A CONSISTENT INCONSISTENCY
How
Dr. Dembski infers intelligent design
By
Mark Perakh
First posted on July 10, 2001. Updated in November 2001

a) Description of the Explanatory Filter
b) Specification according to Dembski
c) “Mathematism” as a tool of embellishment
d)
Can probability be separated from
the event's causal antecedents?
e) Law vs either chance or design
f)
"Unequivocal
chance"
vs "either chance or design"
g)
The third “node” - Design vs chance
g1.
The criteria of design according to Dembski
g4.
The nature and role of specification
5. COMPLEXITY ACCORDING TO DEMBSKI
5a) Dembski’s definitions of complexity/difficulty
5b)
Other interpretations of complexity
6a) General discussion of information
6b) Information as a tool in Dembski's theory; Dembski's "Law of Conservation of Information."
6c) Information, probability, and Dembski's
"specification"
8.
CONCLUSION
9.
REFERENCES
William A. Dembski is a very prolific writer whose literary production,
while covering an extensive span of subjects, from history of philosophy to
probability theory and from theology to information theory, seems to be all
devoted to one idea – to prove that the universe in general and life in
particular are the results of a design by an unnamed intelligent mind.
In this chapter I shall discuss two Dembski’s books [1,2] as
well as a number of his papers [3,4,5].
It seems that Dembski is one of the most prominent participants in
the “intelligent design movement.” Indeed, whereas another prolific writer,
Phillip E. Johnson, who is a lawyer, has been proclaimed the leader of the
“movement” in question (see
http://members.cox.net/perakm/johnson.htm
), Dembski’s writing is much more sophisticated than the often very
superficial even if rather eloquent diatribes by Johnson, and this makes Dembski
arguably the most revered figure among his supporters and colleagues.
Their articles and books are full of praise for Dembski’s
“mathematically rigorous” discourse. Here is just one example.
Professor of philosophy at the University of Texas Rob Koons wrote
(quoted from the blurb on Dembski’ book “Intelligent Design”): “William
Dembski is the Isaac Newton of information theory, and since this is the Age of
Information, that makes Dembski one of the most important thinkers of our time.
His ‘law of conservation of information’ represents a revolutionary
breakthrough.”
Similar praise for Dembski’s work can be found in the blurbs of
his books and in many papers and books written by his supporters.
Here is one more quotation. Professor of biochemistry Michael J.
Behe, (see
http://members.cox.net/perakm/behe2.htm ) also often referred to as a pioneer in the modern revival of the
intelligent design, in his foreword to Dembski’s “Intelligent Design”
wrote: “I expect that in the decades ahead we will see the contingent aspects
of nature steadily shrink. And through all of this work we will make our
judgment about design and contingency on the theoretical foundation of Bill
Dembski’s work.”
Although I could easily quote many more examples of high acclaim
bestowed on Dembski’s work by his colleagues, it seems obvious that Dembski is
rather universally being held in high esteem by his colleagues, who all seem to
agree that his work is a revolutionary step in science, on a par with
achievements of Newton. Dembski’s admirers often stress that his work is the
most scientifically rigorous one.
While Dembski’s colleagues so highly admire his contribution to
the “design theory,” there have also been heard critical voices.
For
example, in a book [6] professor of philosophy Robert T. Pennock offered a
critical discussion of certain parts of Dembski’s work.
Some of Pennock’s critique is directed at the so-called “explanatory
filter,” which has been suggested
by Dembski as a versatile tool for establishing design. Other critical comments
by Pennock relate to Dembski’s thesis about the so-called “specified complex
information.” Pennock did not, though, review Dembski’s work in a
comprehensive way since his analysis of Dembski’s ideas is only one of many
topics discussed in the mentioned book.
Another book, in which we find a more detailed and systematic
criticism of Dembski’s work was published [7] by the professor of philosophy
Del Ratzsch . The entirety of
Ratzsch’s writing makes it clear that he himself belongs to the camp of
“design theorists.” However, unlike most of his co-travelers, Ratzsch is
usually logical and meticulous in
his discourse. In an appendix to
the mentioned book, Ratzsch subjects some parts of Dembski’s work to a strong
critique. Ratzsch’s critical
remarks relate almost exclusively to Dembski’s
“explanatory filter.” In particular, Ratzsch convincingly illustrates
the fallacy of Dembski’s assertion that his “filter” does not produce
“false positives,” which is in itself sufficient to render the entire
concept of that “filter” largely useless.
In
a paper [8] Ellery Eells offered a critical analysis of
Dembski’s “The Design Inference,” mainly of
the parts devoted to what Dembski calls “magic number” of ½ as a
universal threshold separating “small” and “not small” probabilities. Eells concludes that Dembski’s theory is “not on the
mark.”
A
detailed critical analysis of Dembski’s theory was offered in a paper [9] by
professors of philosophy Branden Fitelson, Christopher Stephens and Elliott
Sober. This review discusses Dembski’s discourse (mainly his explanatory
filter) from philosophical and Bayesian viewpoints. This review does not seem to
be addressed to laymen in philosophy and probability theory, but provides a
number of intricate arguments revealing inconsistencies in Dembski’s analysis.
Highly
critical reviews [10,11] of Dembski’s work were published by professor of
ecology Massimo Pigliucci. The first review is of a rather general character,
where Pigliucci does not delve into the intricacies of Dembski’s discourse,
mainly limiting his discussion by pointing to the menace to the genuine science
from Dembski and the latter’s cohorts in the so-called “intelligent design
movement.” The second review is
more detailed. Here Pigliucci repudiates Dembski’s assertion that science had
unduly abandoned some of the Aristotle’s four “causes.” Pigliucci offers a
classification of various types of design, interpreting this term in a broad
sense, so that it encompasses four different versions of design, including what
he calls “non-intelligent natural design.”
The latter, according to Pigliucci, does not require action of a
conscious intelligent agent but may be, for example, the result of natural
selection
Other critical reviews of Dembski’s work appeared on the Internet.
One
of the well substantiated critical reviews of Dembski’s “Intelligent
Design” was suggested by the biologist Gert Korthof
(see http://home.planet.nl/~gkorthof/
.) Korthof mainly concentrated on
Demski’s treatment of biological structures but also criticized
inconsistencies in Dembski’s treatment of information.
A rather detailed review of Dembski’ work was written by Dr. Eli Chiprout previously of the IBM Research ( http://members.cox.net/chiprout/DesignInference/Demski.htm).
As
Chiprout has indicated, he shares Dembski’s belief that the universe was
created by an “intelligent
designer.” However, he says, this
fact alone is not sufficient to accept uncritically Dembski’s theory.
