Updated: April 13, 2006
Roping Methods (Twisting)

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A step-by-step guide to an experimental method of roping an ikigala drum.
 
Supplies & Tools

Rope
Any strong, non-stretching rope (avoid pure nylon) works. In the cold months, I use static climbing rope with a kevlar core (there is also shock rope; don't use this because it stretches). 5mm (3/8") seems to be a good size. I got my most recent rope from Rhythm Traders. They have solid colors made sprecifically for drum making.
Rhythm Traders

Most of the year, my choice is natural hemp. I change it to synthetic to get tighter heads in the winter. If you are interested in using hemp on your drum, here are some links to websites for ordering.
Scientific Nature Hemp Emporium
Dragonwing
TerraWear.

Dowels

This method will require wooden dowels for tightening the ropes. I chose to make them 12mm (1/2") in diameter, 8cm (3") long. I needed nine of them for the small drum in the step-by-step photos below. The wood is birch.

Tools

  • If you choose wood, you will need to put an edge on the shell. I use a Dremel tool, but you can do the same with a good wood file. Coarse sanding blocks work as well.
  • white chalk for marking the hide.
  • A clamp to hold laces and rope in place while tightening.
  • X-Acto knife or 1/2" leather punch (good luck finding one).
  • Razor blade to cut the hide.
  • Spray bottle filled with water for keeping the hide damp.



Roping Method (V rope)

Roping the Head to the Drum (V rope)

We start this part of the ikigala construction process assuming you have already cut out and prepared the heads for mounting. For this method of roping, you need an even number of holes in each head (the demo example below has 14).

The photos in this series, like most of the tiny photos on this page, are thumbnails. Click them for a larger image.

Now it's time for the vertical rope. Tie a bowline knot in one end of the rope. I have not done this in the photo at right. I will replace the image someday. Pass the other end of the rope over the anchoring rope, and pull it all the way through until the bowline knot seats against the rawhide rope.
Working to the right or left, whatever strikes your fancy, pass the vertical rope down through the bottom rawhide anchor rope. While you are working, spray the heads to keep them wet. Make sure the vertical rope wraps over the anchoring rope the same way on the top and bottom. I pass it under the anchoring rope and over the top.
Continue lacing the drum with the vertical rope in a zig-zag pattern all the way around until you reach the bowline knot.
Pass the end of the vertical rope through the bowline knot and back down towards the bottom of the drum. Again, I didn't use a bowline when I did the work at right, so you'll have to imagine it.
Pass the end of the vertical rope around the rawhide anchoring rope and back up the the other end of the vertical rope. Tie them together tightly.
The vertical rope is now finished, and the drum is ready for the tuning rope.

Inserting the Doweling (V rope)

Now comes the procedure that makes this method unique. You will be wedging the small dowels between adjacent verical ropes and twisting them to hold them in place.

This is best done when the heads are wet. However, in the example photos, the heads are dry.

The photos in this series, like most of the tiny photos on this page, are thumbnails. Click them for a larger image.

Go, first, to the verticals where the ends of your rope come together at the bowline knot and loop.

You will want to insert the first dowel opposite where the bowline knot. The verticals you select should be the first ropes that are "free" (i.e. they aren't involved with the tying off of the ends).

You will notice that one rope is slightly above the other. It passes over the anchoring rope, the other one under.

Insert a dowel by passing it over the "upper" rope and under the "lower" rope.

Keep the dowel wedged up against the drumshell and twist the ropes with the dowel. Twist the lower rope over the upper rope.

Lock the twist in place by wedging the dowel against the shell.

If your verticals are tight, the tension of the twisted rope will press the dowel into the shell. This will hold the twist in place after you let go of the dowel.

My verticals were not tight when I photographed this example (I was actually loosening the drum, rather than tightening it). So, I twisted the ropes one more time. You shouldn't have to do this.

Now, move on to the next vertical pair and follow the same procedure. Unlike the "crossed rope" version below, the twisted verticals will all look the same.

Here's what the drum should look like with two pairs of verticals twisted together. Remember that you will probably only have one twist for each at this point.

When you get to the last pair of verticals, one of them will include the rope that was passed through the bowline knot loop.

The verticals are now all twisted together once (or twice in my case).

Go around the drum twisting all the dowels evenly. Do one twist on each pair as you go around. Then go around again.

On a drum with wet heads, I can usually crank the verticals around about four times. I get them very tight. The drying of the hide will do the rest.

