A CONSISTENT INCONSISTENCY

How Dr. Dembski infers intelligent design

By Mark Perakh

First posted on July 10, 2001. Updated in November 2001

1. INTRODUCTION

2. DESIGN WITHOUT A DESIGNER 

3. DEMBSKI’S EXPLANATORY FILTER 

        a) Description of the Explanatory Filter 

        b) Specification according to Dembski 

        c) “Mathematism” as a tool of embellishment 

       d) Can probability be separated from the event's causal antecedents? 

       e) Law vs either chance or design

         f) "Unequivocal chance" vs "either chance or design" 

       g) The third “node” - Design vs chance 

                g1. The criteria of design according to Dembski 

                g2. False positives 

                g3. Illusory patterns 

                g4. The nature and role of specification 

4. PROBABILITY ACCORDING TO DEMBSKI 

5. COMPLEXITY ACCORDING TO DEMBSKI

     5a) Dembski’s definitions of complexity/difficulty

     5b) Other interpretations of complexity 

6. DEMBSKI’s TREATMENT OF INFORMATION 

    6a) General discussion of information

   6b) Information as a tool in Dembski's theory; Dembski's "Law of Conservation of Information."

   6c) Information, probability, and Dembski's "specification"                              

7.  DEMBSKI’S DESIGN INFERENCE 

8. CONCLUSION 

9. REFERENCES 

 

1. INTRODUCTION 

            William A. Dembski is a very prolific writer whose literary production, while covering an extensive span of subjects, from history of philosophy to probability theory and from theology to information theory, seems to be all devoted to one idea – to prove that the universe in general and life in particular are the results of a design by an unnamed intelligent mind.

            In this chapter I shall discuss two Dembski’s books [1,2] as well as a number of his papers [3,4,5].

            It seems that Dembski is one of the most prominent participants in the “intelligent design movement.” Indeed, whereas another prolific writer, Phillip E. Johnson, who is a lawyer, has been proclaimed the leader of the “movement” in question (see http://members.cox.net/perakm/johnson.htm ), Dembski’s writing is much more sophisticated than the often very superficial even if rather eloquent diatribes by Johnson, and this makes Dembski arguably the most revered figure among his supporters and colleagues.  Their articles and books are full of praise for Dembski’s “mathematically rigorous” discourse. Here is just one example.

            Professor of philosophy at the University of Texas Rob Koons wrote (quoted from the blurb on Dembski’ book “Intelligent Design”): “William Dembski is the Isaac Newton of information theory, and since this is the Age of Information, that makes Dembski one of the most important thinkers of our time. His ‘law of conservation of information’ represents a revolutionary breakthrough.”

            Similar praise for Dembski’s work can be found in the blurbs of his books and in many papers and books written by his supporters.

            Here is one more quotation. Professor of biochemistry Michael J. Behe, (see http://members.cox.net/perakm/behe2.htm  ) also often referred to as a pioneer in the modern revival of the intelligent design, in his foreword to Dembski’s “Intelligent Design” wrote: “I expect that in the decades ahead we will see the contingent aspects of nature steadily shrink. And through all of this work we will make our judgment about design and contingency on the theoretical foundation of Bill Dembski’s work.”

            Although I could easily quote many more examples of high acclaim bestowed on Dembski’s work by his colleagues, it seems obvious that Dembski is rather universally being held in high esteem by his colleagues, who all seem to agree that his work is a revolutionary step in science, on a par with achievements of Newton. Dembski’s admirers often stress that his work is the most scientifically rigorous one.

            While Dembski’s colleagues so highly admire his contribution to the “design theory,” there have also been heard critical voices. 

For example, in a book [6] professor of philosophy Robert T. Pennock offered a critical discussion of certain parts of Dembski’s work.  Some of Pennock’s critique is directed at the so-called “explanatory filter,” which has been  suggested by Dembski as a versatile tool for establishing design. Other critical comments by Pennock relate to Dembski’s thesis about the so-called “specified complex information.” Pennock did not, though, review Dembski’s work in a comprehensive way since his analysis of Dembski’s ideas is only one of many topics discussed in the mentioned book.

            Another book, in which we find a more detailed and systematic criticism of Dembski’s work was published [7] by the professor of philosophy Del Ratzsch .  The entirety of Ratzsch’s writing makes it clear that he himself belongs to the camp of “design theorists.” However, unlike most of his co-travelers, Ratzsch is usually logical and  meticulous in his discourse.  In an appendix to the mentioned book, Ratzsch subjects some parts of Dembski’s work to a strong critique.  Ratzsch’s critical remarks relate almost exclusively to Dembski’s  “explanatory filter.” In particular, Ratzsch convincingly illustrates the fallacy of Dembski’s assertion that his “filter” does not produce “false positives,” which is in itself sufficient to render the entire concept of that “filter” largely useless. 

In a paper [8] Ellery Eells offered a critical analysis of  Dembski’s “The Design Inference,” mainly of  the parts devoted to what Dembski calls “magic number” of ½ as a universal threshold separating “small” and “not small” probabilities.  Eells concludes that Dembski’s theory is “not on the mark.” 

A detailed critical analysis of Dembski’s theory was offered in a paper [9] by professors of philosophy Branden Fitelson, Christopher Stephens and Elliott Sober. This review discusses Dembski’s discourse (mainly his explanatory filter) from philosophical and Bayesian viewpoints. This review does not seem to be addressed to laymen in philosophy and probability theory, but provides a number of intricate arguments revealing inconsistencies in Dembski’s analysis.

Highly critical reviews [10,11] of Dembski’s work were published by professor of ecology Massimo Pigliucci. The first review is of a rather general character, where Pigliucci does not delve into the intricacies of Dembski’s discourse, mainly limiting his discussion by pointing to the menace to the genuine science from Dembski and the latter’s cohorts in the so-called “intelligent design movement.”  The second review is more detailed. Here Pigliucci repudiates Dembski’s assertion that science had unduly abandoned some of the Aristotle’s four “causes.” Pigliucci offers a classification of various types of design, interpreting this term in a broad sense, so that it encompasses four different versions of design, including what he calls “non-intelligent natural design.”  The latter, according to Pigliucci, does not require action of a conscious intelligent agent but may be, for example, the result of natural selection

            Other critical reviews of Dembski’s work appeared on the Internet.

One of the well substantiated critical reviews of Dembski’s “Intelligent Design” was suggested by the biologist Gert Korthof  (see http://home.planet.nl/~gkorthof/ .)  Korthof mainly concentrated on Demski’s treatment of biological structures but also criticized inconsistencies in Dembski’s treatment of information. 

