a. Face East. Assume the Wand Posture.
b. Develop the Rhythmic Breath.

The Gates

i.  a. Inhale. Formulate the Corona Flammae.
    b. Exhale & vibrate EN TO PAN
ii..a. Inhale, drawing down the shaft of Light from the Corona & formulate the Uncia Coeli.
    b. Exhale & vibrate TURANA
iii. a. Inhale & draw down the light into the Flos Abysmi.
    b. Exhale & vibrate DESTAFITON
iv. a. Inhale & draw down the light, formulating the Orbis Solis.
    b. Exhale & vibrate ONOFIS
v. a. Inhale & draw down light to the Cornua Lunae
    b. Exhale & vibrate IAW
vi. a. Inhale & draw down the light to the Instita Splendens.
    b. Exhale & vibrate BAQ MENIN 'EKASTOU

The Caduceus

i.  a. Inhale, visualizing band of white light from Instita Splendens & spiraling upwards widdershins around the shaft & centers until dissolving into the Flos Abysmi.
    b. Exhale, strengthening awareness of centers & shaft.
ii.. a. Inhale, visualizing a band of red-white light from Instita Splendens spiraling deosil upwards around shaft & centers, vanishing into the Flos Abysmi.
    b. Exhale, strengthening awareness of centers & shaft.
 
 

a. Assume the Wand Posture.
b. Develop the Rhythmic Breath.

i. Visualize the Corona Flammae as an intense pulsating sphere of white brilliance.
ii. a. Inhale, a shaft of brilliance descends to the Orbis Solis & expands to a sphere of golden yellow light.
    b. Exhale, the shaft of brilliance descends to the Instita Splendens, expanding to a sphere of whiteness (less brilliant than the Corona Flammae).
iii. a. Inhale, a reflux charge of intense rose-gold flame rises from the Instita Splendens into the Orbis Solis.
    b. Exhale, the light rests.
iv. Repeat ii-iii 5 or 6 times.
v. Concentrate on the Orbis Solis. The radiance of this vibrant inner sun grows until the whole aura is charged with
    golden-yellow light. Awareness of the Corona Flammae and Instita Splendens gradually fades away.
 
 

a. Assume the Wand Posture.
b. Develop the Rhythmic Breath.

i. Visualize the Corona Flammae as an intense pulsating sphere of white brilliance.

The Formulae of Clavis Rei Primae are at the heart of many Aurum Solis practices. The Rousing resembles the "Middle Pillar" rite of the Golden Dawn. However, the AS Centers of Activity are by no means the same as the centers used in the Middle Pillar (as the Cicero's call them, the galgalim). It would be an even larger error if one were to equate either the Centers or the galgalim with the Eastern chakra system. In general the chakras are aroused from the base up to the crown, whereas in Art Magick the Centers are aroused from the top down.

The AS uses a system of six Centers of Activity, corresponding to the five Gate Sephiroth on the Tree of Life, plus the additional brow center which signifies the Neshamah. The centers do not exist on the physical plane, but rather in the astrosome or "astral body" of everyone (though there is often a relationship between the astral position of a Center and a gland or duct in the physical body). The Centers represent the different levels of man, the Microcosm, extended through the Four Worlds and their essential dynamic relationships. These centers are often referred to by their Latin names which are listed below.

The First Formula, the Rousing of the Citadels, is essential to the development of the magical personality. Not only does it invigorate the Centers but it accustoms them to organized magical work. In Chapter IV of The Foundations of High Magick, Denning and Phillips compare two techniques which help the development of the magical personality: the Rousing of the Citadels and the "Going Forth of the Star and the Chariot thereof" (i.e., Helionic astral projection). "In maturing the quasi-earthly faculties of the Body of Light, the will and understanding are bent upon a task which pertains to a sphere lower than their own ... In the Rousing of the Citadels, however, these higher faculties of the mind open the gates of their domain and call in the visitation of a power of a higher order still than their own. ... By [The Going Forth] one transcends the limitations of one's body; by [The Rousing], the limitations of one's soul."