Chiprout finds many faults in Dembski’s theory. He concentrates mainly
on the analysis of Dembski’s so-called “explanatory filter,” which many
reviewers, both supporting and criticizing Dembski, seem to view as the central
part of Dembski’s work.
Several
critical reviews of Dembski’s work were offered by Wesley L. Elsberry (see www.infidels.org/library/modern/science/creationism/dembski.htm
). In one of these reviews Elsberry points to discrepancies between
Dembski’s book “The Design Inference,” and some of his other publications.
One of the points discussed by Elsberry is the lack of discrimination in
Dembski’s discourse between a direct design by an intelligent agent and the
design “by proxy.” In
Elsberry’s another critical review, one of Elsberry’s assertions is that the
concept of design as defined by Dembski can also encompass natural selection.
Elsberry suggests his own explanatory filter, which has four rather than three
steps in a decision-making procedure, and in which the order in which chance and
regularity are eliminated in favor of design is opposite to that suggested by
Dembski.
One more paper arguing against Dembski was posted by Thomas D.
Schneider (see
www.lecb.ncifcrf.gov/~toms/paper/ev/dembski/rebuttal.html ). In that paper Schneider
convincingly refutes some particular points of disagreement with Dembski, related to
Schneider’s computer simulation of evolution.
In Elsberry’s website indicated above, there are links to some other
reviews of Dembski’s work, including rejoinders to a few replies from Dembski
to his critics.
(Comment on February 19, 2002: I have recently learned about some critical
reviews of Dembski's publication of which I did not know. I am listing
here the links to these postings without comments, although I found these four pieces very interesting and offering various strong arguments against Dembski's
position. 1) Richard Wein, http://website.lineone.net/~rwein/skeptic/whatswrong.htm
. 2) Taner Edis, www.csicop.org/si/2001-03/intelligent-design.html
. 3) Victor J. Stenger, http://spot.colorado.edu/~vstenger/Found/04MessageW.pdf
(this link seems to be dysfunctional); 4) Matt Young,
www.pcts.org/journal/young2002a.html
.
While there are in the above listed papers and books certain
points common for more than one reviewer, who happened sometimes to have noticed
the same shortcomings of Dembski’s discourse, one also finds in those papers a
variety of approaches and viewpoints, all of which agree though that Dembski’s
work contains many weaknesses and inconsistencies.
While I largely agree with the critical comments by Pennock,
Ratzsch, Chiprout, Elsberry, Eells, Korthof, Pigliucci, Schneider, Wein, Edis,
Stenger, Young, and Fitelson-Stephens-Sober
(except for some minor points some of which will be discussed later) I intend to
offer in this article my own, more or less systematic, critical analysis of
Dembski’s theory, including not only his explanatory filter, but also his
theoretical treatment of probability, complexity, information, and design. I intend to suggest some critical points which view
Dembski’s discourse from angles not utilized by the mentioned reviewers.
I will try to make my critical analysis of Dembski’s work as simple as
it is reasonably possible, thus making it more or less comprehensible for
non-experts. In some instances such
an approach requires substantial simplifications without which a person having
no extensive educational background in certain fields will not be able to
comprehend the gist of the dispute. Whenever it will be impossible to avoid
using some concepts or terms with which unprepared readers may be not familiar,
I will try to explain these concepts or terms in plain words.
Before starting the detailed analysis of Dembski’s work, let us
briefly discuss Dembski’s reaction to criticism.
In an article printed in November 2000 issue of “The American
Spectator” another proponent of “intelligent design” Fred Heeren quotes
Dembski as saying: “I always learn more from my critics than from people who
think I’m wonderful.” Also, on
page 13 in [5] Dembski says: “How can a scientist keep from descending into
dogmatism? The only way I know is to look oneself squarely in the mirror and
continually affirm: ‘I may be wrong…’
–and mean it.” This
seems to be a good advice. However,
reviewing Dembski’s publications shows that the quoted statement as well as
that quoted by Heeren must be taken with a grain of salt, because Dembski does
not seem to follow his own advice. As mentioned, since his books were published,
a number of highly critical reviews of them have appeared, including those from
some people (like Ratzsch and Chiprout) who share Dembski’s adherence to
intelligent design.
The
reaction from Dembski to the criticism seems to have been rather limited. From
the material posted in the above mentioned Elsberry’s website we can infer
that Dembski has exchanged a few rejoinders with some of his opponents,
including Schneider and Elsberry. He has posted a reply to Pennock at www.baylor.edu/~William_Dembski/docs_critics/pennock.htm
. (Many of Dembski's posts seem to have
habitually been either removed from the web or often moved to other sites). All that Dembski deigned to
discuss in that brief piece, was Pennock’s replacement of a single word
(“evolutionists” instead of “evolution”) in a quotation from Dembski,
while ignoring the essence of Pennock’s critical remarks regarding
Dembski’s publications. In a paper [5] Dembski allocated three full pages (pp 17-19)
to an attack on Pennock. Almost all
this criticism addressed a single paragraph in Pennock’s book, in which
Pennock did not mention either Dembski or the latter’s writing. However,
Dembski, again, ignored in his paper Pennock’s criticism of Dembski’s
theory. In
a posting at www.leaderu.com/offices/dembski/docs/bd_analyze.html
Dembski replied to Eells, but his reply essentially boiled down to the
assertion that Eells simply did not understand Dembski’s fine theory.
Dembski’s public reply to Fitelson et
al seems to have been limited to a single sentence at the end of his reply
to Eells. (As indicated by Pigliucci and Fitelson et
al, they received from Dembski private messages in reply to their
criticism.) On the other hand, Dembski continues publishing the same arguments
time and time again, often repeating verbatim
his earlier publications, showing no sign of having paid any attention to and
being seemingly unperturbed by the criticism from which he supposedly learns so
much.
Dembski
is obviously a well educated man of many talents, who, in my view, was led
astray by his desire to promptly develop a neat theory of design, which would
support his preconceived views and beliefs. Instead of following the logic of an
objective analysis, he attempted to squeeze the enormous variability of real
situations into the Procrustean couch of a one-dimensional theory. The real
world however rarely fits a neat scheme.
Almost at the very beginning of
“The Design Inference” [1] we discover a peculiar feature of Dembski’s
discourse. Its succinct expression
is given in the following statement (page 9): “Design therefore constitutes a
logical rather than causal category.”
What is the meaning of that statement?
If design is disconnected from any causal history, it seems to mean that
Dembski’s concept is that of a design
without a designer.
Indeed, the quoted assertion is preceded (on page 8) by the
following statement: “Although a design inference is often the occasion for
inferring an intelligent agent… as a pattern of inference the design inference
is not tied to any doctrine of intelligent agency.”
Note the word often in that
quotation. Whatever interpretation
of the quoted assertion one may prefer, often
certainly does not mean always.