A rather detailed review of Dembski’ work was written by Dr. Eli Chiprout previously of the IBM Research ( http://members.cox.net/chiprout/DesignInference/Demski.htm).

As Chiprout has indicated, he shares Dembski’s belief that the universe was created  by an “intelligent designer.”  However, he says, this fact alone is not sufficient to accept uncritically Dembski’s theory.  Chiprout finds many faults in Dembski’s theory. He concentrates mainly on the analysis of Dembski’s so-called “explanatory filter,” which many reviewers, both supporting and criticizing Dembski, seem to view as the central part of Dembski’s work.

Several critical reviews of Dembski’s work were offered by Wesley L. Elsberry (see www.infidels.org/library/modern/science/creationism/dembski.htm  ). In one of these reviews Elsberry points to discrepancies between Dembski’s book “The Design Inference,” and some of his other publications.  One of the points discussed by Elsberry is the lack of discrimination in Dembski’s discourse between a direct design by an intelligent agent and the design “by proxy.”  In Elsberry’s another critical review, one of Elsberry’s assertions is that the concept of design as defined by Dembski can also encompass natural selection. Elsberry suggests his own explanatory filter, which has four rather than three steps in a decision-making procedure, and in which the order in which chance and regularity are eliminated in favor of design is opposite to that suggested by Dembski.

            One more paper arguing against Dembski was posted by Thomas D. Schneider (see www.lecb.ncifcrf.gov/~toms/paper/ev/dembski/rebuttal.html ).  In that paper Schneider convincingly refutes some particular points of disagreement with Dembski, related to Schneider’s computer simulation of evolution. 

            In Elsberry’s website indicated above, there are links to some other reviews of Dembski’s work, including rejoinders to a few replies from Dembski to his critics.  

            (Comment on February 19, 2002: I have recently learned about some critical reviews of Dembski's publication of which I did not know.  I am listing here the links to these postings without comments, although I found these four pieces very interesting and offering various strong arguments against Dembski's position. 1) Richard Wein, http://website.lineone.net/~rwein/skeptic/whatswrong.htm . 2) Taner Edis, www.csicop.org/si/2001-03/intelligent-design.html . 3) Victor J.  Stenger, http://spot.colorado.edu/~vstenger/Found/04MessageW.pdf (this link seems to be dysfunctional);  4) Matt Young, www.pcts.org/journal/young2002a.html .
 
            While there are in the above listed papers and books certain points common for more than one reviewer, who happened sometimes to have noticed the same shortcomings of Dembski’s discourse, one also finds in those papers a variety of approaches and viewpoints, all of which agree though that Dembski’s work contains many weaknesses and inconsistencies.

            While I largely agree with the critical comments by Pennock, Ratzsch, Chiprout, Elsberry, Eells, Korthof, Pigliucci, Schneider, Wein, Edis, Stenger, Young, and Fitelson-Stephens-Sober (except for some minor points some of which will be discussed later) I intend to offer in this article my own, more or less systematic, critical analysis of Dembski’s theory, including not only his explanatory filter, but also his theoretical treatment of probability, complexity, information, and design.  I intend to suggest some critical points which view Dembski’s discourse from angles not utilized by the mentioned reviewers.  I will try to make my critical analysis of Dembski’s work as simple as it is reasonably possible, thus making it more or less comprehensible for non-experts.  In some instances such an approach requires substantial simplifications without which a person having no extensive educational background in certain fields will not be able to comprehend the gist of the dispute. Whenever it will be impossible to avoid using some concepts or terms with which unprepared readers may be not familiar, I will try to explain these concepts or terms in plain words.

            Before starting the detailed analysis of Dembski’s work, let us briefly discuss Dembski’s reaction to criticism.  In an article printed in November 2000 issue of “The American Spectator” another proponent of “intelligent design” Fred Heeren quotes Dembski as saying: “I always learn more from my critics than from people who think I’m wonderful.”  Also, on page 13 in [5] Dembski says: “How can a scientist keep from descending into dogmatism? The only way I know is to look oneself squarely in the mirror and continually affirm: ‘I may be wrong…’  –and mean it.”  This seems to be a good advice.  However, reviewing Dembski’s publications shows that the quoted statement as well as that quoted by Heeren must be taken with a grain of salt, because Dembski does not seem to follow his own advice. As mentioned, since his books were published, a number of highly critical reviews of them have appeared, including those from some people (like Ratzsch and Chiprout) who share Dembski’s adherence to intelligent design. 

The reaction from Dembski to the criticism seems to have been rather limited. From the material posted in the above mentioned Elsberry’s website we can infer that Dembski has exchanged a few rejoinders with some of his opponents, including Schneider and Elsberry. He has posted a reply to Pennock at www.baylor.edu/~William_Dembski/docs_critics/pennock.htm .  (Many of Dembski's posts seem to have habitually been either removed from the web or often moved to other sites). All that Dembski deigned to discuss in that brief piece, was Pennock’s replacement of a single word (“evolutionists” instead of “evolution”) in a quotation from Dembski,  while ignoring the essence of Pennock’s critical remarks regarding Dembski’s publications.  In a paper [5] Dembski allocated three full pages (pp 17-19) to an attack on Pennock.  Almost all this criticism addressed a single paragraph in Pennock’s book, in which Pennock did not mention either Dembski or the latter’s writing. However, Dembski, again, ignored in his paper Pennock’s criticism of Dembski’s theory.  In  a posting at www.leaderu.com/offices/dembski/docs/bd_analyze.html  Dembski replied to Eells, but his reply essentially boiled down to the assertion that Eells simply did not understand Dembski’s fine theory.  Dembski’s public reply to Fitelson et al seems to have been limited to a single sentence at the end of his reply to Eells. (As indicated by Pigliucci and Fitelson et al, they received from Dembski private messages in reply to their criticism.) On the other hand, Dembski continues publishing the same arguments time and time again, often repeating verbatim his earlier publications, showing no sign of having paid any attention to and being seemingly unperturbed by the criticism from which he supposedly learns so much.

Dembski is obviously a well educated man of many talents, who, in my view, was led astray by his desire to promptly develop a neat theory of design, which would support his preconceived views and beliefs. Instead of following the logic of an objective analysis, he attempted to squeeze the enormous variability of real situations into the Procrustean couch of a one-dimensional theory. The real world however rarely fits a neat scheme.  

2. DESIGN WITHOUT A DESIGNER 

          Almost at the very beginning of “The Design Inference” [1] we discover a peculiar feature of Dembski’s discourse.  Its succinct expression is given in the following statement (page 9): “Design therefore constitutes a logical rather than causal category.”

            What is the meaning of that statement?  If design is disconnected from any causal history, it seems to mean that Dembski’s concept is that of a design without a designer.