The Rousing of the Citadels is of such importance that Denning and Phillips recommend working through it in four stages:
    1. Formulate the centers in white light only. The Caduceus may be repeated no more than five times to achieve a smooth
      performance. Minimum three weeks of practice.
    2. Formulate the Centers in their colors (listed below). Minimum three weeks of practice.
    3. Expand the formula to a threefold vibration of each Divine Name. Minimum eight weeks of practice.
    4. When formulating the sphere on inhalation, inweave in the work a reflection on the essential cosmic principle of each
      Center. On exhalation, however, charge the sphere only with the stark utterance of the Name.

In the Rousing, once the Gates are activated, the magician visualizes alternating bands of light which form the Caduceus. The scarlet and white currents bear strong similarites to the Eastern chakras. In Eastern systems, the central column of the astral body which runs from the base of the spine to the crown of the head is known as the sushumna. It is this nadi, or channel, along which the seven chakras are located. Two other primary nadis coil in spirals around the sushumna: the ida, which spirals counterclockwise and the pingala which coils clockwise. The ida is sometimes called the Moon Channel, and is described as white. The pingala, conversely, is the Sun Channel and is described as red.

The Second Formula of the Clavis Rei Primae doesn’t really have a subtitle, but I refer to it as “Rapid Energisation,” because that’s one of it’s primary functions. The Orante Formula for magical projection, which is used in many workings and consecrations, is based on this second formula.

The Third Formula of the Clavis Rei Primae was previously unknown to me until I received my copy of Aurum Solis: Initiation Ceremonies..., in which Osborne Phillips mentions it nonchalantly amidst the rite of Sacratio Templi (p. 30). It is a combination of the Arista gesture (given in the Mysteria Magica paper on the Setting of the Wards of Adamant) and the 2^nd Formula, C.R.P. Actually, more correctly, I suppose the gesture is a stripped down version of this formula, as it is subtitled “Arista Plena.” The translation of the Latin in the Arista is, “Hail, most holy light! / Living Sun / Guardian of the World / In my heart I hold thee. / My limbs being girt about with thy glory.”
 
 

The Gates

"The Centers should be conceived of as spherical concentrations of light and energy (as is found to be most satisfactory in magical training) approximately five centimeters in diameter." Paper VI, Mysteria Magica.
 
 

Center of Activity (Latin name)	Translation	"Position Potent"
Corona Flammae	"Crown of Flame"	Above the crown of the head.
Uncia Coeli	"1/12 of the Sky"*	Projects in a hemisphere from the brow.
Flos Abysmi	"Flower of the Abyss"	Completely external to the throat.
Orbis Solis	"Orb of the Sun"	Projects in a hemisphere from the breast.
Cornua Lunae	"Horns of the Moon"	Projects in somewhat of a hemisphere around the genitals.
Instita Splendens	"Shining Lady"	Between the insteps of the feet, half above ground, half below.**

*I am unsure of this translation. Denning and Phillips mention in relation to the Uncia Coeli the old custom of marking a "square inch" on one's forehead. This could account for the 1/12: an inch being a twelfth of a foot.
**In the astrosome each foot has its own Center of Activity, but when together it is easiest to visualize them as one.
 
 

Center of Activity	Color	Corresponding Part of Anthropos (Man)
Corona Flammae	intense brilliance, like burning magnesium	Yechidah (the 'Divine Spark')
Uncia Coeli	glimmering soft dove-grey	Neshamah (the Great Mother, the Intuitive Mind)
Flos Abysmi	billowing intense mid-purple	Microcosmic Da'ath (the Blue Lotus in the Abyss)
Orbis Solis	pulsating radiant yellow	Ruach (Noemasome: the mental sheath)
Cornua Lunae	pure lavendar, radiant & fast-swirling	Nephesh (Astrosome: the astral body)
Instita Splendens	seven prismatic colors, swirling lazily & shimmering	G'uph (the physical body; sensory consciousness)

PRONUNCIATION

En to pan - "en (like 'hen') ta pan (a as in 'father')"
Turana - "tyoo-rah-nah"
Destafiton - "des-tah-fee-ton (o as in 'hot')"
OnofiV - "on-off-ees (o as in 'hot')"
Iaw - "eeee-aahh-ohhh"
Baq menin 'ekastou - "bath (a as in 'father') men-in heck-ahs-too"
 
 

GEMATRIC NOTES

EN-TO-PAN
TURANA
DESTAFITON
ONOFIS
IAW
BAQ-MENIN-EKASTOU