It is hard to read that quotation other than an assertion that at least
in some cases design does not imply a designer.
For
centuries, the battle cry of the intelligent design proponents was “If there
is design, there must be a designer.”
The proponents of the intelligent design viewed that slogan as logically
unassailable. Now the new champion
of intelligent design Dembski announces that the hypothesis of a designer is not
necessary.
My interpretation of Dembski’s assertion finds confirmation in
his other statements. On the same
page 9, he writes: “Thus, even though a design inference is frequently the
first step toward identifying an intelligent agent, design as inferred from
design inference does not entail an intelligent agent.”
I
submit that the design inference, whether according to Dembski, or by any other
means, is aimed at distinguishing events that are designed by an intelligent
agent from events that occurred without such an agent.
Design inference is really interesting only if it is inference
to a designer, either human, alien, or supernatural. (In order to stay within the framework of Dembski’s
concepts, I am not mentioning here the very interesting questions about
“design” stemming either from artificial intelligence or from natural
processes - as the latter was discussed by Pigliucci and Elsberry.)
The reason for Dembski’s approach may be his desire to avoid
accusations that “design theory” is just a disguised religion.
However, to claim that design has meaning without a designer can hardly
sound credible either to proponents or to opponents of the intelligent design
hypothesis.
Having
made his statement that separates design inference from inference to a designer,
Dembski sometimes seems to forget about it.
Here and there in his books and papers, he sometimes surreptitiously and
sometimes quite openly squeezes in the idea of a designer who is behind the
design. Actually, just two pages after Dembski’s quoted claim that design does
not necessarily imply an intelligent agent, Dembski seems to have forgotten this
claim. He discusses an example of an election fraud committed by one Nicholas
Caputo. As we will discuss later in
detail, Dembski’s method hinges
on a triad of explanatory options which are, according to Dembski, regularity, chance and
design. However, when
discussing the Caputo case, Dembski presents this triad in the form regularity, chance and agency, i.e. replacing design with agency. The
meaning of the term agency is
unequivocally explained by Dembski in the next paragraph as an action “of a
fully conscious intelligent agent” (page 11.) Hence, in Caputo’s example,
Dembski uses design and agency,
as synonyms, where agency means actions of an intelligent agent.
This
is just one example of inconsistencies found in many parts of Dembski’s work.
Dembski suggests that his explanatory filter is a versatile tool for
identifying design. He also
maintains that the procedure encapsulated in his filter has been used routinely
in many fields of human endeavors, without realizing it.
Dembski has published his description of the explanatory filter at
least five times, in the above listed two books and three papers.
The schematic presentations of his filter are slightly different in these
five publications, but essentially they all are just variations of the same
scheme.
There are several points underlying Dembski’s scheme. One is
that every event can be attributed to one of only three possible sources. The
first such source Dembski calls necessity
(in three of the published schemes of his filter) or regularity
(in one of the published schemes) or law
(in one more of the published schemes.) The second possible source of events is chance,
and the third is design (sometimes
also referred to as agency.)
According to Dembski, these three possible sources of events cover all
possibilities and are clearly distinguishable from each other.
If, according to Dembski, an event can be attributed to law (regularity,
necessity) then its causal connection to chance or design is unequivocally
excluded. Likewise, if an event can
be attributed to chance, a possibility of its causal connection to law and/or
design is eliminated. Finally, if an event can be attributed to design, this
automatically excludes its possible causal connection to chance and/or law.
Indeed, here is a quotation from page 36 of Dembski’s “The Design
Inference”: “To attribute an event to design is to say that it cannot
reasonably be referred to either regularity or chance. Defining design as the
set-theoretic complement of the disjunction regularity-or-chance guarantees that
the three modes of explanation are mutually exclusive and exhaustive.”
The second fundamental point of Dembski’s scheme is the dominant
role of probability of an event in the process of the filter’s application.
The event to be analyzed is subjected to three tests, aimed at
determining whether it can be attributed to regularity (law, necessity), chance,
or design. Correspondingly, the filter comprises three so-called “nodes,”
i.e. three steps of testing. At each of the three steps there is a fork, whose
one prong points out of the filter, and the other prong, to the next “node”
or, in the case of the third “node,” to the final conclusion about the
causal antecedent of the event.
At
the first “node” the choice is made between attributing the event in
question either to law (regularity, necessity) or to absence of law.
If law (regularity, necessity) is determined as the source of the event,
the procedure stops at that step and the event is removed from the filter trough
that prong of the fork leading out of the filter, while chance and design are
eliminated as possible causal antecedents of that event. If, though,
the law (regularity, necessity) is excluded as a causal antecedent, the
event passes through the second prong of the fork, to the second “node.”
At
the second “node” the choice is made between either attributing the event
unequivocally to chance, or, without eliminating the possibility of chance, also
allowing for its possible attribution to design. If chance has been determined
unequivocally as the causal antecedent, while the possibility of design is
eliminated, the test stops at that step. If,
though, neither chance nor design can be eliminated as possible causal
antecedents, the event passes through the second prong of the fork to the third,
ultimate “node.” At this step, the final choice is made between attributing
the event either to chance or to design, the two alternatives being, according
to Dembski, mutually exclusive.
What are, according to Dembski,
the criteria determining the choice between the two alternatives at each
“node” of the filter? They are
different for the first and the second “node,” on the one hand, and for the
third “node,” on the other hand.
At the first and the second “nodes” there is, according to
Dembski, one and only one criterion, which is the
value of the event’s probability. At
the first “node,” law (regularity, necessity) is determined as the causal
antecedent of the event if, and only if the probability of that event is large. Dembski omits
the question of what should be the lower bound on the probability in question in
order for the event to qualify for being attributed to law (regularity,
necessity.)
At the second “node,” the only criterion for either
unequivocally choosing chance as the causal antecedent of the event, or passing
it to the third node, is again solely the
value of the event’s probability. If
this probability is determined as being, in Dembski’s terms, intermediate,
the event is kicked out from the filter, being thus attributed to chance.
Again, Dembski avoids indicating what is quantitatively the lower bound
for the probability to be viewed as “intermediate.”
If, though, the probability of the event in question turns out to be “low” (whatever this term means quantitatively), the decision about
the event’s causal connection is postponed and the event passes through the
second prong of the fork to the third “node.”
The third “node’ is the heart of Dembski’s explanatory
filter. Here the crucial choice is
made between attributing the event to chance or to design. Unlike at the two
preceding “nodes,” where the sole criterion in use was the value of the
event’s probability, at the third node the criterion is two-fold.
To qualify for being attributed to design, the event in question must: a)
have a low probability and b) be “specified.” Each of these two conditions
is necessary, but neither of them alone is sufficient to attribute the event’s
origin to design. Only the two
listed conditions together are both
necessary and sufficient. If at least one of the two conditions is not met,
the event is attributed to chance. If
both conditions are met, the event is attributed to design.
