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Krakowiak
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The
krakowiak dance dates back to the 16th and 17th centuries when it
was included in organ and lute tablatures, as well as songbooks. In
the mid-19th century, it became a popular ballroom dance in Austria and
France and grew to be regarded as a "national dance" of Poland
(it competed with the polonaise).
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The krakowiak
became a choice of composers who transformed it into an extensive and even
virtuosic form, beginning from Fryderyk Chopin's Krakowiak (grand
rondeau de concert) for piano and orchestra, and including pieces by
Zygmunt Noskowski, Ignacy Jan Paderewski, and Roman Statkowski.
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The krakowiak
is the exhibition dance of choice of the Polish-American dance
ensembles. When performed on the stage, it includes a variety of
group figures, in addition to the turns, jumps, running and stamping
steps.
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| Costumes |
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The Kraków costume is the favorite among the
various regional costumes of Poland and has come to symbolize the
traditional costume of Poland in general, especially abroad.
The women wear white shirts with broad sleeves and collars decorated
with lace, colorful vests with sequins and rich embroidery, strings of
coral beads.
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Skirts are flowery in bold patterns, partly covered
with white lace aprons (plus multiple petticoats underneath), and
wreaths of flowers with multi-colored ribbons in their braided hair
(girls) or colorful, flowery kerchiefs (mature women). The
high-laced red boots have heels with metal tips, to emphasize each
stamp, click, or jump.
The men wear long, dark and embroidered coats over white shirts, striped
pants (red-white; the pants are tucked into the high red boots), and
embroidered vests. Their characteristic accessories include a
special belt with decorative strings of small, jingling metal plates, as
well as a square hat, topped with peacock feathers.
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