            Indeed, the quoted assertion is preceded (on page 8) by the following statement: “Although a design inference is often the occasion for inferring an intelligent agent… as a pattern of inference the design inference is not tied to any doctrine of intelligent agency.”  Note the word often in that quotation.  Whatever interpretation of the quoted assertion one may prefer, often certainly does not mean always.  It is hard to read that quotation other than an assertion that at least in some cases design does not imply a designer.

For centuries, the battle cry of the intelligent design proponents was “If there is design, there must be a designer.”   The proponents of the intelligent design viewed that slogan as logically unassailable.  Now the new champion of intelligent design Dembski announces that the hypothesis of a designer is not necessary.

            My interpretation of Dembski’s assertion finds confirmation in his other statements.  On the same page 9, he writes: “Thus, even though a design inference is frequently the first step toward identifying an intelligent agent, design as inferred from design inference does not entail an intelligent agent.”      

I submit that the design inference, whether according to Dembski, or by any other means, is aimed at distinguishing events that are designed by an intelligent agent from events that occurred without such an agent.  Design inference is really interesting only if it is inference to a designer, either human, alien, or supernatural.  (In order to stay within the framework of Dembski’s concepts, I am not mentioning here the very interesting questions about “design” stemming either from artificial intelligence or from natural processes - as the latter was discussed by Pigliucci and Elsberry.)    

            The reason for Dembski’s approach may be his desire to avoid accusations that “design theory” is just a disguised religion.  However, to claim that design has meaning without a designer can hardly sound credible either to proponents or to opponents of the intelligent design hypothesis.

Having made his statement that separates design inference from inference to a designer, Dembski sometimes seems to forget about it.  Here and there in his books and papers, he sometimes surreptitiously and sometimes quite openly squeezes in the idea of a designer who is behind the design. Actually, just two pages after Dembski’s quoted claim that design does not necessarily imply an intelligent agent, Dembski seems to have forgotten this claim. He discusses an example of an election fraud committed by one Nicholas Caputo.  As we will discuss later in detail,  Dembski’s method hinges on a triad of explanatory options which are, according to Dembski,  regularity, chance and design.  However, when discussing the Caputo case, Dembski presents this triad in the form regularity, chance and agency, i.e. replacing design with agency. The meaning of the term agency is unequivocally explained by Dembski in the next paragraph as an action “of a fully conscious intelligent agent” (page 11.) Hence, in Caputo’s example, Dembski uses design and agency, as synonyms, where agency means actions of an intelligent agent. 

This is just one example of inconsistencies found in many parts of Dembski’s work.              

3. DEMBSKI’S EXPLANATORY FILTER 

a) Description of the Explanatory Filter 

            Dembski suggests that his explanatory filter is a versatile tool for identifying design.  He also maintains that the procedure encapsulated in his filter has been used routinely in many fields of human endeavors, without realizing it.

            Dembski has published his description of the explanatory filter at least five times, in the above listed two books and three papers.  The schematic presentations of his filter are slightly different in these five publications, but essentially they all are just variations of the same scheme.

            There are several points underlying Dembski’s scheme. One is that every event can be attributed to one of only three possible sources. The first such source Dembski calls necessity (in three of the published schemes of his filter) or regularity (in one of the published schemes) or law (in one more of the published schemes.) The second  possible source of events is chance, and the third is design (sometimes also referred to as agency.)  According to Dembski, these three possible sources of events cover all possibilities and are clearly distinguishable from each other.  If, according to Dembski, an event can be attributed to law (regularity, necessity) then its causal connection to chance or design is unequivocally excluded.  Likewise, if an event can be attributed to chance, a possibility of its causal connection to law and/or design is eliminated. Finally, if an event can be attributed to design, this automatically excludes its possible causal connection to chance and/or law.  Indeed, here is a quotation from page 36 of Dembski’s “The Design Inference”: “To attribute an event to design is to say that it cannot reasonably be referred to either regularity or chance. Defining design as the set-theoretic complement of the disjunction regularity-or-chance guarantees that the three modes of explanation are mutually exclusive and exhaustive.”

            The second fundamental point of Dembski’s scheme is the dominant role of probability of an event in the process of the filter’s application.

            The event to be analyzed is subjected to three tests, aimed at determining whether it can be attributed to regularity (law, necessity), chance, or design. Correspondingly, the filter comprises three so-called “nodes,” i.e. three steps of testing. At each of the three steps there is a fork, whose one prong points out of the filter, and the other prong, to the next “node” or, in the case of the third “node,” to the final conclusion about the causal antecedent of the event. 

At the first “node” the choice is made between attributing the event in question either to law (regularity, necessity) or to absence of law.  If law (regularity, necessity) is determined as the source of the event, the procedure stops at that step and the event is removed from the filter trough that prong of the fork leading out of the filter, while chance and design are eliminated as possible causal antecedents of that event. If, though,  the law (regularity, necessity) is excluded as a causal antecedent, the event passes through the second prong of the fork, to the second “node.” 

At the second “node” the choice is made between either attributing the event unequivocally to chance, or, without eliminating the possibility of chance, also allowing for its possible attribution to design. If chance has been determined unequivocally as the causal antecedent, while the possibility of design is eliminated, the test stops at that step.  If, though, neither chance nor design can be eliminated as possible causal antecedents, the event passes through the second prong of the fork to the third, ultimate “node.” At this step, the final choice is made between attributing the event either to chance or to design, the two alternatives being, according to Dembski, mutually exclusive.

            What are, according to Dembski,  the criteria determining the choice between the two alternatives at each “node” of the filter?  They are different for the first and the second “node,” on the one hand, and for the third “node,” on the other hand.

            At the first and the second “nodes” there is, according to Dembski, one and only one criterion, which is the value of the event’s probability.  At the first “node,” law (regularity, necessity) is determined as the causal antecedent of the event if, and only if the probability of that event is large.  Dembski omits the question of what should be the lower bound on the probability in question in order for the event to qualify for being attributed to law (regularity, necessity.)

            At the second “node,” the only criterion for either unequivocally choosing chance as the causal antecedent of the event, or passing it to the third node, is again solely the value of the event’s probability.  If this probability is determined as being, in Dembski’s terms, intermediate, the event is kicked out from the filter, being thus attributed to chance.  Again, Dembski avoids indicating what is quantitatively the lower bound for the probability to be viewed as “intermediate.”  If, though, the probability of the event in question turns out to be “low” (whatever this term means quantitatively), the decision about the event’s causal connection is postponed and the event passes through the second prong of the fork to the third “node.”