Dembski’s treatments of probability and of specification are
different. In all five publications describing the explanatory filter, within
the framework of that filter’s scheme, probability is left without any
detailed discussion (although probability is discussed in detail in a separate
chapter in “The Design Inference,” without explicit connection to the
explanatory filter.) On the other
hand, specification is discussed by Dembski in great detail.
As indicated in the preceding section, Dembski’s criterion of design
entails two necessary elements, one being the low probability of the event in
question, and the other, the event’s specification.
Dembski first explains that specification of an event means that
it displays a pattern. One of the
simple but telltale examples illustrating that concept is found in Michael
Behe’s foreword to Dembski’s “Intelligent Design.”
Since Dembski never disowned the foreword in question,
and, moreover, used himself elsewhere the same example, it seems safe to
infer that he approves of Behe’s presentation. Behe writes: “ …we apprehend design in highly improbable (complex) events
that also fit some independently identifiable pattern (specification.) For
example, if we turned a corner and saw a couple of Scrabble letters on a table
that spelled AN, we would not, just on that basis, be able to decide if they
were purposely arranged… On the other hand, the probability of seeing some
particular long sequence of Scrabble letters, such as NDEIRUABFDMOJHRINKE, is
quite small (around one in a billion billion billion.) Nonetheless, if we saw
that sequence lined up on a table, we would think little of it because it is not
specified – it matches no recognizable pattern. But if we saw a sequence of
letters that read, say, METHINKSITISLIKEAWEASEL, we would easily conclude that
the letters were intentionally arranged that way… It is a product of
intelligent design.”
Hence, Dembski’s criterion of design is the combination of a
very low probability with an identifiable (recognizable, specified) pattern.
Dembski spends a considerable effort to elaborate his requirement
of a recognizable pattern (specification.) In order to serve as a specification,
the pattern, according to Dembski, must meet an additional condition of
“detachability.” While Dembski
offers a rather convoluted analysis of “detachability,” he also provides a
simple example clarifying that concept. He writes (page 17 in “The Design
Inference”): “…suppose I walk down a dirt road and find some stones lying
around. The configuration of stones says nothing to me. Given my background
knowledge I can discover no pattern in the configuration that I could have
formulated on my own without actually seeing the stones lying about as they do.
I cannot detach the pattern of stones from the configuration they assume. I
therefore have no reason to attribute the configuration to anything other than
chance. But suppose next an astronomer travels this same road and looks at the
same stones only to find that the configuration precisely matches some highly
complex constellation. Given the astronomer’s background knowledge, this
pattern now becomes detachable.”
From that example is evident that by detachability Dembski’s
actually means a subjective “recognizability” of the pattern in question.
In order to decide that the pattern discerned in a low probability event
is detachable, and hence serves as specification, i.e. points to design, we must
be able to recognize that pattern as matching some already familiar image.
For that to happen, we must have a certain background knowledge.
While the concept, as exemplified in the above quotation, seems
simple enough, Dembski also provides a much more convoluted elaboration of
detachability accompanied by its representation in a mathematical symbolism.
In order for an event to be detachable, teaches us Dembski, it
must meet several conditions.
The first condition is “conditional independence” of the
background knowledge. This condition means that the background knowledge which
we utilize to recognize the pattern must not affect the probability of the event
in question estimated on the assumption of it being produced by chance. In other
words, the background knowledge must
have no probabilistic implications for the event in question.
For Dembski, the probability of an event and its specification are two
independent categories, not affecting each other.
The second condition is “tractability.” This term means, in
Dembski’s words (page 149 in “The Design Inference”) that “by using I
it should be possible to reconstruct D,” where I is the
background information and D is the pattern in question.
While conditional independence and tractability are, according to
Dembski, the constituent parts of detachability, to qualify for specification
the pattern must meet one more condition, referred to by Dembski as
“delimitation.” That concept is explained by Dembski as follows (page 152 in
the same book): “…to say that D delimits E (or equivalently that E conforms
to D) means that E entails D* (i.e. that the occurrence of E guarantees the
occurrence of D*.)” In that
definition, E means an event, D means the pattern and D* means “the event
described by D” (page 151 in that book.)
Dembski’s main idea has been succinctly expressed under the
label of “Law of Small Probability,” (page 48 in “The Design Inference”)
as follows: “Specified events of low probability do not occur by chance.”
Now,
having briefly described Dembski’s concept of the explanatory filter, we can
turn to the discussion of its weaknesses and inconsistencies.
Before discussing in detail the inconsistencies in Dembski’s
explanatory filter theory, I wish to first comment on one striking feature of
Dembski’s writing, especially pronounced in his highly technical monograph
“The Design Inference.”
If the quality of a mathematical treatise were evaluated by the number
of mathematical symbols, Dembski’s book “The Design Inference” would
qualify as a great achievement in mathematics.
This may be one of the reasons why many of Dembski’s colleagues in the
so-called “intelligent design movement” so much admire his opus.
They commonly praise the supposed great rigor of Dembski’s mathematical
analysis. It is interesting to note, though, that most such accolades stem from
the writers who themselves do not seem to be mathematicians.
Reviewing
all these extensive collections of mathematical expressions in Dembski’s book
reveals that only a few of them are anything more than a simple illustration of
whatever Dembski states in plain words. Except for a few cases (of which some
are not quite relevant to Dembski’s thesis) his mathematical exercise does not
either prove any new mathematical theorem or derive any new formula. Actually the removal of 80% of those formulas would hardly
make much difference except for depriving Dembski’s book of its mathematical
appearance.
If a mathematical theorem
is proven, it advances the mathematics itself, thus possibly opening new vistas
for additional applications. If a mathematical formula is derived in physics, or
some technical science, or engineering, it compresses into easily comprehensible
form certain essential relations between various data, which otherwise would be
much harder to review and manipulate. This immensely facilitates some useful
procedure. If, though, mathematical
symbolism is used for the sake of symbolism itself, it does not advance the
understanding of a subject, at best simply saving some space and time in the
discussion of a subject, and at worst making the matter more obscure because of
esoteric symbolism which requires a lengthy deciphering.
Actually
Dembski’s book “The Design Inference” contains little of genuine
mathematics, but is full of “mathematism,” this term denoting the use of
mathematical symbolism as embellishment, often possibly only to create an
impression of a scientific rigor of the discourse.
To illustrate my point, consider the following example. On page 48
of “The Design Inference” Dembski offers the following argument:
Premise 1: E has occurred.
Premise 2: E is specified.
Premise 3: If E is due to chance, then E has small probability.
Premise 4: Specified events of small probability do not occur by
chance.
Premise 5: E is not due to regularity.
