Whether your wedding is a simple event, with a few friends or 300 guests, planning is important work! Many brides are not sure what musical selections they want, or where the pieces should be positioned in the ceremony, and part of sunshine harpist's job is to assist you with that. It is my goal to relieve you of all wedding music worries.

 

 

Wedding Music

The harp will lend an ambience of elegance, romance and serenity to this very special event in your lives. Brides comment that the harp brings a unique and memorable beauty that no other instrument can approach. You can also request photos (bride & groom) with the harp to add to your picture memories of your wedding day.


Whether you need just a little assistance, or lots of guidance, Carole is just a phone call or email away:

Phone: 619 / 263-8309 or Email: sunshineharpist@cox.net

* Carole is located in San Diego and serves the greater
San Diego area and San Bernardino County.

Wedding Music


Ceremony Outline

Confused where the music goes? It helps to see it in black and white. Of course, your ceremony can be arranged and individualized, however you choose - but there are four general parts of the ceremony where music is traditionally played:

I arrive early to get set up and make sure my harp is properly tuned. Then I start playing even though there may be nobody there. This creates a relaxing and perfect atmosphere for the wedding party and guests to walk into. Harp music can be very soothing, a quality much appreciated at weddings where there can be a lot of tension.

The processional music for the entering parents, attendants, bride and groom, any special music during the ceremony, recessional, and postlude music at the end as the guests are leaving. Usually just one song from each category is played for processional and recessional. Postlude can be several pieces of music depending on the amount of guests and if reception line going out from the ceremony.

Music can be substituted with other songs not listed here as long as the request is made in advance.


Prelude

This is the time I play while the guests are being seated, approximately 30 to 60 minutes of music. It sets the mood (much as the flowers, decorations, and location as a whole do) as people arrive, and is usually soft background music--not too lively or overstated.

Sometimes brides specify some of the pieces that are to be played during this time (such as during the seating of the parents and grandparents), but generally prefer not to pick out all 30 to 60 minutes of music. It is often best to let me know if there's any broad type of music you do or don't want included, and within those parameters I'll do my best to select pieces that fit the mood and setting you've created. Classical music is recommended if you like to keep the ceremony formal, otherwise, I include romantic love songs and contemporary pieces.


Music for mothers (and bridesmaid)

Same song or different songs can be played for mothers and bridesmaid depending on the size of the party and location. When the party and the wedding site are small, I recommend having the same music for mothers and bridesmaid.


Processional

Sometimes a specific piece of music is played for the mothers. Other times the mothers and bridesmaid use the same processional music depending on the size of the party and location. Mostly the processional is played while the wedding party and bride walk down the aisle. If the wedding party is large, some brides opt to have 2 pieces--one for the wedding party, and one for the entrance of the bride (such as the traditional 'Here Comes the Bride'). For church weddings, some brides even choose to have the harpist play the wedding party processional and have the organist play the wedding march for the bride.

Generally, pieces that make the best processionals are pieces that can be performed at a walking tempo and that can ended at various points during the performance. This is to accommodate the differences in how many people are in your wedding party, the length of the distance they have to travel, and the speed at which they walk. (You don't want to have to wait 5 minutes for the music to end once the bride has reached the altar).

When the bride is ready for her entrance, someone gives me a cue and I start the processional. This can be "Here Comes the Bride" or "Trumpet Voluntary." One nice thing about the harp is how it can take a piece that may be considered old-fashioned or cliché, and give it new life.

Processional (C. Artish) — A contemporary piece that sounds like the wedding march but with a less traditional flavor to the piece.

Canon in D, by Pachelbel — A commonly used piece, and one I recommend highly. It sounds great on the harp, and can be easily tailored any length necessary. Its mood is gentle and flowing.

Jesus, Joy of Man's Desiring, by J.S. Bach — Commonly used as a processional, this piece is is gentle and flowing and has religious meaning.

Bridal Chorus (Here Comes the Bride), by Wagner — This is a traditional wedding march which works on the harp. It can also be used for the entrance of the bride only. Its mood is majestic.

Wedding March, by Mendelssohn — This is the other traditional wedding march. It also works on the harp and can be used solely as the bride's music. Its mood is grand and majestic.

Lady Athenry, by O’Carolan — This is traditional Irish piece (celtic). It is gently and flowing with a lilt.

Hartes Ease — A Renaissance piece that is played grandly.


Recessional

The recessional music is played as the bride and groom, wedding party, and wedding officiate walk back out down the aisle. The music is usually upbeat and celebratory, and does not have to be very long.

Wedding March, by Mendelssohn — This is another processional that works as a recessional. It's a good piece for giving the ceremony a traditional feel.

Trumpet Tune, by Purcell — Another traditional wedding piece that works on the harp.

Trumpet Voluntary, by Purcell — A traditional wedding piece which works on the harp. It heralds forth the newly wedded couple like a fanfare.

Planxty Irwin, by Sir Charles Cooteare — A lively Irish pieces by O’Carolan. Planxty Irwin being more grand and Sir Charles Coote being more light and merry.
La Volta A lively Renaissance piece.


Postlude

The postlude music is played immediately after the recessional as the guests leave their seats. Postlude music is not always needed, but if the guests are leaving slowly (particularly if the wedding party is greeting each guest in a reception line on the way out), it is nice to fill the time with upbeat, celebratory music.


Cocktail Hour/Reception

I can also play for cocktail hour and/or reception. This is recommended to small wedding parties, or those who like to have intimate and quiet gathering during the meal. Additional Wedding Music - $65.00/hr. – This would include receptions or dinner music.

Don't forget music under the special scripture or readings, during the candle-lighting or ring exchange ceremony. Would you like a special song while the mothers of the bride and groom are escorted to their seat? The harp sounds beautiful in these spaces, and the Ceremony Outline page will help you understand and place these parts of the ceremony, and outline where the music goes.

  • Repertoire List - Three pages of musical selections to choose. Styles are traditional, classical, sacred, and contemporary.
  • Handy Check Sheet - the couple can fill in their musical selections on this handy form.


Christian Ceremonies

I have a large repertoire of hymns that you may wish to include in your ceremony.


Other Religions and Ethnic Cerimonial Music

I am quite willing to expand my repertoire in order to make your ceremony exactly what you want it to be. You may have to provide the music, but if it can be arranged for harp I will do so.

 

 

For Consultations, bookings and information, please contact:

E-mail: SunshineHarpist

Tel: (619) 263-8309