<%@LANGUAGE="VBSCRIPT" CODEPAGE="1252"%> 14Mar04_sdei

The Teachers' Education Institute


Contact: Dr. David L. Mollet  tel/fax (619) 463-1270   email: tei@cox.net
6656 Reservoir Lane, San Diego, CA 92115



Narrative as an integral part of teaching history

"They say I tell a great many stories; I reckon I do, but I have found in the course of a long experience that common people, take them as they run, are more easily informed through the medium of a broad illustration that in any other way, and as to what the hypercritical few may think, I don't care." Abraham Lincoln

California History/Social Science Framework
This Framework emphasizes the importance of history as a story well told. Whenever appropriate, history should be presented as an exciting and dramatic series of events in the past that helped to shape the present. The teacher should endeavor to bring the past to life, to make vivid the struggles and triumphs of men and women who lived in other times and places.... teachers must never neglect the value of good storytelling as a source of motivation for the study of history.

Teachers of history and teachers of language arts must collaborate to select representative works. Poetry, novels, plays, essays, documents, inaugural addresses, myths, legends, tall tales, biographies and religious literature help to shed light on the life and times of the people. Such literature helps to reveal the way people saw themselves, their ideas and values, their fears and dreams and the way they interpreted their own times.

United States Department of Education
Even students with low motivation and weak academic skills are more likely to listen, read, write and work hard in the context of storytelling.

National Council for Teachers of English
Story is the best vehicle for passing on factual information. Historical figures and events linger in children's minds when communicated by way of narrative. The ways of other cultures, both ancient and living, acquire honor in story.


Storytelling - an important teaching strategy.
I'm going to use material that I am familiar with but the principles can be applied to any story. Obviously you would choose material appropriate for the grade you would teach and I assume you would choose a story you like and that you are familiar with. I'm going to use the ancient civilization of India, namely the Indus Valley Civilization c.2500-1500 B.C.E. prior to the arrival of the Aryans along the Indus, as my illustrative material. The lesson is part of the WER Unit, Ancient Civilizations: India and is self contained. However, if teachers wish to expand the work on the Indus Valley civilization further lessons may be found in Ancient Civilizations: India. The lessons in the Unit include geographic background (Module1, Lesson1), historic background (Module1, Lesson 2), information on seals and a craft activity on making seals (Module1, Lesson 3), and a lesson on deforestation using the Indus Valley for illustration (Module1, Lesson 4).

Five main points.
1. Affective
2. Cognitive - the effectiveness of stories to transmit knowledge

3. Including Language Arts
4. Introduction of different concepts

5. Scaffolding/Sequential Learning

1. Affective
Storytelling gives students an experience of a civilization. It brings into the learning situation their imagination and the creative side of their nature. It should result into a far deeper experience of what it might be like to live in an ancient civilization than if they had learned about it in any other way.Students learn with the right hand side of the brain as well as the left (I assume it is accepted that both sides of the brain should be developed in balance and harmony with each other).The purpose of this story, Life in the Indus Valley, is to introduce students to the Indus Valley civilization. It gives them some experience of the people that influenced the later civilizations of the Indian subcontinent. The approach allows students to concentrate on the content of the story unhindered by the task of decoding. This freedom also gives them more scope to use their imagination in order to enter into the lives of these people and feel what it was like to live in those times.

In detail the purpose of the story is to:

  • extend the students' knowledge of one aspect of Harappan society;
  • explore certain aspects in more depth;
  • provide an experience of an ancient civilization through the affective realm;
  • familiarize students with story content, sentence structures and vocabulary so that at a later stage they can more easily read and work independently on parts of the story.

    Life in the Indus Valley by Joyce and David MolletToday, the Indus Valley is a barren desert, broken only by the winding River Indus. A long time ago, when the land was first settled, the Indus Valley was a lush and fertile jungle. It was the home of all manner of wild beasts.