Premise 6: E is due either to a regularity, chance or design.
Conclusion: E is due to design.
(I am not
yet discussing either merits or drawbacks of the above argument, since my goal
at this point is simply to illustrate the “mathematism” employed by Dembski
throughout his book.)
Next
Dembski writes (page 49): “The validity of the preceding argument becomes
clear once we recast it in symbolic form (note that E is a fixed event and that
in Premise 4, X is a bound variable ranging over events):
The
above argument, now rendered in a mathematically symbolic form, exactly
reiterates the preceding plain-word rendition of the same argument.
A question is: in what way does representing the same argument in a
symbolic form make its validity clear? I
submit that reiterating the above argument in a symbolic form adds nothing to
its interpretation and does not at all make its validity more clear.
This symbolic rendition sheds no additional light on the argument in
question, neither supporting nor negating its validity. Moreover, this rendition
in itself does not even save space or time since the symbols used in it require
explanation in plain words. In order to make the symbolic rendition
understandable, its author had to provide a glossary of symbols.
Dembski must explain to
readers (I am quoting from page 49) that
As
can be seen, the symbolic rendition not only does not add anything of substance,
it actually has no advantages over the preceding plain-word rendition even from
the viewpoint of brevity. It seems to me that its only purpose was to impart on
the discourse a rigorously-mathematical appearance.
Moreover,
still not satisfied with the above symbolic rendition of his “design
inference,” Dembski offers several modifications of that rendition, gradually
making its appearance more and more complex.
Throughout
his book “The Design Inference” Dembski saturates his text with numerous
combinations of mathematical symbols thus creating an impression of a
sophisticated mathematical treatise. In my view, most of those combinations
could be left out without doing any harm to his explanations.
I
can envision a possible suspicion that my criticism of Dembski’s extensive use
of mathematical symbolism stems from my own discomfort with mathematics. I
don’t think this is the case. While
I am a physicist rather than a mathematician, I enjoy mathematical treatment of
various problems. I have derived hundreds of formulas which have been published
in several hundreds of articles and monographs.
They cover a rather wide range of topics. (For those skeptical of
assertions not supported by direct references, here are just two examples of my
published articles chock-full of formulas: 1. Mark Perakh. "Slot-type
Field-Shaping Cell: Theory, Experiment and Application." Surface and Coatings
Technology, 31, 409-426, 1987; 2. Mark Perakh. "Calculation of Spontaneous
Macrostress in Deposits From Deformation of Substrates and Restoring (or
Restraining) Factors." Surface Technology, 8, 265-309, 1979.) I have no objections to Dembski’s extensive use of mathematical symbolism, which is his right and
often looks quite attractive, but I don’t think this extensive mathematism
justifies viewing his discourse as “mathematically rigorous.”
Many parts of that mathematical symbolism seem to serve no useful
purpose.
d)
Can probability be separated from
the event's causal antecedents?
I
will discuss now a point, which, in my view, entails a rather general fault of
the approach embodied in Dembski’s Explanatory
Filter.
Suggesting his explanatory filter as a versatile tool for discrimination
between law, chance and design, Dembski bases the process of such discrimination
on the evaluation of probabilities of events. One moves from one “node” of
the filter to the next one according to the estimated value of the event’s
probability.
Dembski’s
entire chain of arguments presumes that probability is an independent category
which may be estimated by itself without accounting for the possible cause of
the event in question.
For
example, on page 38 of “The Design Inference” we read: “Thus, if E happens
to be an HP event, we stop and attribute E to a regularity.”
In this sentence E stands for “event” and HP for “high
probability.”
Actually
we can’t assert that “E happens to be an HP event,” if we have not first
assumed that it is due to law (regularity, necessity.) In fact, probability does
not exist by itself, as an abstract concept, and can only be estimated by
accounting for various types of information about the event in question.
Dembski seems to realize that fact when he discusses probability in a
chapter about probability but seems to forget about it when he turns to his
explanatory filter.
According
to Dembski, at the first “node” of his filter we attribute events to law
(regularity, necessity) because their
probability is high. I believe that
the common procedure is opposite to his scheme: we conclude that the probability
of an event is high, because it is due
to law (regularity, necessity.)
Possibly Dembski’s reversal of the normal order of inference in this
case stems from his confusion of two very different procedures – one of
postulating a certain law (let us denote it procedure A) and the other of
attributing a particular event to some law (procedure B.) Obviously, the
procedure at the first “node” of Dembski’s explanatory filter is of B
type. Procedures of scientific induction (A type) which are common in scientific
research are discussed in detail at
http://members.cox.net/perakm/good_bad_science.htm
. The classical version of procedure A is conducted under the conditions of ceteris
paribus (see the above reference).
Despite the superficial similarity between the procedure of
scientific induction and Dembski’s alleged attribution of an event to law
because its probability is high, these two procedures are principally different.
At the first “node” of Dembski’s filter, we have to decide whether or not
a particular event has to be attributed to a regularity, while in the procedure
of a scientific induction we postulate a definite regularity after having
observed multiple repetitions of occurrences of certain events.
In the latter case the tentative conclusion of a researcher is that
“under these particular conditions the probability of a certain event is very
high.” On the other hand, at the first “node” of Dembski’s filter the
conclusion, according to his scheme, has to be “the probability of that
particular event is high, therefore it must be attributed to regularity.”
However, we can’t conclude that the probability of a particular event
is high unless we know it is due to regularity.
Assume that we observed a particular event – a piece of metal Gallium
in a vessel melted when the temperature reached about 302.5 K.
Observing that event does not provide any clue regarding its probability.
Unless we already know the law - the transition from solid to liquid in the case
of pure Gallium, at atmospheric pressure, always occurs at about 302.5 K - we
cannot assert that the observed event has a high probability and therefore
has to be attributed to law. On the
other hand, if we know the law – pure Gallium under atmospheric pressure melts
at about 302.5 K - then we can confidently attribute the observed event to a
law, and hence to estimate its probability as being very high.
Even if an event has been observed many times, this in itself is not
sufficient to assume that its probability is high. As discussed at
http://members.cox.net/perakm/good_bad_science.hm , there is a necessary
intermediate step – postulating that the observed repetition of the event was
a manifestation of a law. It is not
an uncommon situation in a scientific research when a repetition of a certain
event is observed but nevertheless no assumption is made that a new law is at
work.
In order to assign to an event a high probability first a law has to be
accepted.
Likewise,
at the second “node,” according to Dembski, we attribute an event to chance because
its probability is “intermediate.” Again,
I believe that the common procedure is just the opposite: we estimate the
probability of a particular event assuming first that it is due to
chance (see an example with a raffle described a little later.)
Note that at the third “node” of the filter, Dembski himself suggests
to estimate the probability of an event by first assuming that it is due to
chance, which is contrary to the procedure he suggests for the second
“node.”