            The third “node’ is the heart of Dembski’s explanatory filter.  Here the crucial choice is made between attributing the event to chance or to design. Unlike at the two preceding “nodes,” where the sole criterion in use was the value of the event’s probability, at the third node the criterion is two-fold.  To qualify for being attributed to design, the event in question must: a) have a low probability and b) be “specified.” Each of these two conditions is necessary, but neither of them alone is sufficient to attribute the event’s origin to design.  Only the two listed conditions together are both necessary and sufficient. If at least one of the two conditions is not met, the event is attributed to chance.  If both conditions are met, the event is attributed to design.

            Dembski’s treatments of probability and of specification are different. In all five publications describing the explanatory filter, within the framework of that filter’s scheme, probability is left without any detailed discussion (although probability is discussed in detail in a separate chapter in “The Design Inference,” without explicit connection to the explanatory filter.)  On the other hand, specification is discussed by Dembski in great detail.                           

b) Specification according to Dembski 

            As indicated in the preceding section, Dembski’s criterion of design entails two necessary elements, one being the low probability of the event in question, and the other, the event’s specification.

            Dembski first explains that specification of an event means that it displays a pattern.  One of the simple but telltale examples illustrating that concept is found in Michael Behe’s foreword to Dembski’s “Intelligent Design.”  Since Dembski never disowned the foreword in question,  and, moreover, used himself elsewhere the same example, it seems safe to infer that he approves of Behe’s presentation. Behe writes:    …we apprehend design in highly improbable (complex) events that also fit some independently identifiable pattern (specification.) For example, if we turned a corner and saw a couple of Scrabble letters on a table that spelled AN, we would not, just on that basis, be able to decide if they were purposely arranged… On the other hand, the probability of seeing some particular long sequence of Scrabble letters, such as NDEIRUABFDMOJHRINKE, is quite small (around one in a billion billion billion.) Nonetheless, if we saw that sequence lined up on a table, we would think little of it because it is not specified – it matches no recognizable pattern. But if we saw a sequence of letters that read, say, METHINKSITISLIKEAWEASEL, we would easily conclude that the letters were intentionally arranged that way… It is a product of intelligent design.”

            Hence, Dembski’s criterion of design is the combination of a very low probability with an identifiable (recognizable, specified) pattern.

            Dembski spends a considerable effort to elaborate his requirement of a recognizable pattern (specification.) In order to serve as a specification, the pattern, according to Dembski, must meet an additional condition of “detachability.”  While Dembski offers a rather convoluted analysis of “detachability,” he also provides a simple example clarifying that concept. He writes (page 17 in “The Design Inference”): “…suppose I walk down a dirt road and find some stones lying around. The configuration of stones says nothing to me. Given my background knowledge I can discover no pattern in the configuration that I could have formulated on my own without actually seeing the stones lying about as they do. I cannot detach the pattern of stones from the configuration they assume. I therefore have no reason to attribute the configuration to anything other than chance. But suppose next an astronomer travels this same road and looks at the same stones only to find that the configuration precisely matches some highly complex constellation. Given the astronomer’s background knowledge, this pattern now becomes detachable.”

            From that example is evident that by detachability Dembski’s actually means a subjective “recognizability” of the pattern in question.  In order to decide that the pattern discerned in a low probability event is detachable, and hence serves as specification, i.e. points to design, we must be able to recognize that pattern as matching some already familiar image.  For that to happen, we must have a certain background knowledge.

            While the concept, as exemplified in the above quotation, seems simple enough, Dembski also provides a much more convoluted elaboration of detachability accompanied by its representation in a mathematical symbolism.

            In order for an event to be detachable, teaches us Dembski, it must meet several conditions.

            The first condition is “conditional independence” of the background knowledge. This condition means that the background knowledge which we utilize to recognize the pattern must not affect the probability of the event in question estimated on the assumption of it being produced by chance. In other words, the background knowledge  must have no probabilistic implications for the event in question.  For Dembski, the probability of an event and its specification are two independent categories, not affecting each other. 

            The second condition is “tractability.” This term means, in Dembski’s words (page 149 in “The Design Inference”) that “by using I it should be possible to reconstruct D,” where I is the background information and D is the pattern in question.

            While conditional independence and tractability are, according to Dembski, the constituent parts of detachability, to qualify for specification the pattern must meet one more condition, referred to by Dembski as “delimitation.”  That concept is explained by Dembski as follows (page 152 in the same book): “…to say that D delimits E (or equivalently that E conforms to D) means that E entails D* (i.e. that the occurrence of E guarantees the occurrence of D*.)”  In that definition, E means an event, D means the pattern and D* means “the event described by D” (page 151 in that book.)

            Dembski’s main idea has been succinctly expressed under the label of “Law of Small Probability,” (page 48 in “The Design Inference”) as follows: “Specified events of low probability do not occur by chance.” 

Now, having briefly described Dembski’s concept of the explanatory filter, we can turn to the discussion of its weaknesses and inconsistencies. 

c) “Mathematism” as a tool of embellishment 

            Before discussing in detail the inconsistencies in Dembski’s explanatory filter theory, I wish to first comment on one striking feature of Dembski’s writing, especially pronounced in his highly technical monograph “The Design Inference.”

            If the quality of a mathematical treatise were evaluated by the number of mathematical symbols, Dembski’s book “The Design Inference” would qualify as a great achievement in mathematics.  This may be one of the reasons why many of Dembski’s colleagues in the so-called “intelligent design movement” so much admire his opus.  They commonly praise the supposed great rigor of Dembski’s mathematical analysis. It is interesting to note, though, that most such accolades stem from the writers who themselves do not seem to be mathematicians. 

Reviewing all these extensive collections of mathematical expressions in Dembski’s book reveals that only a few of them are anything more than a simple illustration of whatever Dembski states in plain words. Except for a few cases (of which some are not quite relevant to Dembski’s thesis) his mathematical exercise does not either prove any new mathematical theorem or derive any new formula.  Actually the removal of 80% of those formulas would hardly make much difference except for depriving Dembski’s book of its mathematical appearance. 

             If a mathematical theorem is proven, it advances the mathematics itself, thus possibly opening new vistas for additional applications. If a mathematical formula is derived in physics, or some technical science, or engineering, it compresses into easily comprehensible form certain essential relations between various data, which otherwise would be much harder to review and manipulate. This immensely facilitates some useful procedure.  If, though, mathematical symbolism is used for the sake of symbolism itself, it does not advance the understanding of a subject, at best simply saving some space and time in the discussion of a subject, and at worst making the matter more obscure because of esoteric symbolism which requires a lengthy deciphering.

Actually Dembski’s book “The Design Inference” contains little of genuine mathematics, but is full of “mathematism,” this term denoting the use of mathematical symbolism as embellishment, often possibly only to create an impression of a scientific rigor of the discourse.

