(this material is an exerpt from the book "The Message of the Stones", by Dr. Javier Cabrera)
(EXERPT #9)
THE MYSTERY OF OCUCAJE
The checkered history of the Acambaro collection is not unlike the history of the Engraved Stones of Ica, the gliptoliths. Skepticism among archeologists regarding the authenticity of the Acambaro pieces lasted twenty years, and the same skepticism has animated Peruvian archeologists where the gliptoliths are concerned. The difference between the Acambaro and Ica cases is that in the latter case the doubt has not yet been dispelled. Since 1961 when, according to the Peruvian scholar Herman Buse, the engraved stones first appeared in Ocucaje, constant efforts have been made, in vain, to enlist the help of Peruvian archeologists in verifying the authenticity of the stones. First to try were the Soldi brothers, who put together the first collection of stones bought from the huaqueros of Ocucaje. Even though the Soldis mistakenly thought the stones were made by the Incas, this does not diminish the persistence with which they requested official tests to prove what they were already sure of: that the stones were not of recent manufacture. Herman Buse reports in his 1965 book that one of the brothers Pablo - said that the existence of a thick layer of saltpeter covering the specimens could not be explained except by the passage of considerable time, and he added that the huaqueros who had found the stones were willing to take archeologists to the places were they had been discovered, to show them that this was not a hoax. Buse says that the other brother Carlos - could not believe that anyone would have gone to the trouble to manufacture the stones only to sell them at the ridiculously low prices which the Soldis had paid. But when Peruvians archeologists heard of the Soldi collection, they immediately assumed a posture of incredulity, and they would not accompany the huaqueros to the excavations. Several years later, in 1966, Santiago Agurto Calvo felt the need to verify the authenticity of the stones that kept appearing in Ica, and he began to carry out excavations, first on his own and later in the company of the archeologist Alejandro Pezzia Assereto, director of the Museo Regional of Ica. Agurto Calvo had a collection of several hundred stones which he had put to test in the laboratories of the Faculty of Mining at the Universidad Nacional de Ingenieria.
As we saw in Chapter One, these tests revealed that the stones came from lava layers dating from the Mesozoic era (frau 230 to 63 ruillion years ago), and one feature was the relative softness of the stones surface. Based on this characteristic, Agurto Calvo speculated that the stones may have come from the time of the Incas or Pre-Incas, since the tools used by these cultures would have been capable of executing the engravings on this type of stone. The excavations he made in Pre-Incas graves finally bore fruit: he found two samples, similar to those that made up his collection. This convinced him that there was no doubt as to the authenticity of the stones, and he declared them to be ancient, by virtue of having found specimens next to known remains and ceramics belonging to Pre-Inca man. The newspaper article in which Agurto Calvo reported his labors and his discovery concluded with these words: "To the fundamental question - are they false, or are they real-? which it has been my fortune to be able to answer, other questions flow which are equally provocative but even more difficult to answer. I am certain that the scholars and archeologists of the nation will give them prompt attention which will satisfy our curiosity and enrich the history and culture of Peru" (17). Two years later, in 1968, the archeologist Pezzia Assereto, who had accompanied Agurto Calvo, published a book on the archeology of the province of Ica, in which he makes note of the discovery: "Agurto was able after several attempts to find an engraved stone inside a tomb in the sector of Toma Luz of the Hacienda Callango del Valle in Ica on 20 August 1966... After informing the Museo Regional of Ica of such an important find, Agurto and I made another excavation on 11 September of the same year, in the hill called Uhle of the sector of La Banda in the Hacienda Ocucaje, and we found for the first time an engraved stone inside a tomb of the Paracas culture, a thing I was not expecting, but which proved, by association, the authenticity of these artifacts" (18).
Despite the fact that the Engraved Stones of Ica had been proven to be authentic archeological specimens, the cultural authorities of the central government remained indifferent. The discovery of Agurto Calvo alone should have been sufficient not only for the order to go out that the stones in existing collections be studied immediately, and not only that excavations in search of new specimens should be undertaken, but also that an end should be put to the illegal commerce in the stones. But none of this was done. Not even the collection of Carlos Soldi was studied, and on his death it passed to the Museo Regional of Ica, according to his wishes. It was at this time that I began to dedicate myself to increasing the stones in my own collection, buying specimens from some other collectors in Ica from whom I had acquired the stones I already possessed - and later - them from the huaqueros of Ocucaje.
In 1972 Herman Buse again brought up the issue of the engraved stones, at a moment when many national and foreign archeologists were convening in Lima at the First Congress of Andean Archeology. In an article published in the Lima daily El Comercio, written with the obvious purpose of pointing out to the participants in the Congress their obligation to give an official opinion on the stones in light of the absence of such an opinion so far, Buse discusses the unofficial opinions which had been circulating regarding the archeological validity of the stones. He points to the incredulity of the archeologists, and marshalls the arguments of those who believe in the authenticity of the stones, and of those who do not. Buse casts doubt on the latter arguments: "The Cabrera collection, which is on display in the city of Ica, is composed of no fewer than 10,000 of these stones. 10,000 falsifications? Many of them purchased for only a couple of soles? Can such a price be explained given the delicate, complicated, difficult work involved?" (19). He adds: "Other responsible men believe in them, in their legitimacy and certifiable antiquity. For this reason it seems strange that professional archeologists reject theme out of hand." But the experts participating in the Congress paid no attention to Buse, and once more we see the inexplicable lack of interest on the part of archeologists in studying the stones and determining their authenticity.
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(17) Agurta Calvo, clause ibid.
(18) Alejandro Pezzia Assereto: Ica y el Peru' Precolombino, Volume 1. Ica, 1968.
(19 Heruan Buse: "?Misterio Arqueologico o supercheria?". In El Comercio, Lima,
January 6, 1972.
(20) Expreso, Lima, December 20, 1974.