As can be
seen from Dembski’s own definition of probability (which will be discussed in
detail in one of the subsequent sections) he defines probability as being
conditioned “with respect to the background information.” I believe that if
Dembski has adopted a certain definition, he is supposed to stick to it
throughout his discourse. However, when Dembski turns to his explanatory filter
he seems to forget his own concept of probability.
Imagine
that we estimate the probability of John Doe’s winning in a raffle.
Let us assume that there are one million tickets distributed in that
raffle, each with the same chance of winning. What is our estimate of John
Doe’s probability of winning? Can we say unconditionally that the probability
in question is one in a million? If we adopt Dembski’s definition of
probability, we can’t say that. Based on his definition, we must say instead:
“John Doe’s probability of winning is one in a million upon the assumption
that the drawing is random.” In other words, the estimation of probability
incorporates an assumption regarding the nature of the event in question, namely
its being the result of chance. Accounting
for all the relevant background information is necessary if we want to meet
Dembski’s definition of probability.
Imagine,
though, that we have information about John Doe being in cahoots with the
organizers of the raffle who have a record of earlier frauds.
This background information must be incorporated in our estimate of
probability. Upon the assumption that the new information obtains, the new estimate of probability of John Doe’s winning is
immensely higher than before. Based on the new information, we assume that John
Doe’s win is due to design (in this case, fraud), and that new assumption
leads to a drastically increased estimate of the probability of his win.
The
situation is different for the third node of Dembski’s filter where the
probability is first estimated upon the assumption of chance as the cause of the
event, and then the situation is reconsidered accounting for the side
information. The latter is
though assumed not to affect the probability. I will discuss this assumption in
subsequent sections.
It
does not matter for the estimation of probability whether background information
is actually available or is assumed for the sake of estimation. We estimate
probability on the basis of a certain background information, either
actually available, or assumed for the sake of estimation. Consciously or
subconsciously, the assumption about the cause of the event is incorporated into
the estimate of probability.
In
particular, to conclude that an event is due to law, we have, according
to Dembski, to first find that its probability is high. However, if we do not
assume a priori that the event is due
to law, so that we estimate its probability upon the assumption that it is due
to chance, we will often arrive at a small probability which, according to
Dembski, would point to either chance or design rather than to law.
Here seems to be a vicious circle and to break out of it, there seems to
be the only way – to get out of the confines of Dembski’s scheme.
In subsequent sections I will
further elaborate on that thesis, both in a way of examples and through some
more general notions.
e) Law vs either chance or design
Another
weakness of Dembski’s scheme seems to be that, while attributing each event to
either law, or chance, or design, he fails to account for the taxonomy of events
according to any other criteria. It seems rather obvious that there are whole
classes of events for which it may be impossible to identify their causal
antecedents as belonging to only one of the three distinctive categories.
Consider
one of Dembski’s favorite examples, that of an archery competition. If an
archer shot an arrow and hit a target, it is, according to Dembski, a
specified event which definitely must be attributed to design.
In Dembski’s scheme, design excludes both chance and law.
Can we really exclude law as a causal antecedent of the event in
question? I submit that the archer’s success was the result not of design
alone, but of a combination of design and law. Indeed, archer’s skill
manifests itself only in ensuring a certain velocity of the arrow at the moment
it leaves the bow. This value of
velocity is due to design. However, as soon as the arrow has separated from the
bow, its further flight is governed by laws of mechanics. The specified event
– the perfect hit – was due to both design and law. The arrow would not hit
the target if any one of these two causal antecedents were absent.
We simply cannot separate the design from law
in this case, because in this case design
operates through law and would be
impossible without law. Therefore
Dembski’s scheme which artificially divorces law from design, viewing them as
two completely independent explanatory categories, does not seem to jibe with
reality. (Besides law, chance may also contribute to the occurrence of a hit;
for example, an accidental gust of wind may affect the flight of the arrow.)
In the class of events
exemplified by the archer’s feat, law and design not only are not mutually
exclusive but, on the contrary, are complementary causal factors.
Likewise,
there is a whole class of events for which it is impossible to separate law from
chance as causal antecedents. Here
is an example. There is a machine
used for training tennis players. It randomly hurls tennis balls toward a
player. There may be a large number of balls flying every minute, and it is
impossible to predict the exact direction of each next flying ball.
Choose an area anywhere within the court, say, of one square meter.
Assume a particular ball landed within that area. Is that event due to chance or
law? If in the course of a certain
period of time the total number of flying balls was, say, 1000, and, say, only
50 of those balls landed within the selected one square meter, I believe, in
such a situation most of the observers will attribute the event in question to
chance. In fact, though, chance
only determines the initial velocity of each ball. Upon leaving the machine, the
flight of the ball and hence the location of its landing are determined by laws
of mechanics. In this case, chance
operates through law, so the
location of the ball’s landing is determined by both chance and law. The event
most reasonably has to be attributed to a combination of law and chance.
Hence,
for certain classes of events Dembski’s filter fails to deliver already at its
first “node.”
Furthermore,
as statistical science shows, random events follow certain laws, therefore even
if an event is viewed as random, it cannot be completely divorced from a
(statistical) law which is instrumental in causing the event in question. For
example, recall the so called Galton board which is a device demonstrating the
normal (Gaussian) distribution of chance events.
In this device, hundreds of small balls are placed in a hopper which has
an opening in its bottom. Pulled by
gravitation, the balls fall down one by one.
On their way down, the balls encounter a grid of hexagonal baffles. At
each baffle, each ball has the same probability of ½ to pass the baffle either
on the latter’s left or its right side. After
passing several rows of baffles, the balls fall into a row of bins.
Which ball happens to get into which bin, is determined by chance.
However, regardless of the absolute sizes of the device or of its parts, the
overall result is always the same: when a sufficiently large number of balls
fill the bins, their distribution between the bins meets the normal (Gaussian)
distribution. In this case, the
situation is in a sense opposite to the case of the tennis balls: while for the
tennis balls chance operated through law,
now the law (Gaussian distribution)
operates through chance.
In all those examples, law and
chance or law and design are equally contributing causal antecedents of an
event.
Moreover,
if we review again the example with tennis balls, it easy to see that, since the
machine that hurls the balls has been designed by a human intelligent agent (an
engineer) the event in question may be viewed in a certain sense as a causal
consequent of all three sources – design, chance and law, whose contributions
to the occurrence of the event cannot be separated from each other since each of
them is necessary for the event to occur.
There
are enormously many situations wherein regularity, design and chance are
intertwined in various combinations, each contributing to varying degrees to the
occurrence of events. Moreover,
more than half a century after the formulation of principles of cybernetics,
Dembski’s scheme seems to be too simplistic in that it views the causal
history of events as a one-directional straightforward process, thus ignoring
feedbacks, conditional causes,
superimposition of multiple causes of events, etc.
