounds like a British folk tune save for the almost shockingly
forthright sexually suggestive lyrics, was first heard in the 1970s
cult film The Wicker Man. (3 stars) --
Richie Unterberger |