 | He wants to change the perception of juggling to be that of an art form;
something above being a clown or a street performer. |
| Whilst on stage, the trick is the transition from one routine to the next,
that is where things can go wrong. |
| The best way to polish your act is through analyzing a video of your
performance, Find the details and work on them. |
| Find the range of the whole picture. Although you are doing a trick with
one ball, how are you holding the other one? |
| He likes juggling instead of simple prop manipulation, or juggling is more
impressive than manipulation. |
| In circus school he practiced 9-10 hours per day. |
| "I'm never happy with my act." |
| If you are on stage, you should be nervous. When you cease to be nervous,
then the trouble comes. |
| Don't plagiarize, you can get inspiration from another performer, you can
get tricks from another performer, but make them your own. Take something,
but make it better. |
| If you do something with your right hand, remember to do it from your
left. |
| Open the pattern up, the more space between the balls, the more time you
have. Use a wide, full, exaggerated pattern, it looks better to the
audience. |