Therefore,
in my view, Dembski’s scheme based on the uncompromising demarcation between
law, chance and design which are viewed as clearly separate causal categories,
being always completely independent from each other, seems to be rather off the
mark.
f)
"Unequivocal
chance"
vs "either chance or design"
Now review what happens if an
event passed to the second “node” of Dembski’s filter. At this step, the
probability of the event, which was found to be “not large” at the preceding
step, is re-evaluated, to determine whether it is “intermediate” or
“small.” We know already that
Dembski does not offer a definite quantitative criterion for classifying
probability as either “intermediate,” or “small.”
Of course, without such a criterion the procedure becomes quite
uncertain, since what seems to be small for John may seem very large for Mary.
The more important objection to
Dembski’s scheme is, though, that, according to the above analysis,
attributing an event to law or chance is normally not based on a prior estimate
of probability, as Dembski suggests, but, on the contrary, probability can be
estimated only after either law or chance have been determined as the event’s
causal antecedents. Therefore I
submit that the first and the second “nodes” of his filter offer an
unrealistic scenario and hence play no useful role for the design inference.
If any meaningful design
inference takes place, all of it can only occur within the framework of the
third “node” of the filter.
Of course, if that is the case,
the filter loses its impressive appearance of a triad so neatly matching the
three supposedly independent causes of events.
Assume, though, that we follow
Dembski’s scheme and, having arrived at the second “node,” have somehow
determined that the probability of the event in question is not
“intermediate” but “small,” in
which case we proceed to the third “node” of the filter.
g)
The third “node” - Design vs chance
g1.
The criteria of design according to Dembski
At
the third “node” of the filter, according to Dembski’s scheme, the choice
is made between design and chance. Before analyzing the details of
Dembski’s procedure for discrimination between design and chance, let us
briefly discuss a few general points.
One such point is the nature of design, and another is what can be
called “the degree of design.”
Regarding the nature of design, it seems reasonable to distinguish
between various types of design. Even
if we omit the host of vexing questions related to the possible design by
artificial intelligence, we still can imagine at least three different kinds of
design, namely a human design, an extraterrestrial’s design, and a
supernatural design. This question has been very thoroughly analyzed by Ratzsch
[7]. (I am omitting the discussion of the design by either artificial
intelligence or by natural processes because these types of design are
completely absent in Dembski’s theory .)
Dembski
does not seem to acknowledge the differences between these three versions of
design. On the contrary, he seems to stress the features common for all types of
design. Remember Dembski’s statement that design is a logical rather than
causal category and that design does not necessarily entail a designer?
When
we are dealing with a human design, usually we recognize design quite easily.
Neither a “design theorist” such as Dembski nor the opponents of that
“theory” will argue about the source of a poem or a novel, both readily
attributing it to design and rejecting chance as a possible source of the text
in question.
In
case of a hypothetical extraterrestrial design, the situation is more complex.
Since we have no experience with such type of design, we may be at loss when
encountering certain objects which may look for us as having emerged through
some chain of chance events whereas they may be products of a mind whose mental
processes can be immensely different from ours.
Dembski’s filter seems to be hardly of help in such a situation.
If we
turn to supernatural design, the problem is both similar and different as
compared with extraterrestrial design. In the case of aliens we can at least
reasonably assume that their designing activity is constrained by the same laws
of physics we are familiar with. If we assume, as it is commonly done, that the
supernatural designer is omnipotent, i.e. is not constrained by natural laws and
is capable of creating new laws at will or breaking the existing laws in any
particular case, then the distinction between law and design, as applied to a
supernatural design, becomes meaningless, since the natural laws themselves are
assumed to have been created by the supernatural designer.
Again, Dembski’s filter does not seem to be of help in that situation
either.
Because of
Dembski’s generalization of the supposed indications of design, without
accounting for differences between human, alien and supernatural design, his
filter is useless for the most interesting discrimination – between the three
listed types of design.
In
relation to Dembski’s concept of specification, let us again take a look at
Behe’s example with Scrabble letters. In
that example, whose versions have also been discussed by Dembski, two strings of
letters are compared, one a meaningless combination and the other a phrase from Hamlet.
According to the Dembski/Behe explanation, both strings have equally low
probability of emergence by chance. We
recognize design in the meaningful phrase because, according to Dembski’s
scheme, it is specified, i.e. conforms to a recognizable pattern, while the line
of gibberish is not specified and therefore is attributed to chance.
I submit
that the explanation by Dembski/Behe is not quite adequate. I believe it is more
reasonable to conclude that if we see a string of Scrabble letters on a table,
we attribute its occurrence to agency regardless of its being a quotation from Shakespeare or a
piece of gibberish. Remember, that
on page 11 of “The Design Inference” Dembski used the term agency as a synonym for design,
although elsewhere he distinguishes between these two concepts.
(The
readers familiar with Ratzsch’s book [7] may notice that if design
is used as a synonym for agency, this
is different from Ratzsch’s interpretation. The latter seems to interpret
design as necessarily including a purpose on the part of the “designer.”
Since Dembski’s approach entails separation of design inference from an
inference to a designer, obviously the question of a designer’s purpose
becomes moot. Since this discussion
is about Dembski’s theory, I will
assume that the only question we are really concerned with is whether an event
occurred by chance or its causal antecedent can be traced to an intelligent
agent, and that a purpose such an agent might or might not have, while may be of
interest, will be a separate issue. Hence I will use the term “design”
simply to mean that the event in question occurred because of an action by an
intelligent agent, leaving out the question of purpose.)
Back to
the example with the two strings of Scrabble letters, we do not think even for a
minute that the letters in the gibberish sequence have lined up on the table by
themselves, due to some chance process. Somebody had to make these letters, bring them to the room,
place on the table and arrange along a straight line. We are confident all this was done by a human, i.e. the
occurrence of that piece of gibberish was due to design (in the above defined
sense) not any less than the occurrence of the phrase from Hamlet.
In one
case the “designer” (or a group of “designers”) made the letters,
brought them to the room, placed them on a table, arranged them randomly along a
straight line and stopped at that point of their “designing” actions. In the
other case, a designer continued, taking care to arrange the letters in an order
forming a meaningful phrase in English. It
is possible to say that the meaningful string is more narrowly specified than
the random string. The difference
seems to be in the degree of specification
but not in its presence in one string and absence in the other.
Review
again the possible counter-argument that the difference between a meaningful
text and a gibberish is in that the former entails a purpose,
while the latter does not. We
have to remember, though, that Dembski defines design simply as the only
remaining option after law and chance have been eliminated.