    This story tells of that time, many years ago, when the Indus Valley was fertile and prosperous.

    Indatri, had been born and raised in the town of Mohenjo-Daro. When she was 12 her father,who was a trader, moved his family to the coastal city of Balakot.

    Balakot was a port on the main trade route. Boats arrived there daily. They brought goods to the city from far afield. Once unloaded the boats would be quickly filled with a new cargo and were ready to continue their journey.

    A New Beginning
    Indatri awoke and opened her eyes. For a moment she didn't know where she was. She then remembered, she was in her new bed, in her new room. Her first thought was that she was glad the long journey was over.

    It was several weeks since she and her family had said good-bye to their home town of Mohenjo-Daro. Together they had started the 250 mile journey down to the coast.

    It had been a slow journey for they had with them everything they owned. Their possessions were packed into bullock carts, and they could travel only as fast as the slowest cart.

    The Decision Explained
    Although a beautiful new house awaited them in the coastal town of Balakot, Indatri could not shake off the sadness of leaving her friends and everything that was familiar.

    She did not blame her father for moving. It had all made perfect sense when he had talked to them some months ago.

    "Your grandfather has become too old to oversee the coastal trade route," Avara explained to Indatri. "I must move to the coast and take over that part of the family business."

    "Your brother, Datri, will stay here in Mohenjo-Daro to take care of the land routes, and your uncle will stay in Harappa to deal with the inland trade."

    Thoughts of Home
    Trade was very important in the Indus Valley. It was second only to the farming that thrived around Mohenjo-Daro.

    Indatri would often escape with her pet dog into the fields around her home. She had to keep him close to her because he loved to nip the camels' ankles or chase the cattle into the wheat fields.

    Fields of wheat and barley stretched as far as the eye could see, and melons, sesame, field-peas and dates grew in abundance.

    "Will I ever stop longing for my home land?" Indatri thought to herself.

    Just then she heard the heavy rumbling of bullock carts passing the house.

    "This is a very early hour for street traffic," she said to herself.

    Houses in the Valley
    Indatri could not peer out of a window to check on what was happening, for the house had no windows facing onto the street.

    Her new house was much the same as the one she had left in Mohenjo-Daro and similar to her uncle's house in Harappa.

    It was quite large, and in the center was an open courtyard. Stairs led up to a flat roof. With a bucket and long rope the family brought up water from a well in the courtyard and in the bathroom there was a drain into an underground sewer system.

    Running through the silent house in her bare feet, Indatri made her way up to the flat roof. She peered over the low wall to the street below. There she saw a string of bullock carts. In the soft light of dawn she could see that wicker baskets filled the carts and hung from every side.

    What she saw inside the baskets made her gasp with horror. There were birds in every basket, mainly black crows and all pecking and struggling to get free. She had never seen anything like this in Mohenjo-Daro.

    "Those poor birds," she thought, "This is an awful place. I shall never get used to it."

    Mohenjo-Daro
    At that moment she felt an overwhelming urge to be back in her home city. In her imagination she was there, climbing the thirty foot mound to the great citadel.

    She remembered the first time her father had taken her to the public buildings and they had looked down on the huge, surrounding, brick wall.

    The citadel was the center of religion and government for Mohenjo-Daro's 35,000 people.

    In the middle of the citadel was the Great Bath. It was a huge, deep bath with steps leading into it. The people used it for religious purposes because they believed water to be a great purifier.

    Indatri remembered the great granary in Mohenjo-Daro where the grain was stored.

    It was a huge building made of thousands of fired bricks and could hold enough food to feed the entire city for a long time.

    Closing her eyes, Indatri could see herself running through the wide main streets of Mohenjo-Daro.
    The main streets ran from north to south. There were smaller streets that ran from east to west and even narrower lanes that divided the houses.

    A Common Plan
    "All our cities are alike, Indatri," her father had once told her. "Our valley has a strong central government that rules all the cities. When the cities were first built, they were all planned by the same people," he explained.

