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We got there early, before the doors opened to the public, and as established concerteers we were welcomed and shown to our usual front row center table, so we could listen to Jill finish her sound check. When she was done, we went over and chatted with her. She sounds a little bit like Cindi Lauper in her speaking voice, but I guessed the origin was Brooklyn and told her that I was born in Brooklyn. "Really!", she said. "I used to live there, in Park Slope." So I asked her if she had seen any of the recent Paul Auster films, 'Smoke' or 'Blue In the Face'; just Smoke was her reply. We talked a little about NY (she's moving back there, from L.A. in three weeks), and about her first album, produced by Todd Lundgren. She gave each of us a signed 8" by 10" glossy, signing on mine, "To Joel, From Brooklyn, Jill Sobule." Then we were invited by the club's owner to partake of the food set up for the performers and staff at buffet tables in the back.
The concert was grand. Leah Andreone opened, having just
signed a recording contract with RCA. She has a striking range and quality,
a little reminiscent of Tori and Heather Nova. She told me afterwards her
favorite musisians were Billy Holiday and Elvis Costello. The second group,
Building 14 (named for the County Coroner's worksite), was a rather obnoxious
band who seemed to parody the worst qualities of rock musicians, including
all the meaningless prancing, posturing, and retinue of hangers-on that
accompanied them. During Leah's performance they were talking loudly in
the audience, and I went over to ask them to quiet down. Their music was
also very loud and synthetic, and I was delighted to put on my earplugs
in full sight of them; my friend did the same. Finally it was Jill's turn.
She opened with a number she said would make her feel more comfortable,
"Don't Fuck With Me." The crowd loved it. She then sang a children's
song she had written for a friend's daughter about a little man in a boat;
she explained that it was really about the clitoris. Another song was called
"Karen By Night", about her boss at a Madison Avenue shoe store
-- she used to take the "F" train in from Brooklyn to go to work.
Of course she did the "homo" song, "I Kissed A Girl",
and a couple of cuts from her first album "Things Here are Different".
Her lyrics ran the gamut from the sublime (two lovers killed on a bridge
in Sarajevo), to the profane (relationships in meltdown). She sang for
well over an hour, and to our amazement, when she finished her encore she
came off the stage, walked over to our table, and thanked us for coming
to see her. Seeing my cassette deck still blinking away, she said, "Oh
how neat, a little tape recorder!". I gave her a small bottle of Drambuie,
and told her she was terrific. "I think I'll take this back to my
hotel room", she said smiling. I almost wished she would take me along
as well.
-=End=-
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