            To illustrate my point, consider the following example. On page 48 of “The Design Inference” Dembski offers the following argument: 

Premise 1: E has occurred.

Premise 2: E is specified.

Premise 3: If E is due to chance, then E has small probability.

Premise 4: Specified events of small probability do not occur by chance.

Premise 5: E is not due to regularity.

Premise 6: E is due either to a regularity, chance or design.

Conclusion: E is due to design. 

            (I am not yet discussing either merits or drawbacks of the above argument, since my goal at this point is simply to illustrate the “mathematism” employed by Dembski throughout his book.)           

Next Dembski writes (page 49): “The validity of the preceding argument becomes clear once we recast it in symbolic form (note that E is a fixed event and that in Premise 4, X is a bound variable ranging over events):  

 

The above argument, now rendered in a mathematically symbolic form, exactly reiterates the preceding plain-word rendition of the same argument.  A question is: in what way does representing the same argument in a symbolic form make its validity clear?  I submit that reiterating the above argument in a symbolic form adds nothing to its interpretation and does not at all make its validity more clear.  This symbolic rendition sheds no additional light on the argument in question, neither supporting nor negating its validity. Moreover, this rendition in itself does not even save space or time since the symbols used in it require explanation in plain words. In order to make the symbolic rendition understandable, its author had to provide a glossary of symbols.  Dembski  must explain to readers (I am quoting from page 49) that

As can be seen, the symbolic rendition not only does not add anything of substance, it actually has no advantages over the preceding plain-word rendition even from the viewpoint of brevity. It seems to me that its only purpose was to impart on the discourse a rigorously-mathematical appearance. 

Moreover, still not satisfied with the above symbolic rendition of his “design inference,” Dembski offers several modifications of that rendition, gradually making its appearance more and more complex.

Throughout his book “The Design Inference” Dembski saturates his text with numerous combinations of mathematical symbols thus creating an impression of a sophisticated mathematical treatise. In my view, most of those combinations could be left out without doing any harm to his explanations.

I can envision a possible suspicion that my criticism of Dembski’s extensive use of mathematical symbolism stems from my own discomfort with mathematics. I don’t think this is the case.  While I am a physicist rather than a mathematician, I enjoy mathematical treatment of various problems. I have derived hundreds of formulas which have been published in several hundreds of articles and monographs.  They cover a rather wide range of topics. (For those skeptical of assertions not supported by direct references, here are just two examples of my published articles chock-full of formulas: 1. Mark Perakh. "Slot-type Field-Shaping Cell: Theory, Experiment and Application." Surface and Coatings Technology, 31, 409-426, 1987; 2. Mark Perakh. "Calculation of Spontaneous Macrostress in Deposits From Deformation of Substrates and Restoring (or Restraining) Factors." Surface Technology, 8, 265-309, 1979.) I have no objections to Dembski’s extensive use of mathematical symbolism, which is his right and often looks quite attractive, but I don’t think this extensive mathematism justifies viewing his discourse as “mathematically rigorous.”  Many parts of that mathematical symbolism seem to serve no useful purpose.  

d) Can probability be separated from the event's causal antecedents? 

I will discuss now a point, which, in my view, entails a rather general fault of the approach embodied in Dembski’s Explanatory Filter. 

            Suggesting his explanatory filter as a versatile tool for discrimination between law, chance and design, Dembski bases the process of such discrimination on the evaluation of probabilities of events. One moves from one “node” of the filter to the next one according to the estimated value of the event’s probability.

Dembski’s entire chain of arguments presumes that probability is an independent category which may be estimated by itself without accounting for the possible cause of the event in question.

For example, on page 38 of “The Design Inference” we read: “Thus, if E happens to be an HP event, we stop and attribute E to a regularity.”  In this sentence E stands for “event” and HP for “high probability.”

            Actually we can’t assert that “E happens to be an HP event,” if we have not first assumed that it is due to law (regularity, necessity.) In fact, probability does not exist by itself, as an abstract concept, and can only be estimated by accounting for various types of information about the event in question.  Dembski seems to realize that fact when he discusses probability in a chapter about probability but seems to forget about it when he turns to his explanatory filter.

According to Dembski, at the first “node” of his filter we attribute events to law (regularity, necessity) because their probability is high.  I believe that the common procedure is opposite to his scheme: we conclude that the probability of an event is high, because it is due to law (regularity, necessity.) 

            Possibly Dembski’s reversal of the normal order of inference in this case stems from his confusion of two very different procedures – one of postulating a certain law (let us denote it procedure A) and the other of attributing a particular event to some law (procedure B.) Obviously, the procedure at the first “node” of Dembski’s explanatory filter is of B type. Procedures of scientific induction (A type) which are common in scientific research are discussed in detail at http://members.cox.net/perakm/good_bad_science.htm . The classical version of procedure A is conducted under the conditions of ceteris paribus (see the above reference).

            Despite the superficial similarity between the procedure of scientific induction and Dembski’s alleged attribution of an event to law because its probability is high, these two procedures are principally different. At the first “node” of Dembski’s filter, we have to decide whether or not a particular event has to be attributed to a regularity, while in the procedure of a scientific induction we postulate a definite regularity after having observed multiple repetitions of occurrences of certain events.  In the latter case the tentative conclusion of a researcher is that “under these particular conditions the probability of a certain event is very high.” On the other hand, at the first “node” of Dembski’s filter the conclusion, according to his scheme, has to be “the probability of that particular event is high, therefore it must be attributed to regularity.” 

            However, we can’t conclude that the probability of a particular event is high unless we know it is due to regularity.  Assume that we observed a particular event – a piece of metal Gallium in a vessel melted when the temperature reached about 302.5 K.  Observing that event does not provide any clue regarding its probability. Unless we already know the law - the transition from solid to liquid in the case of pure Gallium, at atmospheric pressure, always occurs at about 302.5 K - we cannot assert that the observed event has a high probability and therefore has to be attributed to law.  On the other hand, if we know the law – pure Gallium under atmospheric pressure melts at about 302.5 K - then we can confidently attribute the observed event to a law, and hence to estimate its probability as being very high. 

            Even if an event has been observed many times, this in itself is not sufficient to assume that its probability is high. As discussed at http://members.cox.net/perakm/good_bad_science.hm , there is a necessary intermediate step – postulating that the observed repetition of the event was a manifestation of a law.  It is not an uncommon situation in a scientific research when a repetition of a certain event is observed but nevertheless no assumption is made that a new law is at work. 

            In order to assign to an event a high probability first a law has to be accepted.     