    "Could it be then, that Balakot will be familiar?" she wondered.

    At that moment the squawking of the birds brought her back to the present. Racing down the stairs and out of the house, she decided to find out what was to happen to the poor creatures.

    Following the carts she found herself heading towards the seashore. She passed the many craft workshops not yet open for business and soon reached the waterfront.

    A Discovery

    Sadly she watched as the bird catcher loaded the baskets on to the various ships that were tied up along the front.

    "You poor birds," she whispered to herself. "So that's what happens to you. Served up for meals on board ship during the long voyages."

    Although Indatri was used to a meal of chicken, the thought of these birds of the air caught and kept captive upset her. With tears in her eyes she turned for home.

    In the light of the morning she had to admit that the sight of her new house did feel comforting.

    The house, like nearly every building in the cities of the Valley, was made of baked clay bricks with strong wooden beams to support the flat roof. It was a familiar sight. It could almost have been her old home.

    Beautiful Possessions
    "Where have you been?" Yamuru, her mother, called, hardly stopping from the task of unpacking. Yamuru was safely storing her most precious possessions.

    She was carefully unpacking her best pottery. She was so pleased that the fine pots with their beautiful designs had not been broken on the journey.

    Arranged on a colorful cotton cloth were all sorts of bright and beautiful beads and a beautiful necklace made of turquoise and lapis lazuli. She would pack these into little wooden boxes.

    All the women wore jingling bangles, sparkling earrings, and brightly beaded necklaces. Yamuru would often wear her hair in braids, or, if it was a special occasion, she would put it up in a fancy headdress and look as beautiful as the richest lady.

    "I have seen such a sad thing," said Indatri and she poured out her story.To her surprise her father threw back his head and laughed heartily.

    Returning to the Waterfront

    "Come," he said to his daughter. "Get yourself something to eat and come with me. I have to meet with the captains of some of the ships down at the waterfront."

    Avara went in search of his seal and carefully arranged it around his neck. Every trader had to have one. It was like a signature.

    Avara's seal, a horned bull, looked very fine resting against his colorful cotton robe. It showed his importance in the community and Indatri walked proudly beside her father.

    The waterfront was even more crowded than earlier."The ships are quite different to the flat-bottomed boats we used to see on the river in Mohenjo-Daro, father," said Indatri."You are right, child. That is because these ships go out to sea," her father replied."Some of these ships have traveled west along the coast collecting copper from Afghanistan; others further south to India for gold.

    These are the ships that have traded timber, ivory and pottery in Mesopotamia and silver and turquoise in Persia. Many have come from the port of Lothal and are calling in at Balakot before heading further west."


    Indatri Learns the Truth
    Avara stopped to talk to one of the captains. Indatri knew her father had repeated her story to the captain because he came over, laughing, just as her father had.

    "The last thing you should do, young lady, is to fret over these birds,"
    the captain said to her. "We treat them with the utmost care for there are times when these creatures are our lifeline."

    Indatri looked at him questioningly.

    "We never sail without our birds on board," continued the captain. "When a mist comes down at sea, or we lose sight of land, it can be frightening. We release one of our birds and it immediately flies towards the nearest land. If we follow the path of the bird we will always head safely home."

    Indatri smiled with relief. She now knew that these birds would eventually fly free.

    Things Look Brighter
    "Come, my daughter, we must return home," Avara said. "My work is finished for today."

    Indatri began to see Balakot in a new light.

    "Maybe this will not be such a bad place to live,"
    she thought. "It might even prove to be more interesting than Mohenjo-Daro."

    A terracotta amulet discovered by archaeologists in Mohenjo-Daro shows a representation of a ship together with "compass birds."

