Having put together a list of favorite
books, it's only natural to move on to favorite movies.
This was a little harder since I don't have a convenient
bookshelf of movies to browse through, but after some
random searching through the IMDb database, a
review of past Oscar winners, and a perusal of my copy of
the Video Movie Guide, I managed to come up with
55 entries. This isn't quite as definitive as my book
list, but it's as close as I'm ever likely to get.
The directors with the most entries turned out to be
Jerry Zucker (3), David Zucker, Jim Abrahams, Kenneth
Branagh, Terry Jones, George Lucas, Rob Reiner, Robert
Zemeckis, George Roy Hill, and Carl Reiner (2).
Note that, as with the books, although all 55 movies
on the list are recommended unreservedly, some are
recommended more unreservedly than others:
| Title |
Comments |
| Airplane! |
This one would make
the list for the "jive talk" scene
alone, but it doesn't need to. It's a funny
send-up all the way through. |
| Amadeus |
The story is pure
baloney, but it's dramatic and well told. Great
music, too. |
| American Graffiti |
A testament to
George Lucas' storytelling ability. It's hard to
explain what American Graffiti has to
offer, but it sure is a lot of fun. |
| Animal House |
This is a film with
no redeeming features at all other than the fact
that it's funny. Yeah, it's sophomoric, but
somehow Belushi and the rest of the gang give it
such a high-octane energy level that it doesn't
really matter. |
| Beauty
and the Beast |
The best feature
cartoon ever made. |
| The Big Easy |
Great background,
good characters, well told and well acted, and no
plot holes. This is rare enough to put The
Big Easy on my list even though there's
really nothing very exceptional about the story
itself. |
| Boogie Nights |
A very real movie.
The dialog rang true and the characters grabbed
you whether you liked it or not. The (almost)
final scene is one of the best I've seen. |
| The Bridge on the
River Kwai |
A great movie,
especially if you're a good whistler. |
| The Color of Money |
Tom Cruise at his
best, and Paul Newman is pretty good too. I saw The
Hustler after I saw Color, and I
actually think it's the better movie. |
| Cousins |
Who would have
thought that Ted Danson could actually make a
good movie? Not me, but he sure did a good job
here. Isabella Rossellini was radiant too. |
| Crimes and
Misdemeanors |
Annie Hall
was a funny movie, but Crimes and
Misdemeanors is the only Woody Allen movie
that I've liked from beginning to end. It's funny
in spots, but it's also tightly controlled
throughout. Martin Landau is outstanding. |
| Dangerous
Liaisons |
Power, lust, and
intrigue: what more could you ask for? John
Malkovich is deliciously vile, and Glenn Close
gives one of her best performances as well. |
| Dead Again |
Just goes to show
that Kenneth Branagh can do more than
Shakespeare. This is a very smart take on the
hardboiled detective genre, plus Branagh gets to
show off how well he can do an American accent. |
| Dead Men Don't Wear
Plaid |
Not only is this an
awfully funny movie, it's clever too. The
intercutting of classic movie scenes is done as
well as I've ever seen it. |
| The Deer Hunter |
A great story, and
one of Meryl Streep's best performances. |
| Dirty Rotten
Scoundrels |
"You don't want
me to get out the genital cuffs, do you?" |
| Do the Right Thing |
It does
make you think, and that's what Spike Lee was
after. I like movies that are a little open ended
and that provide good conversational grist
("do you really think that's
what he meant?"), and this one is both. |
| Double Indemnity |
You just gotta love
the dialog. They sure don't make them like this
anymore, do they? |
| Duck Soup |
The best of the Marx
Brothers. |
| A Fish Called Wanda |
Kevin Kline is a
really funny guy, and when you give him a good
script he just shines. |
| Forbidden
Planet |
Creatures from the
id! |
| Ghostbusters |
Consistently funny
idiocy, almost Python-esque in its weirdness. |
| Groundhog
Day |
This is really a
charming movie and it shows off Bill Murray at
his best. The script is first rate, and the
direction and timing--so crucial in a comedy--are
impeccable. |
| Hoop Dreams |
Who would have
guessed that a three hour documentary about a
couple of high school basketball players could be
so absorbing? And who could have guessed that the
cretins who run the documentary category of the
Academy Awards wouldn't even nominate it
for best documentary? |
| The Jerk |
I guess Steve Martin
is an acquired taste, but if you're one of the
ones who likes his brand of slapstick you'll like
The Jerk ("this is shit--this
is shinola."). It's a shame to see him doing
sitcom-ish stuff like Father of the Bride
when he could be doing the genuinely funny comedy
he's capable of. |
| Life of Brian |
Doesn't have quite
the lunacy of Holy Grail, but in some
ways it's even better. It's too bad these guys
aren't making movies together anymore, but maybe
three of them are enough anyway.... |
| Mary Poppins |
Such a likable
movie, and the music is great too. Any time I
happen to see it on TV I almost always end up
watching at least a half hour of it. |
| Monty
Python and the Holy Grail |
Silly, silly, silly.