Likewise, at the second “node,” according to Dembski, we attribute an event to chance because its probability is “intermediate.”  Again, I believe that the common procedure is just the opposite: we estimate the probability of a particular event assuming first that it is due to chance (see an example with a raffle described a little later.)  Note that at the third “node” of the filter, Dembski himself suggests to estimate the probability of an event by first assuming that it is due to chance, which is contrary to the procedure he suggests for the second “node.”

            As can be seen from Dembski’s own definition of probability (which will be discussed in detail in one of the subsequent sections) he defines probability as being conditioned “with respect to the background information.” I believe that if Dembski has adopted a certain definition, he is supposed to stick to it throughout his discourse. However, when Dembski turns to his explanatory filter he seems to forget his own concept of probability.

Imagine that we estimate the probability of John Doe’s winning in a raffle.  Let us assume that there are one million tickets distributed in that raffle, each with the same chance of winning. What is our estimate of John Doe’s probability of winning? Can we say unconditionally that the probability in question is one in a million? If we adopt Dembski’s definition of probability, we can’t say that. Based on his definition, we must say instead: “John Doe’s probability of winning is one in a million upon the assumption that the drawing is random.” In other words, the estimation of probability incorporates an assumption regarding the nature of the event in question, namely its being the result of chance.  Accounting for all the relevant background information is necessary if we want to meet Dembski’s definition of probability.

Imagine, though, that we have information about John Doe being in cahoots with the organizers of the raffle who have a record of earlier frauds.  This background information must be incorporated in our estimate of probability. Upon the assumption that the new information obtains, the new estimate of probability of John Doe’s winning is immensely higher than before. Based on the new information, we assume that John Doe’s win is due to design (in this case, fraud), and that new assumption leads to a drastically increased estimate of the probability of his win.  

The situation is different for the third node of Dembski’s filter where the probability is first estimated upon the assumption of chance as the cause of the event, and then the situation is reconsidered accounting for the side information.  The latter is though assumed not to affect the probability. I will discuss this assumption in subsequent sections.

It does not matter for the estimation of probability whether background information is actually available or is assumed for the sake of estimation. We estimate  probability on the basis of a certain background information, either actually available, or assumed for the sake of estimation. Consciously or subconsciously, the assumption about the cause of the event is incorporated into the estimate of probability.

In particular,  to conclude that an event is due to law, we have, according to Dembski, to first find that its probability is high. However, if we do not assume a priori that the event is due to law, so that we estimate its probability upon the assumption that it is due to chance, we will often arrive at a small probability which, according to Dembski, would point to either chance or design rather than to law.  Here seems to be a vicious circle and to break out of it, there seems to be the only way – to get out of the confines of Dembski’s scheme.

            In subsequent sections I will further elaborate on that thesis, both in a way of examples and through some more general notions.  

e) Law vs either chance or design 

Another weakness of Dembski’s scheme seems to be that, while attributing each event to either law, or chance, or design, he fails to account for the taxonomy of events according to any other criteria. It seems rather obvious that there are whole classes of events for which it may be impossible to identify their causal antecedents as belonging to only one of the three distinctive categories. 

Consider one of Dembski’s favorite examples, that of an archery competition. If an  archer shot an arrow and hit a target, it is, according to Dembski, a specified event which definitely must be attributed to design.  In Dembski’s scheme, design excludes both chance and law.  Can we really exclude law as a causal antecedent of the event in question? I submit that the archer’s success was the result not of design alone, but of a combination of design and law. Indeed, archer’s skill manifests itself only in ensuring a certain velocity of the arrow at the moment it leaves the bow.  This value of velocity is due to design. However, as soon as the arrow has separated from the bow, its further flight is governed by laws of mechanics. The specified event – the perfect hit – was due to both design and law. The arrow would not hit the target if any one of these two causal antecedents were absent.  We simply cannot separate the design from law in this case, because in this case design operates through law and would be impossible without law.  Therefore Dembski’s scheme which artificially divorces law from design, viewing them as two completely independent explanatory categories, does not seem to jibe with reality. (Besides law, chance may also contribute to the occurrence of a hit; for example, an accidental gust of wind may affect the flight of the arrow.)

            In the class of events exemplified by the archer’s feat, law and design not only are not mutually exclusive but, on the contrary, are complementary causal factors.

Likewise, there is a whole class of events for which it is impossible to separate law from chance as causal antecedents.  Here is an example.  There is a machine used for training tennis players. It randomly hurls tennis balls toward a player. There may be a large number of balls flying every minute, and it is impossible to predict the exact direction of each next flying ball.  Choose an area anywhere within the court, say, of one square meter. Assume a particular ball landed within that area. Is that event due to chance or law?  If in the course of a certain period of time the total number of flying balls was, say, 1000, and, say, only 50 of those balls landed within the selected one square meter, I believe, in such a situation most of the observers will attribute the event in question to chance. In fact,  though, chance only determines the initial velocity of each ball. Upon leaving the machine, the flight of the ball and hence the location of its landing are determined by laws of mechanics. In this case, chance operates through law, so the location of the ball’s landing is determined by both chance and law. The event most reasonably has to be attributed to a combination of law and chance.

Hence, for certain classes of events Dembski’s filter fails to deliver already at its first “node.”

Furthermore, as statistical science shows, random events follow certain laws, therefore even if an event is viewed as random, it cannot be completely divorced from a (statistical) law which is instrumental in causing the event in question. For example, recall the so called Galton board which is a device demonstrating the normal (Gaussian) distribution of chance events.  In this device, hundreds of small balls are placed in a hopper which has an opening in its bottom.  Pulled by gravitation, the balls fall down one by one.  On their way down, the balls encounter a grid of hexagonal baffles. At each baffle, each ball has the same probability of ½ to pass the baffle either on the latter’s left or its right side.  After passing several rows of baffles, the balls fall into a row of bins.  Which ball happens to get into which bin, is determined by chance. However, regardless of the absolute sizes of the device or of its parts, the overall result is always the same: when a sufficiently large number of balls fill the bins, their distribution between the bins meets the normal (Gaussian) distribution.  In this case, the situation is in a sense opposite to the case of the tennis balls: while for the tennis balls chance operated through law, now the law (Gaussian distribution) operates through chance. 

            In all those examples, law and chance or law and design are equally contributing causal antecedents of an event. 

Moreover, if we review again the example with tennis balls, it easy to see that, since the machine that hurls the balls has been designed by a human intelligent agent (an engineer) the event in question may be viewed in a certain sense as a causal consequent of all three sources – design, chance and law, whose contributions to the occurrence of the event cannot be separated from each other since each of them is necessary for the event to occur.