     


    Top (Five main points)

    2. Cognitive - the effectiveness of stories to transmit knowledge
    I believe that if we can format content so that it relates to the mindset of the student, the student will learn more easily and quickly than if otherwise had been the case. If it is possible work with a partner and create a story web similar to the one below - create other titles if they are more appropriate for your story. If you decide to use the above story use the story web below or something similar. Fill out the cells with facts and content from the story. As an adult put on hold for the moment all that you know already about the civilization and imagine that listening to the story is your first contact with this civilization. Take 5-10 minutes to do this then come together and discuss whether you think your students would learn and retain more with this method rather than learning through a more stricter cognitive approach

    .

    You will find photographs to help you at the following site.
    http://www.harappa.com/har/har0.html

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    3. Including Language Arts
    When stories are used as an integral part of the history lesson it becomes far easier to bring the language arts into the lesson. Far easier to teach the language arts including reading skills and the language skills that are essential to social studies.For example, the ability to:
    * compare and contrast
    * see different viewpoints
    * hypothesize, and so on.Three examples of assignments where the language arts are incorporated into social study lessons.

    3a. Ask the students to create a travel brochure for the region they are studying. This is an ideal language arts project for the students are asked to use the information they gained from literal recall of the text (and organized in the story web). They can then progress to sorting the information into categories, using that information creatively and with imagination and also they can carry out research to increase their knowledge.

    Travel Brochure
    Introduction
    • Imagine that you are a resident of Mohenjo-Daro.
    • You have been employed by the central government to promote tourism as an industry.
    • One of your first tasks is to design a travel brochure.
    • These will be distributed along the trade-route linking the Indus Valley with Sumer in Mesopotamia.
    • They will be distributed in large numbers in Ur.
    1. This is what you do
    2. Prepare a letter-size sheet of paper by folding twice.
    3. This will give you three areas to work on for the outside of the brochure, and one large area inside.
      Prepare your information
      1. Review the story on the Indus Valley Civilization.
      2. Carry out research to extend your knowledge of this culture.
      3. Divide your information into the groups found in the next column.
    Divide information into:
    • the accommodations (that is the type of housing) visitors to Mohenjo-Daro can expect, and what things are available for their comfort;
    • the route that will take them from Ur to Mohenjo-Daro and the kind of terrain they can expect to pass through;
    • the mode of transportation;
    • what gifts tourists can expect to buy in the city;
    • what there is to see and do in Mohenjo-Daro.
    Design your brochure
  • Create a colorful and eye-catching cover for your brochure.
  • Present the information on accommodation on the inside cover.
  • Assemble your information on transportation and route on the back of the brochure.
  • Remember that you want to attract visitors so you will want to present hardship and danger on the journey as excitement and adventure.
  • Use the inside of the brochure to present the information on "what to do," "what to see," and "what to buy."
  • Make it as attractive, appealing and informative as you can. Balance the text with illustrations and use plenty of color.
  • Top (Five main points)

    3b. A second example would be a Guided Reading assignment.
    An important comprehension skills that should be developed in students is the ability to make inferences, namely to read between the lines of the text. Working with an historical text is an ideal way to develop this skill. The Guided Reading contains questions that require students to go beyond the literal recall of the text. This is a more demanding assignment and requires students to work with selections from the text, making inferences about the civilization that are not overtly stated in the story

    .

    The following are suggested answers to the questions.
    1. Ship's compass
    A device used to determine geographic direction, usually consisting of a magnetic needle or needles horizontally mounted or suspended and free to pivot until aligned with the magnetic field of the earth.

    2. "A well in the courtyard supplied the family's water and the bathroom drained into an underground sewer system."

    3. Making Inferences
    Students' answers will vary but evidence of the following should be looked for.
    (a) Since the religious buildings were at the heart of the city, and there is evidence of many resources given to religious structures, then it can be inferred that religion played an important part in the lives of the people.

    (b) The construction of such a large building, with the storage of enough grain for a city, suggests a very strong central government.