With such an interpretation, the question of purpose involved in design
becomes moot.
Moreover,
I believe that the common concept of purpose entails the concept of a conscious
action. If an event resulted from a
subconscious action it can hardly be attributed to a purpose even if the action
was by an intelligent agent.
It is
easy to imagine situations when a meaningful phrase resulted from a purposeless
action, while a gibberish phrase has been created for a purpose. There are many
examples of the former. Whoever has taken part in lengthy and boring meetings
knows that very commonly the participants, while listening to the discussion,
absentmindedly chew pencils, bend and unbend fingers, and often doodle and
scribble on pieces of paper. The
products of these subconscious actions are most often meaningless figures and
nets of curves, but not too rarely they form some meaningful words and even
phrases, created without consciously realizing that and which their creators
would not be able to remember a minute after the meeting is over, not to mention
explaining the purpose of those phrases.
Now turn
to an example of a gibberish phrase created for a purpose. Look at the following
line: “Epsel mopsel raisobes.” This line is a quotation from a poem by a Russian poet A.
Zakharenkov, printed in a collection “Strofy Veka” (Polifact Publishers,
Moscow, 1997.) This sequence is
gibberish, it has no meaning either in Russian or in any other language.
Its author deliberately wrote this line as gibberish to create a certain
comic effect. It was designed for a
purpose.
Let us
again review the question whether or not a string of letters must necessarily
have an identifiable semantic meaning in order to be viewed as “specified.”
Here is
an example. Since 1912 many
scholars all over the world have been investing a considerable effort trying to
decipher the so-called Voynich manuscript (VMs.)
A slightly magnified black-and-white photo of a segment of that
manuscript is shown in fig.1. 
Neither the language nor the alphabet of that manuscript are
known. All attempts to decode it
have so far been unsuccessful. Therefore
some scholars suggested that it has no meaningful contents but is a hoax, just
over 200 pages of gibberish. I am
of the opinion, based on a statistical analysis of the VMs’s text and shared
by the majority of those who have tried deciphering VMs, that it is a meaningful
text. On the other hand, my colleague in the effort to apply the Letter Serial
Correlation test to VMs, Dr. Brendan McKay, as well as some other scholars, is
inclined to think that it is gibberish. However,
regardless of the choice between the two mentioned views, nobody has ever
doubted that VMs was written by some medieval author, i.e. that it is a product
of design.
A glance
at the text in fig. 1 makes it immediately obvious that we deal with an
artifact, designed by a human mind, even though it is unknown whether or not the
text is meaningful. Contrary to
Dembski’s scheme, the design is identified in this case without having
available any “detachable” pattern, which, according to Dembski, is a
necessary condition for recognizing design.
Does the
above discussion mean that there is no difference between a quotation from Hamlet
and a line of gibberish? Of course,
there is a difference. It is in
what can be termed as “degree of design.”
To place on a table a string of Scrabble letters arranged along a
straight line requires design. Making
a meaningful phrase requires, I would say,
“more” of a design. Both
the string of gibberish and the quotation from Hamlet
are specified, but to a different degree. To
form a quotation from Hamlet requires an agent who is more intelligent
than it is sufficient to simply place a meaningless string of Scrabble letters
on a table. Indeed, in the first case the intelligent agent must be familiar
with Shakespeare’s plays, while in the second case the letters could be placed
on a table by an illiterate peasant. The recognition of different degrees of
specification is absent in Dembski’s discourse.
Let us
note that Dembski’s view of the difference between the two strings of Scrabble
letters seems to indicate that he considers meaningfulness of the string as the indication of design, while the absence
of meaning as an indication of chance.
We will remember that when
discussing Dembski’s treatment of information.
An
important point seems to be also that all of the above discussion is relevant
only to human design. In the case
of an alien design, and even more of a supernatural design, not to mention
design by artificial intelligence, we may not know what the signs of design
really are. In the case of a
supernatural design, the requirements of meaningfulness may indeed be legitimate
for recognizing design.
Let us
now discuss specification from another angle.
According
to Dembski, to qualify as specification, the event must be “detachable” and
meet the condition of delimitation. In its turn, to be “detachable,” the
event must meet the conditions of epistemic independence of the side information
and of tractability. While this
multi-step scheme looks rather complicated, especially when Dembski renders it
in a heavily symbolic mathematical form, when we review examples provided by
Dembski himself or by his colleague Behe, we see that actually the idea
underlying the discrimination procedure is not very complicated at all.
In one example an astronomer recognized
the configuration of a constellation in a pile of stones. In another example, we
recognize a quotation from Hamlet
in a string of Scrabble letters.
Actually
all those convoluted notions of detachability, tractability and delimitation
seem to be superfluous and the criterion of specification seems to boil down to
the simple requirement that can be expressed as: an
event is specified if it displays a recognizable pattern. Of course, if
Dembski limited his discourse to such a brief and easily comprehensible
assertion, he would not be able to write a whole book with its seemingly
sophisticated mathematical apparatus.
What
does recognizability entail? To
recognize a pattern we must have in mind some image, independent of the pattern
actually observed, to which we compare the observed pattern.
That is actually the idea of “detachability,” stripped of its
sophisticated embellishments.
In
view of the above, we can discuss Dembski’s criterion of design without
delving into the intricacies of his convoluted mathematical discourse.
Dembski
admits that intelligent agents can, in his words, “mimic” chance and
that in such cases his filter produces “false
negatives.”
However,
insists Dembski, his filter never
produces “false positives.” In other words, if at the third “node” of
the filter the conclusion is that the event is due to design, this conclusion is
reliable.
To
support his assertion, Dembski suggests two lines of proof.
The first proof of the filter’s reliability, according to Dembski (page
107 in [3]) is a “straightforward inductive argument: in every instance where
the explanatory filter attributes design and where the underlying causal history
is known, it turns out design is present; therefore design actually is present
whenever the explanatory filter attributes design.”
While
Dembski devotes several pages to the elaboration of this assertion, he does not
substantiate it by providing any record
which would indeed show his filter’s impeccable reliability.
How can he prove that, indeed, his filter correctly
indicates design in every instance?
At best, he may assert that in those few examples he has investigated,
his scheme indeed correctly identified design, but how can he be sure that it is
true for “every instance?” Indeed, he has reviewed in his publications only
a few examples, thus hardly providing a basis for sweeping generalization (not
to mention that we don’t know whether or not his examples were deliberately
selected to meet his requirements.)
Generally
speaking, anecdotal evidence is not proof.
However, when a categorical statement like that by Dembski is offered,
anecdotal examples can legitimately serve as a rebuttal. In a few paragraphs, I
will describe instances of “false positives,” which, in my view, exemplify
the lack of substantiation in Dembski’s categorical assertion.
The second argument offered by Dembski