There are enormously many situations wherein regularity, design and chance are intertwined in various combinations, each contributing to varying degrees to the occurrence of events.  Moreover, more than half a century after the formulation of principles of cybernetics, Dembski’s scheme seems to be too simplistic in that it views the causal history of events as a one-directional straightforward process, thus ignoring feedbacks,  conditional causes, superimposition of multiple causes of events, etc.

Therefore, in my view, Dembski’s scheme based on the uncompromising demarcation between law, chance and design which are viewed as clearly separate causal categories, being always completely independent from each other, seems to be rather off the mark.    

 f) "Unequivocal chance" vs "either chance or design" 

            Now review what happens if an event passed to the second “node” of Dembski’s filter. At this step, the probability of the event, which was found to be “not large” at the preceding step, is re-evaluated, to determine whether it is “intermediate” or “small.”  We know already that Dembski does not offer a definite quantitative criterion for classifying probability as either “intermediate,” or “small.”  Of course, without such a criterion the procedure becomes quite uncertain, since what seems to be small for John may seem very large for Mary. 

            The more important objection to Dembski’s scheme is, though, that, according to the above analysis, attributing an event to law or chance is normally not based on a prior estimate of probability, as Dembski suggests, but, on the contrary, probability can be estimated only after either law or chance have been determined as the event’s causal antecedents.  Therefore I submit that the first and the second “nodes” of his filter offer an unrealistic scenario and hence play no useful role for the design inference. 

            If any meaningful design inference takes place, all of it can only occur within the framework of the third “node” of the filter.

            Of course, if that is the case, the filter loses its impressive appearance of a triad so neatly matching the three supposedly independent causes of events.   

            Assume, though, that we follow Dembski’s scheme and, having arrived at the second “node,” have somehow determined that the probability of the event in question is not “intermediate” but “small,”  in which case we proceed to the third “node” of the filter. 

g) The third “node” - Design vs chance 

g1. The criteria of design according to Dembski 

At the third “node” of the filter, according to Dembski’s scheme, the choice is made between design and chance. Before analyzing the details of Dembski’s procedure for discrimination between design and chance, let us briefly discuss a few general points.

            One such point is the nature of design, and another is what can be called “the degree of design.”

           Regarding the nature of design, it seems reasonable to distinguish between various types of design.  Even if we omit the host of vexing questions related to the possible design by artificial intelligence, we still can imagine at least three different kinds of design, namely a human design, an extraterrestrial’s design, and a supernatural design. This question has been very thoroughly analyzed by Ratzsch [7]. (I am omitting the discussion of the design by either artificial intelligence or by natural processes because these types of design are completely absent in Dembski’s theory .)

Dembski does not seem to acknowledge the differences between these three versions of design. On the contrary, he seems to stress the features common for all types of design. Remember Dembski’s statement that design is a logical rather than causal category and that design does not necessarily entail a designer? 

When we are dealing with a human design, usually we recognize design quite easily.  Neither a “design theorist” such as Dembski nor the opponents of that “theory” will argue about the source of a poem or a novel, both readily attributing it to design and rejecting chance as a possible source of the text in question.

In case of a hypothetical extraterrestrial design, the situation is more complex. Since we have no experience with such type of design, we may be at loss when encountering certain objects which may look for us as having emerged through some chain of chance events whereas they may be products of a mind whose mental processes can be immensely different from ours.  Dembski’s filter seems to be hardly of help in such a situation.

            If we turn to supernatural design, the problem is both similar and different as compared with extraterrestrial design. In the case of aliens we can at least reasonably assume that their designing activity is constrained by the same laws of physics we are familiar with. If we assume, as it is commonly done, that the supernatural designer is omnipotent, i.e. is not constrained by natural laws and is capable of creating new laws at will or breaking the existing laws in any particular case, then the distinction between law and design, as applied to a supernatural design, becomes meaningless, since the natural laws themselves are assumed to have been created by the supernatural designer.  Again, Dembski’s filter does not seem to be of help in that situation either.

            Because of Dembski’s generalization of the supposed indications of design, without accounting for differences between human, alien and supernatural design, his filter is useless for the most interesting discrimination – between the three listed types of design. 

            In relation to Dembski’s concept of specification, let us again take a look at Behe’s example with Scrabble letters.  In that example, whose versions have also been discussed by Dembski, two strings of letters are compared, one a meaningless combination and the other a phrase from Hamlet.  According to the Dembski/Behe explanation, both strings have equally low probability of emergence by chance.  We recognize design in the meaningful phrase because, according to Dembski’s scheme, it is specified, i.e. conforms to a recognizable pattern, while the line of gibberish is not specified and therefore is attributed to chance.

            I submit that the explanation by Dembski/Behe is not quite adequate. I believe it is more reasonable to conclude that if we see a string of Scrabble letters on a table, we attribute its occurrence to agency regardless of its being a quotation from Shakespeare or a piece of gibberish.  Remember, that on page 11 of “The Design Inference” Dembski used the term agency as a synonym for design, although elsewhere he distinguishes between these two concepts.

            (The readers familiar with Ratzsch’s book [7] may notice that if design is used as a synonym for agency, this is different from Ratzsch’s interpretation. The latter seems to interpret design as necessarily including a purpose on the part of the “designer.” Since Dembski’s approach entails separation of design inference from an inference to a designer, obviously the question of a designer’s purpose becomes moot.  Since this discussion is about Dembski’s theory,  I will assume that the only question we are really concerned with is whether an event occurred by chance or its causal antecedent can be traced to an intelligent agent, and that a purpose such an agent might or might not have, while may be of interest, will be a separate issue. Hence I will use the term “design” simply to mean that the event in question occurred because of an action by an intelligent agent, leaving out the question of purpose.)  

            Back to the example with the two strings of Scrabble letters, we do not think even for a minute that the letters in the gibberish sequence have lined up on the table by themselves, due to some chance process.  Somebody had to make these letters, bring them to the room, place on the table and arrange along a straight line.  We are confident all this was done by a human, i.e. the occurrence of that piece of gibberish was due to design (in the above defined sense) not any less than the occurrence of the phrase from Hamlet.

            In one case the “designer” (or a group of “designers”) made the letters, brought them to the room, placed them on a table, arranged them randomly along a straight line and stopped at that point of their “designing” actions. In the other case, a designer continued, taking care to arrange the letters in an order forming a meaningful phrase in English.  It is possible to say that the meaningful string is more narrowly specified than the random string.  The difference seems to be in the degree of specification but not in its presence in one string and absence in the other.

            Review again the possible counter-argument that the difference between a meaningful text and a gibberish is in that the former entails a purpose, while the latter does not.  We have to remember, though, that Dembski defines design simply as the only remaining option after law and chance have been eliminated.  With such an interpretation, the question of purpose involved in design becomes moot.