Once the hide is dry, it can be extremely tight.

I wrap the excess rope around the drum at the opposite end from the dowels.

If you have twisted all these with wet heads, you may not have to tighten the drum for a long time. But when you do, just twist the dowels. You can do them all evenly, or get them about equal, which means some may have more twists than the others.

See "Tuning you Ikigala" below.

 

 

Roping Method (crossed rope)

Roping the Head to the Drum (crossed rope)

We start this part of the ikigala construction process assuming you have already cut out and prepared the heads for mounting. For this method of roping, you need an odd number of holes in each head (the demo example below has 9).

The photos in this series, like most of the tiny photos on this page, are thumbnails. Click them for a larger image.

This drum I wanted to have very tight heads. That's why I chose this method of tuning. I also used a thicker shell. The thicker the shell, the more you can round the edges where the skin wraps from the heads to the sides of the shell. I rounded this drum very carefully to provide a gentle low-friction surface.

Begin by making sure that the holes in the top head line up with the holes in the bottom head. This is different from all the other roping methods I have posted. Run an end of the rope through a top anchoring loop.

Pass the rope through the next available anchoring loop in the bottom head.
Now, when you thread the rope through the top head again, skip a loop.
Do the same when you thread through the bottom. From this point on, you will skip a loop every time you run the rope through a loop.
At this point, the drum should look like the one in the photo at right.
Continue around the drum skipping loops as you go. When you have reached the beginning point again, the rope should not meet up with the other end. By continuing your pattern of skipping loops, you should bypass the loop where you started and continue on around a second time.
You should now be threading the rope through the loops you skipped the first time around. The vertical ropes should form Xs where they cross.

When you have threaded the rope around the drum a second time, the two ends of the rope should meet.

Tie a bowline knot in the starting end of the rope. Leave an extra about 50cm (20") as a "tail' at the end. For help tying a bowline knot, visit this website Roper's Knot Pages

Pull the leading end of the rope through the bowline knot.

Bear down a little on the leading end of the rope. Bring the knot down close to the bottom head. Now, go around the drum two or three times and tighten all of the vertical ropes. Watch that you don't tighten any side so much that the heads become uneven. Pull them all down as equally as possible.
To finish the roping, pass the leading end of the rope under the nearest anchoring loop, and pull hard. Tie this end to the "tail" of the bowline knot.

Inserting the Doweling (crossed rope)

Now comes the procedure that makes this method unique. You will be wedging the small dowels between the crossed verical ropes and twisting them to hold them in place.

The photos in this series, like most of the tiny photos on this page, are thumbnails. Click them for a larger image.

Insert one end of a dowel between two vertical ropes where they cross. One rope, which I'll call the "bottom rope", will be under the other rope (the "top rope"). Pass the dowel under the bottom rope. Then pass it over the top rope.
Keep the dowel wedged up against the drumshell and twist the ropes with the dowel. Twist the bottom rope over the top rope.
Lock the twist in place by wedging the dowel against the shell.

The tension of the twisted rope will press the dowel into the shell. This will hold the twist in place after you let go of the dowel.

The adjacent vertical ropes will cross with the oppostie rope on top. As with the first dowel, tnsert this dowel over the top rope and under the bottom one.
Because the cross is reversed from the first vertical pair, the second twist will look different from the first.
The finished drum will have a bucnh of pieces of wood sprouting from it, which might remind you of a porcupine. But looks to be a very efficent tuning system.

To tighten and tune your drum, just give each of the dowels a few twists.

See "Tuning you Ikigala" below.




Tuning your Ikigala

Let us not forget that you will want to keep your drum tuned. They will steadily get lower in pitch as the heads stretch out, especially shortly after they are built. In fact, you will want to tighten them a couple of times as you break them in.

You can tighten the heads on this drum very easily by twisting the dowels. This will work even when the heads are dry.

You can go even farther by soaking the heads in water. You can use wet towels or throw the drum in a swimming pool. Then pull the ropes tight. Probably, you will have to do this at least twice before the heads are stretched out. The drying time will be the same as for the original construction, so you will need to tune your drum three or four days before playing it again. A more time-consuming, but more effective, way is to remove all of the ropes, and soaking the heads by submersion.

For a quick tightening (one or two day's drying), you can just wet the center of the head. When it dries, it will tighten up a bit.


Bass ikigala using this roping method

 


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