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Ikigala Stands & Accessories |
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| The easiest way to play a drum like this is to put it on a stand. Putting it on the ground has a number of problems, including damage to the lower head, insufficient playing height, and the lose of almost all resonance when the bottom head can't vibrate freely. So, a drum stand should do two things. It should raise the drum to a good playing level and allow the bottom head to vibrate. It is also nice if the stand is simple and portable. Below are two designs for mounting your ikigala or other similar drum. The first is more elegant and portable, but more complicated; the second is easy and cheap, but doesn't look so nice. |
| The example in the images below is what I normally use for my ikigalas. The V design was inspired by my engineer brother. The rest came from trial-and-error. Click on the images below for full-sized photos. Please excuse the washed-out images. |
| Goro-Goro's "battery". Three ikigalas rarin' to go. | The drum should sit a little loosely on the stand so it can be lifted off easily. | Naked stand.The drum is retained on the supports by hinges wrapped in duct tape. | Bottom. There are white rubber "feet" on the bottoms of the legs. | This shows the picture-hanging wire used to keep the arms from spreading. | Closed. This answers the portability requirement. |
| This stand has two wooden 60cm (24") 1x2 arms, four 7.5cm (3") 2x2 supports, and two 5cm (2") 2x2 legs. The hardware is five hinges (four used to keep the drum on the supports, one used as a hinge in front), eight L plates to attach the supports and legs, and two T brackets to strengthen the front supports and legs. The arm span is restricted by wire used to mount pictures on a wall, plus the two anchors for the wire. The hinges attached to the supports were too sharp in their raw form, so I wrapped tag board around them, and secured it with duct tape. I may replace the tape and tag board with leftover rawhide someday. With these measurements, the drum will lean slightly towards the player. All of the ikigalas we use in Goro-Goro have the same stand measurements, except the placement of the back supports, and the length of the wire. The arms are all the same size. The wire gives you "fine-tuning" once the stand is complete. Ideally, the three support points will be about equally-spaced around the circumference of the drum. |
| I came up with this cheap, fast alternative recently when I got to making ikigalas so fast that I couldn't keep up making the V stands. Another reason I began using these was for stage performances. I wanted the drummers ot be able to remove a drum from their shoulders and easily place it on the stand in the middle of a performance. Even though this is quite easy with a well-measured V stand, with this cradle stand, it's almost foolproof. |
Images |
At right is the stand in final form on its legs, ready for a drum. The ropes are very tight—the tighter the better. The rubber feet prevent the stand from sliding on slick surfaces. |
Parts & Measurements |
The main frame of this stand is made of douglas fir in the smallest size possible that. They are pipes and connectors for irrigation. I chose 2.5cm (1") diameter pipes. Here are the parts and sizes.
I found the floor flanges in two sizes. I chose the smaller ones to save weight. I found them in the plumbing section of Home Depot, a hardware store. Lowes and Dixieline had them too, but only in the larger size. I use PVC sprinkler head extensions, but there are also metal if you prefer. They are stronger, but of course, heavier. My PVC legs are strong enough. The rope cradle should be of a soft material, like the hemp I used or cotton. I first used the thin green climbing rope that can still be seen in the photos above anchoring the hemp rope to the frame. This thin, hard rope acted as a snare on the lower head, producing a buzz when I hit the drum. |
Using PVC |
Attached to the middle of each straight pipe is a diamond-shaped rope. This acts as the cradle for the drum. |
| In this image, you can see the drum in place. It sinks down slightly on the ropes, between the pipes. The four pipes guide the drum into the right placement. |
| This shot shows the underside. The rope makes as little contact as possible with the lower head, allowing more freedom to vibrate. |
| You can minimize this even further if you make the stand a little larger, but the smaller size was important to me so I can mount multiple drums close together. Also, the larger the diameter of the stand, the less-taut the ropes will be and there will be an increased chance of the drum tipping. |
Parts & Measurements |
The main frame of this stand is made of a plastic material called PVC (poly vinyl chloride). They are pipes and connectors for irrigation. I chose 2.5cm (1") diameter pipes. Here are the parts and sizes.
Attach the longest two sprinkler extensions to the front of the stand (away from the drummer) and the shorter in back. This tilts the drum towards the player. The rope cradle should be of a soft material, like the hemp I used or cotton. I first used the thin green climbing rope that can still be seen in the photos above anchoring the hemp rope to the frame. This thin, hard rope acted as a snare on the lower head, producing a buzz when I hit the drum. Since the photos were taken, I switched to picture-hanging wire, instead of the green climbing rope, to tie the diamond-shaped hemp rope to the stand. I drilled holes through the PVC pipe and ran the wire through the holes to keep it from sliding. |
| Many things work for sticks to hit your drum. One great source is tool shafts for shovels, brooms, etc. These are often made of hickory, and excellent wood that, unlike birch and red oak, doesn't splinter. |
| If you have any questions, comments, or
criticism about this stuff, My name is Brian |
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