            Moreover, I believe that the common concept of purpose entails the concept of a conscious action.  If an event resulted from a subconscious action it can hardly be attributed to a purpose even if the action was by an intelligent agent.

            It is easy to imagine situations when a meaningful phrase resulted from a purposeless action, while a gibberish phrase has been created for a purpose. There are many examples of the former. Whoever has taken part in lengthy and boring meetings knows that very commonly the participants, while listening to the discussion, absentmindedly chew pencils, bend and unbend fingers, and often doodle and scribble on pieces of paper.  The products of these subconscious actions are most often meaningless figures and nets of curves, but not too rarely they form some meaningful words and even phrases, created without consciously realizing that and which their creators would not be able to remember a minute after the meeting is over, not to mention explaining the purpose of those phrases.

            Now turn to an example of a gibberish phrase created for a purpose. Look at the following line: “Epsel mopsel raisobes.”  This line is a quotation from a poem by a Russian poet A. Zakharenkov, printed in a collection “Strofy Veka” (Polifact Publishers, Moscow, 1997.)  This sequence is gibberish, it has no meaning either in Russian or in any other language.  Its author deliberately wrote this line as gibberish to create a certain comic effect.  It was designed for a purpose.

            Let us again review the question whether or not a string of letters must necessarily have an identifiable semantic meaning in order to be viewed as “specified.”

            Here is an example.  Since 1912 many scholars all over the world have been investing a considerable effort trying to decipher the so-called Voynich manuscript (VMs.)  A slightly magnified black-and-white photo of a segment of that manuscript is shown in fig.1.    

 

 Neither the language nor the alphabet of that manuscript are known.  All attempts to decode it have so far been unsuccessful.  Therefore some scholars suggested that it has no meaningful contents but is a hoax, just over 200 pages of gibberish.  I am of the opinion, based on a statistical analysis of the VMs’s text and shared by the majority of those who have tried deciphering VMs, that it is a meaningful text. On the other hand, my colleague in the effort to apply the Letter Serial Correlation test to VMs, Dr. Brendan McKay, as well as some other scholars, is inclined to think that it is gibberish.  However, regardless of the choice between the two mentioned views, nobody has ever doubted that VMs was written by some medieval author, i.e. that it is a product of design. 

            A glance at the text in fig. 1  makes it immediately obvious that we deal with an artifact, designed by a human mind, even though it is unknown whether or not the text is meaningful.  Contrary to Dembski’s scheme, the design is identified in this case without having available any “detachable” pattern, which, according to Dembski, is a necessary condition for recognizing design.

            Does the above discussion mean that there is no difference between a quotation from Hamlet and a line of gibberish?  Of course, there is a difference.  It is in what can be termed as “degree of design.”  To place on a table a string of Scrabble letters arranged along a straight line requires design.  Making a meaningful phrase requires, I would say,  “more” of a design.  Both the string of gibberish and the quotation from Hamlet are specified, but to a different degree.  To form a quotation from Hamlet requires an agent who is more intelligent than it is sufficient to simply place a meaningless string of Scrabble letters on a table. Indeed, in the first case the intelligent agent must be familiar with Shakespeare’s plays, while in the second case the letters could be placed on a table by an illiterate peasant. The recognition of different degrees of specification is absent in Dembski’s discourse. 

            Let us note that Dembski’s view of the difference between the two strings of Scrabble letters seems to indicate that he considers meaningfulness of the string as the indication of design, while the absence of meaning as an indication of chance.  We will  remember that when discussing Dembski’s treatment of information.

            An important point seems to be also that all of the above discussion is relevant only to human design.  In the case of an alien design, and even more of a supernatural design, not to mention design by artificial intelligence, we may not know what the signs of design really are.  In the case of a supernatural design, the requirements of meaningfulness may indeed be legitimate for recognizing design. 

            Let us now discuss specification from another angle.

According to Dembski, to qualify as specification, the event must be “detachable” and meet the condition of delimitation. In its turn, to be “detachable,” the event must meet the conditions of epistemic independence of the side information and of tractability.  While this multi-step scheme looks rather complicated, especially when Dembski renders it in a heavily symbolic mathematical form, when we review examples provided by Dembski himself or by his colleague Behe, we see that actually the idea underlying the discrimination procedure is not very complicated at all.  In one example an astronomer recognized the configuration of a constellation in a pile of stones. In another example, we recognize a quotation from Hamlet in a string of Scrabble letters.

Actually all those convoluted notions of detachability, tractability and delimitation seem to be superfluous and the criterion of specification seems to boil down to the simple requirement that can be expressed as: an event is specified if it displays a recognizable pattern. Of course, if Dembski limited his discourse to such a brief and easily comprehensible assertion, he would not be able to write a whole book with its seemingly sophisticated mathematical apparatus. 

What does recognizability entail?  To recognize a pattern we must have in mind some image, independent of the pattern actually observed, to which we compare the observed pattern.  That is actually the idea of “detachability,” stripped of its sophisticated embellishments. 

In view of the above, we can discuss Dembski’s criterion of design without delving into the intricacies of his convoluted mathematical discourse.  

g2. False positives 

Dembski  admits that intelligent agents can, in his words, “mimic” chance and that in such cases his filter produces  “false negatives.” 

However, insists Dembski,  his filter never produces “false positives.” In other words, if at the third “node” of the filter the conclusion is that the event is due to design, this conclusion is reliable. 

To support his assertion, Dembski suggests two lines of proof.  The first proof of the filter’s reliability, according to Dembski (page 107 in [3]) is a “straightforward inductive argument: in every instance where the explanatory filter attributes design and where the underlying causal history is known, it turns out design is present; therefore design actually is present whenever the explanatory filter attributes design.”

While Dembski devotes several pages to the elaboration of this assertion, he does not substantiate it by providing any record which would indeed show his filter’s impeccable reliability.  How can he prove that, indeed, his filter correctly indicates design in every instance?    At best, he may assert that in those few examples he has investigated, his scheme indeed correctly identified design, but how can he be sure that it is true for “every instance?” Indeed, he has reviewed in his publications only a few examples, thus hardly providing a basis for sweeping generalization (not to mention that we don’t know whether or not his examples were deliberately selected to meet his requirements.)

Generally speaking, anecdotal evidence is not proof.  However, when a categorical statement like that by Dembski is offered, anecdotal examples can legitimately serve as a rebuttal. In a few paragraphs, I will describe instances of “false positives,” which, in my view, exemplify the lack of substantiation in Dembski’s categorical assertion.

The second argument offered by Dembski