    (c) Well-planned cities suggest strong and central control, and a well-developed system of organization that could carry out overall planning.

    (d) The society had many skilled people producing high quality wares. It can, therefore, be inferred that there was a large food surplus produced that could support people engaged in work other than food production. The quality of the wares suggests that there was a long tradition of craft production.

    (e) The crops that the people produced included cotton and they had the skills to spin and weave it into cloth. They also had the skill and knowledge to dye the cloth with bright colors.

    3c. As an introduction to other subject areas.
    The story introduces students to seals in the Indus Valley civilization. The use of seals was very important in this culture, over 1,200 were found in Mohenjo-Daro and more than 2,000 in the area as a whole. The subject could be used in various ways to introduce a balance in learning between the "head, heart and hands".

    Top (Five main points)

    4. Introduction of different concepts.
    There are many concepts in social studies that are difficult for students to learn and understand. For example such concepts as:
    ,* change *continuity *culture *justice *technologyas well as thematic concepts such as:
    *civilization *human-environment interaction *religion *society

    5. Scaffolding/Sequential Learning
    Scaffolding of assignments is far easier from the teachers' viewpoint if the assignments are built around a story. For example in the above three assignments have been suggested. Each one is a little more demanding than the last, and each utilizes the knowledge of the previous assignment.

    The Story Web
    This assignment calls for literal recall of the text and requires students to recall facts about the society that they have absorbed while listening to the story.

    Travel Brochure
    This is a more demanding task. In order to complete this assignment, students will need to use the information gathered in the story web and use it imaginatively and in a creative way.

    Guided Reading
    The Guided Reading contains questions that require students to go beyond the literal recall of the text. This is a more demanding assignment than the last one in as much as it requires students to work with selections from the text, making inferences about the civilization that are not overtly stated in the story.

    We have seen how a story can be an important and appropriate way to introduce to students content of an ancient civilization. We will now examine the structure of a story.

    Structure of a Story
    This structure will include:
    Theme, Setting, Characters and Plot.1. Theme: What the material is about - Overview.
    2. Setting: Where?
    3: Characters: Who?
    4. Plot: What the material is about - to include: opening, conflict, resolution.

    Use the example from the Student Information Sheet Egyptianization of Kush, or material chosen by yourself

    .

    Alternatively, if you have a particular interest in Egypt, Greece or Rome you could use one of the following as your outline.

    Decide whether you want to work alone or find a partner (recommended) or in a small group. Write the story in your own words. The following is obvious but do check and see that you have a theme, setting, characters and plot. Find a partner or work in a small group. Each one of you draw a table like, or similar to, the one below.

    Top (Five main points)

    Story Presentation - Tools and Techniques

    If you wish to have other details on the ingredients of communication, and tables for monitoring and assessing your presentation, please see below. Read your story to your partner or other members of your group. The greatest gift you have in telling your story is your voice. Invite your partner(s) to constructively comment on your presentation. Good luck with your teaching - do think seriously of telling stories as an important way of reaching your students. Take care.



    Overview of Storytelling for Presentation


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    Overview of Storytelling - Original Version


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    The following is not part of the presentation but is added in case teachers need assessment rubrics for the assignments.

    Assessment Rubric
    Evidence of the following skills and knowledge should be looked for in the student's completed assignment.

    Assessment Rubric for Question 1
    The student's correct answer:
    a) reflects his/her understanding of the purpose of having birds aboard ship in ancient times;
    b) links past and present through a common feature;
    c) if comprehensive, shows evidence of research.

    Assessment Rubric for Question 2
    A relevant quotation reflects:
    a) an ability to select relevant information from the given text;
    b) an ability to select evidence to support a given view.

    Assessment Rubric for Question 3
    The student's answers:
    a) contain at least one inference for each of the five quotations;
    b) give reasons for the inferences made;
    c) reflect the student's ability to go beyond the literal level of the text and read between the lines.
    Top (Five main points)

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