But it probably has more repeatable bits in it
than any other movie ever made. |
| Much Ado About
Nothing |
The best Shakespeare
adaptation I've seen. It's watchable,
understandable, well acted, and funny, and that's
hard to do given the inherent language barrier in
bringing Shakespeare into the 20th century. |
| The Naked Gun |
In the same spirit
as Airplane!, this is a movie that's
nothing more than a whole bunch of jokes strung
together. However, they're funny jokes and there
are lots of them. |
| Network |
"I'm mad as
hell and I'm not going to take it anymore!" |
| Night Shift |
Michael Keaton's
first movie, and he's side splittingly funny. Ron
Howard obviously has the right touch in directing
him, since his performances have been pretty
uneven since then. |
| Ordinary
People |
A very moving film.
Mary Tyler Moore's performance as a mother who is
unable to come to grips with her son's death is
excellent, and with the exception of Judd
Hirsch's cliched performance as a psychiatrist,
Robert Redford gets great work out the rest of
the cast as well. |
| Private Parts |
Genuine laughs all
the way through. Howard Stern isn't much to
listen to on the radio, but Private Parts
is a genuinely funny and sometimes sweet movie. |
| Pulp Fiction |
This movie is hard
to categorize, but it kept a grip on me
throughout. It's not for the squeamish (or for
kids), but it's an odd testimonial to the power
of gratuitous violence when it's in the service
of a good script and a creative director. |
| Raiders of
the Lost Ark |
Almost as good as Star
Wars in the adventure genre. The biggest
difference is that Star Wars holds up
better under multiple viewings than Raiders
does. |
| Real Genius |
Can Val Kilmer do
anything he puts his mind to, or what? This is a
much underrated movie, far funnier and more
intelligent than the thousands of other teen
summer comedies movies that it's usually lumped
with. |
| Repo Man |
A very strange
movie. I'm not sure why I liked it, but I did. |
| The Return of Martin
Guerre |
The only subtitled
movie on my list. There are lots of good foreign
language movies, but I usually feel like I've
lost so much by not hearing the dialog that I
don't enjoy them that much. Martin Guerre
was one of the rare exceptions that rose above
this. |
| Romancing the Stone |
Michael Douglas and
Kathleen Turner haven't turned out to be the
Doris Day/Rock Hudson of the 90s, but their first
outing together sure had chemistry. Overall, a
very amusing romantic comedy. |
| Ruthless People |
It doesn't hold up
that well on a second viewing, but it was awfully
funny the first time around. |
| Sophie's Choice |
This is an effective
movie throughout, but the climactic scene where
Sophie has to make her choice is truly moving and
poignant. |
| Silent Running |
Bruce Dern plays his
usual brooding psychotic character and it works
pretty well. Besides, it'll annoy Marc if I
include this movie on my list but leave out 2001:
A Space Odyssey. |
| Stand by Me |
A captivating and
compelling story of 12-year-old boys coming of
age, and it's from Stephen King of all people.... |
| Star Trek II: The
Wrath of Khan |
"Admiral
Kirk?" |
| Star
Wars Trilogy |
The finest and most
memorable collection of fantasy characters since The
Wizard of Oz. |
| The Sting |
The acting and
direction in The Sting are good, but the
real star of the movie is the screenplay. It's
smart, well paced, and actually makes sense.
What's more, for a movie that relies on a
surprise ending it's surprisingly watchable the
second and third times. |
| Three Days of the
Condor |
Three Days of
the Condor is something that's rare (and
getting rarer): a smart thriller without gaping
plot holes. For that alone it goes on my list. |
| This is
Spinal Tap |
"Mine goes to
11." |
| Top Gun |
Top Gun is sui
generis, the Star Wars of action
romances. It doesn't bring anything new to the
table, but it tells an old story in an almost
elemental way, and the air combat footage is
spectacular. Tom Cruise is a perfect matinee
idol, and even Kelly McGillis somehow manages to
dredge up a good performance. |
| The War of the Roses |
Another winner from
Kathleen Turner and Michael Douglas, although
Danny DeVito is arguably the real star. A little
edgy for a comedy, perhaps, but it had some very
funny scenes. |
| Way Out West |
The best of Laurel
and Hardy. |
| The
Wizard of Oz |
Let's see: Dorothy,
the scarecrow, the tin man, the lion, Toto, the
wicked witch of the west, and the wizard. That's
seven characters that have become universal pop
icons, and Auntie Em almost counts as an eighth.
Can any other movie claim as many? |
| Who Framed Roger
Rabbit |
A very innovative
movie, and a testament to the way special effects
can be used to genuinely improve a concept (or
even make it possible). It goes on a little too
long, however.... |
| The World According
to Garp |
I wouldn't have
believed that anyone could make a decent movie
out of this book, but George Roy Hill did. It
also shows how good Robin Williams can be when he
turns the volume down a bit. |
Split sets with Dvorman 3-6, 7-6 (7-3) (YTD record
12-55).